{"title":"Hasselblad V Lenses","description":null,"products":[{"product_id":"xeen-cf-135mm-t2-2-ff-cine-canon-meter","title":"XEEN CF 135mm T2.2 FF Cine Canon (Meter)","description":"\u003ch2\u003eXEEN CF 135mm T2.2 FF Cine Canon (Meter) | Long-reach framing with cinematic exposure control\u003c\/h2\u003e\n\u003cp\u003eGive a face or small on-screen detail its own space in the frame, with the background rendered less prominently. The XEEN CF 135mm T2.2 is a full-frame cinema prime for filmmakers who want a tight, deliberate view rather than the feel of a general-purpose lens. Its 135mm focal length and 18° angle of view make it well suited to isolated portraits, close framing from farther back, and carefully composed cutaways. The T2.2 maximum aperture gives you room to work in lower light and helps separate your subject from the background. Manual focus puts the focus pull under your control, which is useful when a shot needs a planned change of focus. This lens is best suited to video and filmmaking where you can choose the camera position and build the shot around its narrow view.\u003c\/p\u003e\n\u003cdiv class=\"specialist-note\"\u003e\n\u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n\u003cp\u003eThe XEEN CF 135mm T2.2 is at its best for close, composed portraits and detail shots from a little distance. At T2.2, you can keep the exposure workable in dimmer scenes while giving a face more separation from what’s behind it; take care with focus, because that look leaves less room for error. Its 135mm focal length asks for space between camera and subject, so I’d plan it for a controlled setup rather than a cramped room. It suits filmmakers who like to shape a shot deliberately and pull focus by hand. For a scene that needs wide establishing views too, pair it with a wider focal length.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eProduct kind: Interchangeable lens\u003c\/li\u003e\n\u003cli\u003eFocal length: 135mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.2\u003c\/li\u003e\n\u003cli\u003eLens type: Short Telephoto Prime\u003c\/li\u003e\n\u003cli\u003eSensor format: Full Frame\u003c\/li\u003e\n\u003cli\u003eFocus: Manual Focus\u003c\/li\u003e\n\u003cli\u003eAngle of view: 18°\u003c\/li\u003e\n\u003cli\u003eSuited for: Video, Filmmaking\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"XEEN","offers":[{"title":"Default Title","offer_id":57564170191188,"sku":"1014888374","price":1831.87,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/1014888374_01.jpg?v=1791805690"},{"product_id":"xeen-cf-16mm-t2-6-ff-pl","title":"XEEN CF 16mm T2.6 FF PL","description":"\u003ch2\u003eXEEN CF 16mm T2.6 FF PL | Broad views, manual cine control\u003c\/h2\u003e\n\u003cp\u003eFor filmmaking in tight locations or scenes that call for a broad sense of space, the XEEN CF 16mm T2.6 FF PL is an ultra-wide prime with a full-frame image area and an angle of view of around 107°. It’s an interchangeable lens for video work where you want to include more of a room, set or landscape in the frame without moving the camera far back. The 16mm focal length gives compositions a strong sense of scale, so it can work well for establishing shots as well as close, immersive views. Manual focus puts focus adjustments in the operator’s hands, while the T2.6 maximum aperture gives you room to manage exposure as available light changes. Its PL mount makes it a lens to consider for a PL-mount filmmaking setup. This is a specialist wide view, rather than a general-purpose focal length.\u003c\/p\u003e\n\u003cdiv class=\"specialist-note\"\u003e\n\u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n\u003cp\u003eA confined set can leave you with no room to step back and fit the scene into frame; this 16mm gives you a way to hold onto that wider view. I’d use it for a room-establishing shot or to bring a nearby foreground subject into an immersive composition. Keep an eye on the edges of frame, where the expansive view makes placement matter. The T2.6 maximum aperture gives you some flexibility when the light level is limited, while manual focus suits a crew member who wants direct control over focus changes. It’s best when that broad perspective is part of the visual plan, not when you need a restrained, natural-looking view.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eProduct kind: Interchangeable lens\u003c\/li\u003e\n\u003cli\u003eLens type: Ultra Wide Prime\u003c\/li\u003e\n\u003cli\u003eFocal length: 16mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.6\u003c\/li\u003e\n\u003cli\u003eMount: PL\u003c\/li\u003e\n\u003cli\u003eSensor format: Full Frame\u003c\/li\u003e\n\u003cli\u003eFocus: Manual Focus\u003c\/li\u003e\n\u003cli\u003eAngle of view: 107°\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"XEEN","offers":[{"title":"Default Title","offer_id":57564172157268,"sku":"1480161614","price":1831.87,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/1480161614_01.jpg?v=1791805692"},{"product_id":"xeen-cf-24mm-t1-5-ff-cine-pl","title":"XEEN CF 24mm T1.5 FF Cine PL","description":"\u003ch2\u003eXEEN CF 24mm T1.5 FF Cine PL | Broad, controlled cinema framing\u003c\/h2\u003e\n\u003cp\u003eWhen a scene needs to show its surroundings as well as its subject, this is where the XEEN CF 24mm T1.5 FF Cine PL earns its place. It’s a wide-angle prime for filmmakers who want a broad, deliberate frame in one shot, especially on sets, in interiors or for establishing views. The 24mm focal length leaves room for context, while the estimated 84° angle of view gives you an expansive composition. Its PL mount makes it a cinema-lens option for PL workflows. Choose it when the space is part of the story: a performer framed with the room around them, or a location whose layout helps set the scene. It’s a focused tool for wide compositions, rather than a focal length intended to cover every shot.\u003c\/p\u003e\n\n\u003ch3\u003eMaking a wide frame work\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eKeep the setting and the subject together in one composed view.\u003c\/li\u003e\n  \u003cli\u003ePlan the camera position around the space you want in the frame.\u003c\/li\u003e\n  \u003cli\u003eAs a prime lens, it asks you to shape the shot through camera placement rather than changing focal length.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eOn set\u003c\/h3\u003e\n\u003cp\u003eGive the composition a clear subject, even when you’re including plenty of the surrounding space. In a room or on a set, take care with what enters the edges of the frame; a broad view makes the environment an active part of the image.\u003c\/p\u003e\n\n\u003cdiv class=\"specialist-note\"\u003e\n\u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n\u003cp\u003eThe XEEN CF 24mm T1.5 FF Cine PL can hold a confined dialogue setup in one coherent frame, instead of solving the room with coverage from several angles. Its T1.5 rating gives you room to work with less set light; I’d start wide open when you want to preserve the available lighting. Full-frame coverage makes it suitable for full-frame image capture, using the intended sensor area. It suits filmmakers who like to pull focus deliberately: plan your focus marks for a measured move during dialogue. The trade-off is manual focus, so it’s not the lens for hands-off autofocus.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eProduct kind: Interchangeable lens\u003c\/li\u003e\n  \u003cli\u003eFocal length: 24mm\u003c\/li\u003e\n  \u003cli\u003eMaximum aperture: T1.5\u003c\/li\u003e\n  \u003cli\u003eLens type: Wide Angle Prime\u003c\/li\u003e\n  \u003cli\u003eMount: PL\u003c\/li\u003e\n  \u003cli\u003eSensor format: Full Frame\u003c\/li\u003e\n  \u003cli\u003eFocus: Manual Focus\u003c\/li\u003e\n  \u003cli\u003eAngle of view: 84°\u003c\/li\u003e\n  \u003cli\u003eColour: Black\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"XEEN","offers":[{"title":"Default Title","offer_id":57564173402452,"sku":"1480241614","price":1831.87,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/1480241614_01.jpg?v=1791805693"},{"product_id":"xeen-cf-35mm-t1-5-ff-cine-pl","title":"XEEN CF 35mm T1.5 FF Cine PL","description":"\u003ch2\u003eXEEN CF 35mm T1.5 FF Cine PL | A bright 35mm view for cinema\u003c\/h2\u003e\n\u003cp\u003eWhen a scene calls for a consistent angle of view, switching focal lengths can interrupt the rhythm of a take. This 35mm standard prime gives filmmakers a fixed perspective to build a shot around, with a fast maximum aperture of T1.5 for working with limited light or shaping depth of field. Its Full Frame coverage suits productions using larger-format sensors, while the PL mount makes it relevant to filmmakers working with PL-mount camera systems. Focus is manual, so it’s made for deliberate focus work rather than quick autofocus. That can be a real advantage when focus needs to follow a planned move, but it does ask for attention from the operator or focus puller. Use it for interviews, dialogue scenes and considered camera moves where a dependable 35mm framing matters. As a prime, it won’t zoom; you’ll change the composition by moving the camera.\u003c\/p\u003e\n\u003cdiv class=\"specialist-note\"\u003e\n\u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n\u003cp\u003eManual focus is a commitment, and it’s the main thing I’d weigh before choosing this lens. The payoff is a bright T1.5 maximum aperture: for a dim interior or an evening dialogue scene, you can open up to make better use of the available light. The 35mm focal length gives you room to include a person and some of their surroundings, which works well for a seated interview or a two-person scene; set your frame first, then rehearse the focus move before rolling. I’d suggest it to filmmakers who plan their shots and want Full Frame coverage in a PL prime. For fast, unplanned reframing, a zoom may suit your workflow better.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eProduct kind: Interchangeable lens\u003c\/li\u003e\n\u003cli\u003eLens type: Standard Prime\u003c\/li\u003e\n\u003cli\u003eFocal length: 35mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T1.5\u003c\/li\u003e\n\u003cli\u003eMount: PL\u003c\/li\u003e\n\u003cli\u003eSensor format: Full Frame\u003c\/li\u003e\n\u003cli\u003eFocus: Manual Focus\u003c\/li\u003e\n\u003cli\u003eAngle of view: 63°\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"XEEN","offers":[{"title":"Default Title","offer_id":57564174221652,"sku":"1480351614","price":1831.87,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/1480351614_01.jpg?v=1791805695"},{"product_id":"xeen-cf-50mm-t1-5-ff-cine-pl","title":"XEEN CF 50mm T1.5 FF Cine PL","description":"\u003ch2\u003eXEEN CF 50mm T1.5 FF Cine PL | A bright prime for controlled cinema work\u003c\/h2\u003e\n\u003cp\u003eWithout a dedicated prime, a dialogue scene is often framed by adjusting a zoom; this lens gives you a fixed 50mm view to build a shot around. The XEEN CF 50mm T1.5 FF Cine PL is an interchangeable cinema lens for filmmakers who want a standard-prime perspective on a Full Frame sensor. Its T1.5 maximum aperture gives you room to work in lower light and control how much of the scene appears in focus. The lens has a PL mount and manual focus, so it suits crews who prefer to set focus themselves while filming. Renz estimates its angle of view at 47°. That makes it a considered fit for interviews, dialogue and narrative scenes where a natural-feeling, carefully composed frame matters more than changing focal length mid-shot. It’s a specialist tool for video and filmmaking, rather than an all-purpose stills lens.\u003c\/p\u003e\n\u003cdiv class=\"specialist-note\"\u003e\n\u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n\u003cp\u003eIs the XEEN CF 50mm T1.5 FF Cine PL a good fit for full-frame dialogue scenes? Yes, especially when you want a steady, standard-prime framing and control over focus. At T1.5, you can open the lens up when the scene is dim, and the reduced depth of field can help draw attention to a speaker. For an interview, keep the camera on the subject and use the 50mm view to hold a composed, direct frame; for a narrative close-up, focus manually as the actor moves through the shot. I’d choose it for a planned setup where that fixed perspective is an advantage. It won’t give you zoom flexibility, so plan your framing around the prime.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eProduct kind: Interchangeable lens\u003c\/li\u003e\n\u003cli\u003eFocal length: 50mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T1.5\u003c\/li\u003e\n\u003cli\u003eLens type: Standard Prime\u003c\/li\u003e\n\u003cli\u003eMount: PL\u003c\/li\u003e\n\u003cli\u003eSensor format: Full Frame\u003c\/li\u003e\n\u003cli\u003eFocus: Manual Focus\u003c\/li\u003e\n\u003cli\u003eAngle of view: 47° (Renz estimate)\u003c\/li\u003e\n\u003cli\u003eColour: Black\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"XEEN","offers":[{"title":"Default Title","offer_id":57564175106388,"sku":"1480501614","price":1831.87,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/1480501614_01.jpg?v=1791805696"}],"url":"https:\/\/www.htf-store.com\/ar\/collections\/lenses-hasselblad-v.oembed","provider":"Hard to Find Camera Store","version":"1.0","type":"link"}