{"title":"Sony Lenses","description":null,"products":[{"product_id":"sony-fe-70-200mm-f-2-8-gm-oss","title":"Sony 70-200mm f\/2.8 GM OSS","description":"\u003ch3 data-path-to-node=\"0\"\u003eSony  70-200mm f\/2.8 GM OSS - Good Condition | Telephoto Zoom Lens | Professional G Master Optical Excellence\u003c\/h3\u003e\n\u003cp data-path-to-node=\"1\"\u003eThe Sony  70-200mm f\/2.8 GM OSS (S\/N: 1806510) is a cornerstone of Sony’s professional G Master series, engineered to deliver the absolute pinnacle of optical performance for full-frame A-mount mirrorless cameras. Designed to meet the rigorous demands of sports, wildlife, and wedding photographers, this lens maintains a bright, constant f\/2.8 aperture throughout its entire zoom range, providing exceptional low-light capability and stunning subject separation. \u003c\/p\u003e\n\u003cp data-path-to-node=\"2\"\u003e\u003cb data-path-to-node=\"2\" data-index-in-node=\"0\"\u003eKey Features\u003c\/b\u003e\u003c\/p\u003e\n\u003cul data-path-to-node=\"3\"\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"3,0,0\"\u003eConstant f\/2.8 maximum aperture for consistent exposure and deep background blur\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"3,1,0\"\u003eProfessional G Master optics with XA and ED elements for extreme resolution\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-path-to-node=\"5\"\u003e\u003cb data-path-to-node=\"5\" data-index-in-node=\"0\"\u003eCondition Report\u003c\/b\u003e Good condition. The lens barrel (S\/N: 1806510) shows normal signs of light professional use and minor cosmetic surface wear consistent with its age. The front and rear glass elements are clear, free from fungus, haze, or significant scratches. The autofocus system and Optical SteadyShot (OSS) have been fully tested and are operating to factory specifications. Both the zoom and focus rings move smoothly with appropriate resistance. The Sony A-mount is in excellent condition, ensuring a secure electronic connection and weather-sealed fit to your camera body.\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003e\u003cb data-path-to-node=\"6\" data-index-in-node=\"0\"\u003eSpecialist Note\u003c\/b\u003e \"The 70-200mm GM is the lens that lives in every professional Sony shooter's bag for a reason. What I love about this S\/N: 1806510 is the sheer 'bite' of the images—the micro-contrast is so high that the photos almost look three-dimensional. The autofocus is so fast that it feels like it's reading your mind. It’s a heavy-duty, professional instrument that handles beautifully despite its size. If you need a lens that can do it all—from sideline sports to high-end fashion—this G Master is the gold standard.\"\u003c\/p\u003e\n\u003cp data-path-to-node=\"7\"\u003e\u003cb data-path-to-node=\"7\" data-index-in-node=\"0\"\u003eWhat's Included\u003c\/b\u003e\u003c\/p\u003e\n\u003cul data-path-to-node=\"8\"\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"8,0,0\"\u003eSony 70-200mm f\/2.8 GM OSS Lens (S\/N: 1806510)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"8,1,0\"\u003eSony ALC-SH145 Lens Hood\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"8,2,0\"\u003eFront Lens Cap (77mm)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"8,3,0\"\u003eRear Lens Cap (Sony A-mount)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"8,4,0\"\u003eRemovable Tripod Mount Foot\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-path-to-node=\"9\"\u003e\u003cb data-path-to-node=\"9\" data-index-in-node=\"0\"\u003eTechnical Specifications\u003c\/b\u003e\u003c\/p\u003e\n\u003cul data-path-to-node=\"10\"\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"10,0,0\"\u003eCamera Type: Lenses\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"10,1,0\"\u003eLens Mount: Sony A-mount (Full-Frame)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"10,2,0\"\u003eFocal Length: 70-200mm\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"10,3,0\"\u003eAperture Range: f\/2.8 - f\/22\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"10,4,0\"\u003eCategory: 2. Lenses ▸ Telephoto Zoom Lens\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"10,5,0\"\u003eFilter Size: 77mm\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":54086396543316,"sku":"B114W5298BG","price":499.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/IMG_5867_f3de352b-81f4-456c-a4ce-74af02cd3214.jpg?v=1775135338"},{"product_id":"sony-dt-18-70mm-f-3-5-5-6-macro","title":"Sony DT 18-70mm f\/3.5-5.6 Macro","description":"\u003ch3 data-path-to-node=\"0\"\u003eSony DT 18-70mm f\/3.5-5.6 Macro | S\/N: 3806766\u003c\/h3\u003e\n\u003cp data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"1\" data-index-in-node=\"0\"\u003eSony DT 18-70mm f\/3.5-5.6 Macro - Good Condition | The Versatile and Lightweight All-Purpose Zoom\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"2\"\u003e\u003cb data-path-to-node=\"2\" data-index-in-node=\"0\"\u003eIntroductory Paragraph\u003c\/b\u003e The \u003cb data-path-to-node=\"2\" data-index-in-node=\"27\"\u003eSony DT 18-70mm f\/3.5-5.6 Macro\u003c\/b\u003e is the definitive choice for the enthusiast who values a versatile and lightweight standard zoom lens that covers a wider range than the typical kit lens. Designed specifically for Sony’s APS-C (DT) digital SLR bodies, this lens is celebrated for its expanded 70mm telephoto reach—equivalent to a 27-105mm on a full-frame camera—making it perfect for everything from wide landscapes to flattering portraits. Because it features a dedicated macro capability with a close focusing distance of just 38cm, it serves as an incredibly capable tool for capturing intricate details and close-up subjects. Whether you are using a classic Sony Alpha DSLR or a modern mirrorless body via an adapter, this \u003cb data-path-to-node=\"2\" data-index-in-node=\"753\"\u003eSony\u003c\/b\u003e provides the optical brilliance and mechanical reliability that defined the early Alpha system.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003e\u003cb data-path-to-node=\"3\" data-index-in-node=\"0\"\u003eKey Features\u003c\/b\u003e\u003c\/p\u003e\n\u003cul data-path-to-node=\"4\"\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"4,0,0\"\u003eExpanded \u003cb data-path-to-node=\"4,0,0\" data-index-in-node=\"9\"\u003e18-70mm zoom range\u003c\/b\u003e (27-105mm equivalent) offering more reach than standard 18-55mm lenses.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"4,1,0\"\u003eHigh-quality \u003cb data-path-to-node=\"4,1,0\" data-index-in-node=\"13\"\u003eAspherical and ED (Extra-low Dispersion) glass\u003c\/b\u003e elements to reduce distortion and chromatic aberration.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"4,2,0\"\u003eVersatile \u003cb data-path-to-node=\"4,2,0\" data-index-in-node=\"10\"\u003eMacro capability\u003c\/b\u003e with a minimum focusing distance of 0.38m (1.25 ft) throughout the zoom range.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"4,3,0\"\u003eOptimized \u003cb data-path-to-node=\"4,3,0\" data-index-in-node=\"10\"\u003eDT (Digital Technology) design\u003c\/b\u003e engineered specifically for APS-C sized digital sensors.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"4,4,0\"\u003eCircular aperture diaphragm for a more natural and pleasing rendering of out-of-focus highlights.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"4,5,0\"\u003eCompact and lightweight construction designed for effortless all-day travel and street photography.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"4,6,0\"\u003eStandard \u003cb data-path-to-node=\"4,6,0\" data-index-in-node=\"9\"\u003e55mm filter thread\u003c\/b\u003e for easy attachment of circular polarizers and protection filters.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-path-to-node=\"5\"\u003e\u003cb data-path-to-node=\"5\" data-index-in-node=\"0\"\u003eCondition Report\u003c\/b\u003e Good condition. \u003cb data-path-to-node=\"5\" data-index-in-node=\"33\"\u003eBody:\u003c\/b\u003e The \u003cb data-path-to-node=\"5\" data-index-in-node=\"43\"\u003eSony\u003c\/b\u003e lens barrel (S\/N: 3806766) shows normal signs of light use and minor cosmetic surface wear consistent with standard handling. The zoom and focus rings are secure and operate smoothly. \u003cb data-path-to-node=\"5\" data-index-in-node=\"232\"\u003eSensor\/Optics:\u003c\/b\u003e The glass elements are clean and clear; free from fungus, haze, or significant scratches. Internal dust is minimal and does not affect image quality. \u003cb data-path-to-node=\"5\" data-index-in-node=\"397\"\u003eMechanics\/Electronics:\u003c\/b\u003e All electronic functions, including the autofocus drive and the aperture diaphragm, have been fully tested and are working perfectly on compatible camera bodies.\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003e\u003cb data-path-to-node=\"6\" data-index-in-node=\"0\"\u003eSpecialist Note\u003c\/b\u003e \"The 18-70mm was always a bit of a hidden gem in the early Alpha lineup. What I love about this model is that extra reach; going from 55mm to 70mm makes a massive difference when you're trying to isolate a subject for a portrait. It’s a rugged, honest piece of Japanese engineering that is surprisingly adept at close-up work for a standard zoom. It’s the perfect one-lens solution for a day out where you don't want to keep switching gear. For anyone looking for a reliable, all-purpose zoom with a bit of extra 'punch,' this Sony DT lens is a top-tier choice.\"\u003c\/p\u003e\n\u003cp data-path-to-node=\"7\"\u003e\u003cb data-path-to-node=\"7\" data-index-in-node=\"0\"\u003eWhat's Included\u003c\/b\u003e\u003c\/p\u003e\n\u003cul data-path-to-node=\"8\"\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"8,0,0\"\u003e\u003cb data-path-to-node=\"8,0,0\" data-index-in-node=\"0\"\u003eSony DT 18-70mm f\/3.5-5.6 Macro\u003c\/b\u003e Lens (S\/N: 3806766)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"8,1,0\"\u003eFront Lens Cap\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"8,2,0\"\u003eRear Lens Cap\u003cbr\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-path-to-node=\"9\"\u003e\u003cb data-path-to-node=\"9\" data-index-in-node=\"0\"\u003eTechnical Specifications\u003c\/b\u003e\u003c\/p\u003e\n\u003cul data-path-to-node=\"10\"\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"10,0,0\"\u003eBrand: \u003cb data-path-to-node=\"10,0,0\" data-index-in-node=\"7\"\u003eSony\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"10,1,0\"\u003eModel: \u003cb data-path-to-node=\"10,1,0\" data-index-in-node=\"7\"\u003eDT 18-70mm f\/3.5-5.6 Macro\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"10,2,0\"\u003eLens Type: Standard Zoom Lens\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"10,3,0\"\u003eFocal Length: 18-70mm\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"10,4,0\"\u003eMax Aperture: f\/3.5-5.6\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"10,5,0\"\u003eLens Mount: Sony A-mount\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"10,6,0\"\u003eCategory: 2. Lenses ▸ Standard Zoom Lens\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"10,7,0\"\u003eBattery Type: None (Powered by Camera Body)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":55777496039764,"sku":"B169W5547BG","price":45.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/IMG_7254_dc8492d8-4739-4996-b373-efc2b02c05c7.jpg?v=1778503393"},{"product_id":"sony-sel-20mm-f-2-8","title":"Sony SEL 20mm f\/2.8","description":"\u003ch2\u003eSony 20mm F2.8 Wide Angle E-Mount Lens\u003c\/h2\u003e\n\n\u003cp\u003eThe Sony 20mm F2.8 is a wide-angle lens that is aptly tailored towards a broad array of subjects that extend from landscapes to interiors. With its pancake lens outlook, it is the ideal companion for your Alpha E camera. It is uniquely compact and lightweight without compromising on its outstanding performance. The lens is integrated with an optical design that boasts three aspherical lens elements. This design promotes reduced distortion and aberration, providing high-resolution, contrast-filled images. Sony takes pride in a refined lens design featuring a sleek body, laser engravings, and an elegantly designed control ring.\u003c\/p\u003e\n\n\u003cp\u003eThe lens has three interior elements that cooperatively combat noise and distortion, ensuring the edges of your photographs remain sharp and lucid. Are you looking forward to a full day of shooting? This 'pancake' lens is compact enough to fit in your bag without fuss. It's a fixed focal length 20mm lens that occupies minimal space. The lens offers a clear and wide F2.8 aperture, letting you take atmospheric shots even in dim light. With its streamlined aluminum design, you can shoot in style all day. A well-gripped ring on the lens cylinder lets you choose whether to focus on a subject or have it blurred against the backdrop.\u003c\/p\u003e\n\n\u003cp\u003eEssential features of the Sony SEL 20MM F\/2.8 include:\u003c\/p\u003e\n\n\u003cul\u003e\n    \u003cli\u003eLens configuration: 6 elements in 6 groups\u003c\/li\u003e\n    \u003cli\u003eShortest focus distance: 0.2 m\u003c\/li\u003e\n    \u003cli\u003eMaximum aperture: F2.8\u003c\/li\u003e\n    \u003cli\u003eNumber of diaphragm blades: 7 (rounded)\u003c\/li\u003e\n    \u003cli\u003eFocal length: 20mm (35mm equivalent = 30mm)\u003c\/li\u003e\n    \u003cli\u003eFilter size: 49mm\u003c\/li\u003e\n    \u003cli\u003e20mm wide-angle lens (35mm equivalent of 30mm)\u003c\/li\u003e\n    \u003cli\u003eBright with a maximum aperture of f\/2.8\u003c\/li\u003e\n    \u003cli\u003eUltra-compact design\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eItems included standard with the Sony SEL 20MM F\/2.8:\u003c\/p\u003e\n\u003cul\u003e\n    \u003cli\u003eSony SEL 20mm F\/2.8\u003c\/li\u003e\n    \u003cli\u003eLens caps\u003c\/li\u003e\n    \u003cli\u003eSun hood\u003c\/li\u003e\n    \u003cli\u003eTwo-year warranty\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":57453526647124,"sku":"SEL20F28.AE","price":330.94,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/SEL20F28.AE_01.jpg?v=1791321445"},{"product_id":"sony-sel-30mm-f-3-5-macro-nex","title":"Sony SEL 30mm f\/3.5 Macro Nex","description":"\u003ch2\u003eSony SEL 30mm f\/3.5 Macro NEX - 1:1 close-ups\u003c\/h2\u003e\n\u003cp\u003eThe Sony SEL 30mm f\/3.5 Macro NEX is a 30mm autofocus lens with 1:1 magnification, so small subjects can fill the frame and appear life-size on the camera sensor. It’s an interchangeable macro lens for Sony E-mount NEX cameras, aimed at photographers who enjoy working close to the details in flowers, nature and small products. That true 1:1 reproduction is its defining feature: a petal’s fine markings, the texture of a handmade object or the small details on a product can take centre stage rather than being lost in a wider view. The 30mm focal length also makes the lens useful beyond dedicated close-ups, including everyday photographs when you want a natural, moderately wide perspective. Autofocus gives you a straightforward way to bring subjects into focus, whether you’re shifting between a product detail and a wider arrangement or following the shape of a flower. At just 138 g, it’s a light addition to a camera bag, and its compact form suits a small camera setup. The f\/3.5 maximum aperture keeps the lens modest in size, while the close-focus capability opens up a distinctly different way of seeing familiar subjects.\u003c\/p\u003e\n\n\u003ch3 data-section=\"features\"\u003eWhere this lens shines\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e1:1 magnification:\u003c\/strong\u003e The subject is reproduced life-size on the sensor at maximum magnification. That’s useful for close-up work where small details need to occupy a meaningful part of the frame.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.5 cm minimum focusing distance:\u003c\/strong\u003e The close-focus distance supports tight framing of small objects. For macro photographs of flowers or product details, it brings the subject within the lens’s focusing range.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAutofocus:\u003c\/strong\u003e The lens focuses automatically, keeping focusing simple when you’re adjusting composition between close details and more general scenes.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e138 g weight:\u003c\/strong\u003e Its low weight is welcome in a compact kit, especially when you’re carrying a camera and lens for nature photography or moving between several product setups.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e49 mm filter thread:\u003c\/strong\u003e This standard filter size gives you a clear reference when choosing a compatible filter. It’s also a useful detail when organising accessories for your lens kit.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSeven elements in six groups:\u003c\/strong\u003e The optical design combines seven lens elements across six groups, a specific construction detail for this compact macro lens.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e50-degree angle of view:\u003c\/strong\u003e This angle of view offers a useful working perspective for the 30mm focal length, from close subject studies to everyday scenes that include some surroundings.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cdiv class=\"specialist-note\"\u003e\n\u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n\u003cp\u003eFor someone who spends time photographing tiny plants, insects or carefully made objects, this Sony has a very appealing speciality: genuine 1:1 macro reproduction in a light 138 g lens. I’d use autofocus to settle focus on the main detail, then compose tightly so the subject fills the frame. The f\/3.5 maximum aperture is a sensible fit for a small lens, but at close range the area in focus can be very shallow; for more depth across a product, try a smaller aperture such as f\/11 or f\/22 and keep the camera steady. One point to bear in mind is the close working distance: the front of the lens sits just 2.4 cm from the subject at its closest, so lighting an insect or reflective item can take care. For nature and tabletop detail, that trade-off is part of the macro experience.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003ch3\u003eWhat's Included\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eSony SEL 30mm f\/3.5 Macro lens\u003c\/li\u003e\n\u003cli\u003eLens caps\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eBrand: Sony\u003c\/li\u003e\n\u003cli\u003eModel: SEL 30mm f\/3.5 Macro NEX (SEL30M35.AE)\u003c\/li\u003e\n\u003cli\u003eType: Interchangeable macro lens\u003c\/li\u003e\n\u003cli\u003eFocal length: 30mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: f\/3.5\u003c\/li\u003e\n\u003cli\u003eMinimum aperture: f\/22\u003c\/li\u003e\n\u003cli\u003eFocus: Autofocus\u003c\/li\u003e\n\u003cli\u003eMount: Sony E\u003c\/li\u003e\n\u003cli\u003eMinimum focusing distance: 9.5 cm\u003c\/li\u003e\n\u003cli\u003eMaximum magnification: 1:1\u003c\/li\u003e\n\u003cli\u003eAngle of view: 50 degrees\u003c\/li\u003e\n\u003cli\u003eFilter diameter: 49 mm\u003c\/li\u003e\n\u003cli\u003eOptical construction: 7 elements in 6 groups\u003c\/li\u003e\n\u003cli\u003eWeight: 138 g\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":57478614843732,"sku":"2563013","price":235.35,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/2563013_01.jpg?v=1791469667"},{"product_id":"sony-sel-28-70-fe-fullframe-120fps","title":"Sony SEL 28-70 FE FullFrame 120fps","description":"\u003ch2\u003eSony SEL 28-70 FE FullFrame 120fps | Flexible framing in one standard lens\u003c\/h2\u003e\n\u003cp\u003eThe defining design choice is a standard zoom range rather than one fixed view: this Sony lens lets you adjust your framing without changing lenses. That makes it a practical fit for everyday photography, family gatherings and travel, when a scene can shift from a whole group to a closer detail. The FullFrame designation also makes it relevant to photographers building a full-frame setup. Its appeal is flexibility in composition, rather than any claim about speed or low-light performance. Use the wider view to include more of the setting around your subject; zoom in to simplify the frame and make a detail more prominent. It suits someone who wants one standard lens for varied subjects and is happy to adjust the framing as they go. If your photography often calls for a very wide or very long view, a standard zoom may not cover every situation.\u003c\/p\u003e\n\u003cdiv class=\"specialist-note\"\u003e\n\u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n\u003cp\u003eAt a late-afternoon family meal, there’s a place for this lens: the table, the people around it, then a closer view of one person without swapping lenses. The 28–70 range gives you room to change that framing; start at 28 for more of the room, then move toward 70 to tighten the composition. Its FE FullFrame designation suits a full-frame setup, so think of it as a standard lens for varied everyday scenes rather than a specialist wide or long lens. I’d recommend it to someone who values that change of view in one lens. For subjects that need a much wider perspective or more reach, plan on a different lens.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eBrand: Sony\u003c\/li\u003e\n\u003cli\u003eProduct category: Standard lens\u003c\/li\u003e\n\u003cli\u003eFocal-length designation: 28–70\u003c\/li\u003e\n\u003cli\u003eFormat designation: FE FullFrame\u003c\/li\u003e\n\u003cli\u003eTitle marking: 120fps\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":57492210090324,"sku":"SEL28702B.SYX","price":426.66,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/SEL28702B.SYX_01.jpg?v=1791544647"},{"product_id":"sony-sel-50mm-f-1-8-black","title":"Sony SEL 50mm f\/1.8 Black","description":"\u003ch2\u003eSony SEL 50mm f\/1.8 Black | Bright, natural-looking portraits\u003c\/h2\u003e\n\u003cp\u003eFor street scenes, travel details and portraits with a clearly defined subject, a 50mm view gives you a natural, focused way to frame what catches your eye. The Sony SEL 50mm f\/1.8 Black is a standard prime lens with a 50mm focal length and a bright f\/1.8 maximum aperture. It suits photographers who prefer choosing their framing by moving rather than zooming, and who want one lens for everyday scenes as well as people pictures. In a portrait, the wide maximum aperture can help separate your subject from the background; on a walk, the fixed view encourages you to notice how distance and framing shape a scene. Autofocus makes it practical for changing subjects and spontaneous moments. Its appeal is its directness: a familiar focal length, a bright aperture and a simple role in your camera bag, without trying to cover every kind of shot.\u003c\/p\u003e\n\u003cdiv class=\"specialist-note\"\u003e\n\u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n\u003cp\u003eFor portraits in dim rooms, the f\/1.8 maximum aperture gives you a brighter option than reaching for a flash straight away. I’d start there, place your subject near a window or other available light, and keep the background uncluttered so the person stays the focus. The 50mm focal length gives a composed, close-feeling portrait; leave enough room around your subject and use the frame edges deliberately. This suits someone who enjoys street portraits, travel scenes and everyday photographs of people. One honest point: it’s a prime, so you’ll need to move to change your framing. If you’re happy to do that, its clear purpose is part of the appeal.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eProduct kind: Interchangeable lens\u003c\/li\u003e\n\u003cli\u003eLens type: Standard Prime\u003c\/li\u003e\n\u003cli\u003eFocal length: 50mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: f\/1.8\u003c\/li\u003e\n\u003cli\u003eFocus: Autofocus\u003c\/li\u003e\n\u003cli\u003eColour: Black\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":57503590482260,"sku":"SEL50F18B.AE","price":297.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/SEL50F18B.AE_01.jpg?v=1791566591"},{"product_id":"sony-sel-50mm-f-1-8-ff-e-mount-fullframe","title":"Sony SEL 50mm f\/1.8 FF E-Mount FullFrame","description":"\u003ch2\u003eSony SEL 50mm f\/1.8 FF E-Mount FullFrame | Bright standard prime for portraits and travel\u003c\/h2\u003e\n\u003cp\u003eWithout a dedicated standard prime, street scenes and portraits are often framed at whatever focal length a zoom happens to offer. The Sony SEL 50mm f\/1.8 gives you a fixed, familiar view in a compact focal length that works well for everyday subjects. It’s an interchangeable autofocus lens for Sony E-mount cameras with a full-frame sensor, suited to photographers who want one lens for portraits, travel and street photography. Its f\/1.8 maximum aperture lets you work with less light than a narrower aperture would, and gives you more control over how much of the scene appears sharp. The 47° angle of view keeps the frame focused on your subject without making the perspective feel unusually tight. As a standard prime, it’s a straightforward option when you want to compose with your position rather than choose a different zoom setting.\u003c\/p\u003e\n\u003cdiv class=\"specialist-note\"\u003e\n\u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n\u003cp\u003e“Is the Sony SEL 50mm f\/1.8 a good portrait lens?” Yes, especially if you want a natural-feeling view and the option to soften the background. On a full-frame camera, 50mm is easy to work with for head-and-shoulders portraits; try f\/1.8 when you want your subject to draw the eye, and stop down if you want more of the face in focus. For street scenes or travel details, autofocus makes it easier to keep your attention on framing. On a Sony APS-C body, the view is equivalent to 75mm on full frame, which suits tighter portraits. The honest trade-off is fixed framing: you’ll move to compose rather than zoom.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eProduct kind: Interchangeable lens\u003c\/li\u003e\n\u003cli\u003eFocal length: 50mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: f\/1.8\u003c\/li\u003e\n\u003cli\u003eLens type: Standard Prime\u003c\/li\u003e\n\u003cli\u003eMount: Sony E\u003c\/li\u003e\n\u003cli\u003eSensor format: Full Frame\u003c\/li\u003e\n\u003cli\u003eFocus: Autofocus\u003c\/li\u003e\n\u003cli\u003eAngle of view: 47°\u003c\/li\u003e\n\u003c\/ul\u003e\n\n","brand":"Sony","offers":[{"title":"Default Title","offer_id":57503591760212,"sku":"SEL50F18F.SYX","price":206.86,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/SEL50F18F.SYX_01.jpg?v=1791566593"},{"product_id":"sony-e-11mm-f-1-8-apc-c-wide-angle-prime","title":"Sony E 11mm f\/1.8 APC-C Wide Angle Prime","description":"\u003ch2\u003eSony E 11mm f\/1.8 APS-C Wide Angle Prime | Room for the whole scene\u003c\/h2\u003e\n\u003cp\u003eFor broad landscapes, dramatic building views and night skies with plenty of space around the subject, the Sony E 11mm f\/1.8 APS-C Wide Angle Prime gives you an ultra-wide view in a compact prime-lens format. Its 11mm focal length suits Sony E APS-C cameras, where it lets you include more of a scene when stepping back isn’t an option. That makes it especially appealing for landscape photographers who want foreground and sky together, architecture shooters working in tight spaces, and anyone composing a wider view of the stars. Autofocus is there when you want the lens to focus for you, while the bright maximum aperture offers extra flexibility as light levels fall. This is a lens for making space part of the composition, rather than simply getting a little more of a distant subject into the frame.\u003c\/p\u003e\n\u003cdiv class=\"specialist-note\"\u003e\n\u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n\u003cp\u003eWhen a room or a night sky won’t fit into the frame, this 11mm lens gives you a much wider view to work with. Its f\/1.8 maximum aperture is particularly helpful after dark: try starting at f\/1.8 for stars, then choose a shutter speed that keeps their points of light looking crisp. The 104° angle of view also makes it easier to bring a strong foreground into a landscape without losing the sweep of the scene. I’d recommend it to Sony APS-C users who enjoy wide compositions of architecture or the night sky. One thing to watch: at this width, objects near the edges can feel stretched, so keep important details closer to the centre.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eProduct kind: Interchangeable lens\u003c\/li\u003e\n\u003cli\u003eFocal length: 11mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: f\/1.8\u003c\/li\u003e\n\u003cli\u003eLens type: Ultra Wide Prime\u003c\/li\u003e\n\u003cli\u003eMount: Sony E\u003c\/li\u003e\n\u003cli\u003eSensor format: APS-C\u003c\/li\u003e\n\u003cli\u003eFocus: Autofocus\u003c\/li\u003e\n\u003cli\u003eAngle of view: 104°\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":57503608275284,"sku":"SEL11F18.SYX","price":516.91,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/SEL11F18.SYX_01.jpg?v=1791566612"},{"product_id":"sony-sel-16-50mm-f-3-5-6-3-power-zoom-nex-m2","title":"Sony SEL 16-50mm f\/3.5-6.3 Power Zoom Nex M2","description":"\u003ch2\u003eSony SEL 16-50mm f\/3.5-6.3 Power Zoom Nex M2 | One zoom for wide views and tighter framing\u003c\/h2\u003e\n\u003cp\u003eIts 16–50mm range moves from wide landscape views to tighter portrait framing without changing lenses, making this Sony standard zoom a practical option for photographers who want flexibility from a single interchangeable lens. It suits travellers and everyday shooters who like to adjust their composition as they go, as well as anyone who wants autofocus for straightforward focusing. At 16mm, there’s room to include more of a scene; zoom towards 50mm to give a person more prominence in the frame. The Power Zoom name points to its powered zoom operation, which is handy when you want to change framing smoothly. This lens is best for landscapes, travel and portraits where that range is more important than having a wide maximum aperture throughout the zoom. It keeps your kit focused on one versatile zoom rather than a collection of fixed focal lengths.\u003c\/p\u003e\n\u003cdiv class=\"specialist-note\"\u003e\n\u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n\u003cp\u003eFirst-time zoom owners often stay at one end of the range and miss how much a small change in framing can help; this lens gives you room to explore from 16mm to 50mm. For a landscape, start at 16mm and adjust until the edges of the scene feel right. For a portrait, move towards 50mm to frame your subject more closely. Its maximum aperture changes from f\/3.5 to f\/6.3 across the zoom range, so the long end has less light-gathering room; in dim settings, be mindful of that. I’d recommend it to someone who values one flexible lens for travel and everyday portraits, rather than a brighter aperture for low-light work.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eProduct kind: Interchangeable lens\u003c\/li\u003e\n\u003cli\u003eFocal length: 16–50mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: f\/3.5–6.3\u003c\/li\u003e\n\u003cli\u003eLens type: Standard Zoom\u003c\/li\u003e\n\u003cli\u003eFocus: Autofocus\u003c\/li\u003e\n\u003cli\u003eGenuinely suited for: Landscape, Travel, Portrait\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":57503625085268,"sku":"SELP16502B.SYX","price":286.84,"currency_code":"EUR","in_stock":true}]},{"product_id":"sony-sel-20-70-f-4-0-g-ultra-wide","title":"Sony SEL 20-70 f\/4.0 G Ultra-Wide","description":"\u003ch2\u003eSony SEL 20-70 f\/4.0 G Ultra-Wide | Wide scenes to closer portraits\u003c\/h2\u003e\n\u003cp\u003eYou can fit a broad landscape into the frame, then zoom in for a more considered portrait without changing lenses. The Sony SEL 20-70 f\/4.0 G Ultra-Wide is a standard zoom for photographers who want that flexibility on travel days, at events and while moving between different kinds of subjects. Its 20–70mm range takes you from expansive views to tighter compositions, so you can respond to a scene rather than settle for one fixed angle. Autofocus helps when your subject is moving or the moment is brief. This lens is particularly suited to landscape and travel photography, where a wide view can be useful, and to events where you may need to reframe quickly. It also gives portrait photographers a longer framing option at the 70mm end. The f\/4 maximum aperture makes exposure choices straightforward, though it’s worth allowing for extra light when conditions are dim.\u003c\/p\u003e\n\n\u003cdiv class=\"specialist-note\"\u003e\n\u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n\u003cp\u003eThe Sony SEL 20-70 f\/4.0 G is at its best when one lens needs to cover changing viewpoints through the day. For a landscape, start at 20mm and include more of the surroundings; for a portrait, zoom towards 70mm and step back to frame your subject more comfortably. Autofocus is helpful when you’re following people at an event, rather than pausing to focus manually. The f\/4 maximum aperture is a practical setting for general shooting, but it isn’t especially bright, so in a dim venue you may need to raise ISO or add light. I’d recommend it to travellers and event photographers who value that wide-to-short-telephoto range in one zoom.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eProduct kind: Interchangeable lens\u003c\/li\u003e\n\u003cli\u003eFocal length: 20–70mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: f\/4\u003c\/li\u003e\n\u003cli\u003eLens type: Standard zoom\u003c\/li\u003e\n\u003cli\u003eFocus: Autofocus\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":57503626101076,"sku":"SEL2070G.SYX","price":1385.21,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/SEL2070G.SYX_01.jpg?v=1791566640"},{"product_id":"sony-sel-21mm-f-2-8-ultra-wide-converter-e-mount","title":"Sony SEL 21mm f\/2.8 Ultra Wide Converter E-Mount","description":"\u003ch2\u003eSony SEL 21mm f\/2.8 Ultra Wide Converter E-Mount | Room for landscape and architecture\u003c\/h2\u003e\n\u003cp\u003eGet more of a building façade or open landscape into the frame when your viewpoint feels cramped. The Sony SEL 21mm f\/2.8 Ultra Wide Converter E-Mount is an autofocus wide-angle prime for Sony E-mount APS-C cameras, with a 21mm focal length and a maximum aperture of f\/2.8. On an APS-C body, that focal length gives a view similar to 31.5mm on full frame: wide enough to take in more surroundings, while keeping a natural sense of scale. It suits photographers who work with architecture and landscapes and want a fixed focal length for composing deliberately. The 68° angle of view gives you room to include context without turning every scene into an exaggerated ultra-wide view. For buildings, take a moment to keep the camera level as you frame; for landscapes, use the extra width to make foreground and surroundings part of the composition.\u003c\/p\u003e\n\u003cdiv class=\"specialist-note\"\u003e\n\u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n\u003cp\u003eA narrow street or a close viewpoint can leave you struggling to fit a building into the frame; this 21mm gives you more room without going to an extreme perspective. Its APS-C format means the view is equivalent to about 31.5mm on full frame, so it’s a moderately wide framing rather than a sweeping ultra-wide look. For architecture, step back where you can and keep the camera level to include more of the façade. The f\/2.8 maximum aperture also gives you some flexibility when the light drops: open it up to help keep shutter speeds up. It suits Sony E APS-C owners who value that balance, though it won’t stretch a scene as dramatically as a shorter focal length.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eProduct kind: Interchangeable lens\u003c\/li\u003e\n\u003cli\u003eFocal length: 21mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: f\/2.8\u003c\/li\u003e\n\u003cli\u003eLens type: Wide Angle Prime\u003c\/li\u003e\n\u003cli\u003eMount: Sony E\u003c\/li\u003e\n\u003cli\u003eSensor format: APS-C\u003c\/li\u003e\n\u003cli\u003eFocus: Autofocus\u003c\/li\u003e\n\u003cli\u003eAngle of view: 68°\u003c\/li\u003e\n\u003cli\u003eSuitable for: Landscape, architecture\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":57503627346260,"sku":"SEL075UWC.SYX","price":245.87,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/SEL075UWC.SYX_01.jpg?v=1791566641"},{"product_id":"sony-sel-28-70-fe-fullframe","title":"Sony SEL 28-70 FE FullFrame","description":"\u003ch2\u003eSony SEL 28-70 FE FullFrame | A versatile standard zoom for everyday framing\u003c\/h2\u003e\n\u003cp\u003eIts 28–70mm range gives this standard zoom room to move from wider views to tighter framing without changing lenses. The Sony SEL 28-70 FE FullFrame suits photographers who want one lens for a mix of everyday subjects, from street scenes and family moments to portraits. At the wider end, you can include more of a scene; zoom towards 70mm to give a person or detail more of the frame. That flexibility is its clearest advantage: you can adjust your composition from where you’re standing instead of reaching for another focal length. It’s a straightforward option for general photography when you value framing choices in one lens. The full-frame designation makes it relevant to photographers working with that format. If you want a lens for a more specialised task, such as very wide views or distant subjects, this standard range has a more focused role.\u003c\/p\u003e\n\u003cdiv class=\"specialist-note\"\u003e\n\u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n\u003cp\u003eThe Sony SEL 28-70 FE FullFrame is best at covering everyday scenes with one standard zoom. I’d start at 28mm when you want more of a room, street or group in the frame, then move towards 70mm to make a portrait feel more closely framed. That gives you a practical way to change the picture without changing lenses. Its full-frame format is the other key point: it’s intended for a full-frame setup, so it makes sense for someone building a simple everyday kit in that format. One honest limit is that this range doesn’t reach into long-telephoto territory; for distant subjects, you’ll want a different focal-length range.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eProduct: Sony SEL 28-70 FE FullFrame\u003c\/li\u003e\n\u003cli\u003eFocal length: 28–70mm\u003c\/li\u003e\n\u003cli\u003eFormat: Full-frame\u003c\/li\u003e\n\u003cli\u003eCategory: Standard lens\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":57503627772244,"sku":"SEL2870.AE","price":476.32,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/SEL2870.AE_01.jpg?v=1791566642"},{"product_id":"sony-sel-16mm-f-2-8-nex","title":"Sony SEL 16mm f\/2.8 Nex","description":"\u003ch2\u003eSony SEL 16mm f\/2.8 Nex | Go wide for landscapes, buildings and skies\u003c\/h2\u003e\n\u003cp\u003eWithout an ultra-wide lens, fitting a broad landscape or a whole building into the frame can mean stepping back until the view changes—or the space runs out. The Sony SEL 16mm f\/2.8 Nex is an interchangeable ultra-wide prime for photographers who want to include more of a scene from where they’re standing. It’s especially well suited to landscapes, architecture and astrophotography, where a broad view helps make the surroundings part of the picture. Autofocus keeps everyday framing straightforward, while the f\/2.8 maximum aperture is useful when you’re working in dimmer light, including after sunset. As a prime, it asks you to compose with a fixed focal length rather than zooming in and out. That suits deliberate framing and makes it a focused option for wide scenes, rather than a single lens for every kind of subject.\u003c\/p\u003e\n\u003cdiv class=\"specialist-note\"\u003e\n\u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n\u003cp\u003eAt the entrance to a narrow street, I’d start at 16mm and look for a foreground detail to give the wide view a clear point of interest. For architecture, keep the camera level as you frame; that helps keep the building’s vertical lines looking natural. The f\/2.8 maximum aperture is a practical advantage when you’re composing under a dark sky, since it lets in more light than a smaller maximum aperture would. I’d suggest this lens to someone who often photographs buildings, open landscapes or stars. Its fixed focal length does mean you’ll need to move—or accept a different composition—when the framing isn’t quite right.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eProduct kind: Interchangeable lens\u003c\/li\u003e\n\u003cli\u003eFocal length: 16mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: f\/2.8\u003c\/li\u003e\n\u003cli\u003eLens type: Ultra Wide Prime\u003c\/li\u003e\n\u003cli\u003eFocus: Autofocus\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":57512922382676,"sku":"2563005","price":243.79,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/2563005_01.jpg?v=1791588449"},{"product_id":"sony-sel-18-200mm-f-3-5-6-3-oss-le-ii","title":"Sony SEL 18-200mm f\/3.5-6.3 OSS LE II","description":"\u003ch2\u003eSony SEL 18-200mm f\/3.5-6.3 OSS LE II | One lens for varied days out\u003c\/h2\u003e\n\u003cp\u003eOn a day of sightseeing, the view can shift from a wide street scene to a detail across the square in seconds. The Sony SEL 18-200mm f\/3.5-6.3 OSS LE II is a superzoom interchangeable lens for photographers who’d rather keep one lens on the camera than pause to change lenses. Its 18-200mm focal range covers broad landscapes and tighter portraits, while autofocus helps you respond as moments unfold. Optical stabilisation is useful when you’re shooting handheld, especially at longer focal lengths. That makes this lens well suited to travel and everyday photography, and handy for events where you may not be able to move closer. It can also handle portraits and landscapes without asking you to carry a separate lens for each. The trade-off is a variable maximum aperture, so it’s a more flexible all-rounder than a specialist for low-light work.\u003c\/p\u003e\n\u003cdiv class=\"specialist-note\"\u003e\n\u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n\u003cp\u003eChanging lenses can interrupt the moment you’re trying to catch; this zoom keeps a broad range of framing available without that pause. At 18mm, you can include more of a landscape or a busy scene; at 200mm, frame a portrait or an event detail from farther away. The maximum aperture shifts from f\/3.5 to f\/6.3 as you zoom in, so don’t expect the same light-gathering ability at the long end—indoors, that can mean needing more available light. Optical stabilisation helps reduce camera shake for handheld stills, though it won’t freeze a moving subject. I’d suggest it to travellers and everyday shooters who value flexible framing over a bright, fixed-aperture lens.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eProduct kind: Interchangeable lens\u003c\/li\u003e\n\u003cli\u003eFocal length: 18-200mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: f\/3.5-6.3\u003c\/li\u003e\n\u003cli\u003eLens type: Superzoom\u003c\/li\u003e\n\u003cli\u003eFocus: Autofocus\u003c\/li\u003e\n\u003cli\u003eOptical stabilisation: Yes\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":57512923005268,"sku":"2564012","price":695.22,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/2564012_01.jpg?v=1791588450"},{"product_id":"sony-sel-28mm-f-2-0-e-mount","title":"Sony SEL 28mm f\/2.0 E-Mount","description":"\u003ch2\u003eSony SEL 28mm f\/2.0 E-Mount | A bright prime for street and travel\u003c\/h2\u003e\n\u003cp\u003eThe Sony SEL 28mm f\/2.0 E-Mount is a wide-angle prime with a 28mm focal length, built for Sony E-mount photographers who want a straightforward lens for street scenes and travel. Its fixed view encourages you to choose your position and compose with intent, rather than reaching for a zoom. That makes it a good fit for days when you want to move lightly and respond quickly to what’s happening around you. Use it for city details, street portraits with some surroundings, or travel scenes where you want a more focused frame than a very wide view would give. The lens has autofocus, so you can keep your attention on the scene instead of making every focus adjustment yourself. It’s a simple, purposeful option for photographers who enjoy working with one focal length and getting to know how it frames familiar places.\u003c\/p\u003e\n\u003cdiv class=\"specialist-note\"\u003e\n\u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n\u003cp\u003eAutofocus helps keep street photography responsive: point the camera, pick your framing and let it handle focus while a moment unfolds. On a Sony APS-C body, the view is equivalent to about 42mm on full frame, which gives you a natural-feeling frame for people and everyday travel scenes. For passing pedestrians, try starting around 1\/250 sec; in dimmer light, opening the aperture to f\/2 gives you more room to keep that shutter speed up, though it won’t freeze every movement by itself. I’d recommend it to someone happy to work with one fixed view. There’s no zoom to reframe from your spot, so you’ll need to move closer or farther to change the composition.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eProduct kind: Interchangeable lens\u003c\/li\u003e\n\u003cli\u003eFocal length: 28mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: f\/2\u003c\/li\u003e\n\u003cli\u003eLens type: Wide Angle Prime\u003c\/li\u003e\n\u003cli\u003eMount: Sony E\u003c\/li\u003e\n\u003cli\u003eSensor format: APS-C\u003c\/li\u003e\n\u003cli\u003eFocus: Autofocus\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":57564038725972,"sku":"SEL28F20.SYX","price":416.15,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/SEL28F20.SYX_01.jpg?v=1791805506"}],"url":"https:\/\/www.htf-store.com\/de\/collections\/brand-sony-lenses.oembed","provider":"Hard to Find Camera Store","version":"1.0","type":"link"}