{"product_id":"sirui-ironstar-t1-9-1-5x-anamorphic-fullframe-cine-lenses-35mm-neutral-flare","title":"Sirui Ironstar T1.9 1.5X Anamorphic FullFrame Cine Lenses 35mm (Neutral Flare)","description":"\u003ch2\u003eSirui Ironstar T1.9 1.5X Anamorphic FullFrame Cine Lenses 35mm (Neutral Flare) | Anamorphic framing for full-frame filmmaking\u003c\/h2\u003e\n\u003cp\u003eA standard spherical lens gives you a straightforward view of the scene; this Sirui is for filmmakers who want an anamorphic image instead. Its 35mm focal length is made for full-frame coverage, making it a practical option for video work that needs room to show a subject and their surroundings. The 63° angle of view suits composed dialogue scenes, environmental portraits and broader interior shots without moving to an especially wide focal length. This is a manual-focus cine lens, so it suits a deliberate pace: planned focus changes, considered framing and a crew or operator who wants hands-on control. Its Neutral Flare version is aimed at shooters who want an anamorphic look without making colored flare the defining feature of every shot. It’s a specialist filmmaking lens, rather than an all-purpose stills lens.\u003c\/p\u003e\n\u003ch3\u003eWorking with the anamorphic image\u003c\/h3\u003e\n\u003cp\u003eThe 1.5× anamorphic squeeze calls for a de-squeeze step when monitoring or reviewing footage, and in post-production. Allow for that in your workflow and framing checks; the result is a wider cinematic composition from the recorded image. It’s worth planning your shot and monitoring setup around that extra step rather than treating the lens like a standard spherical option.\u003c\/p\u003e\n\u003cdiv class=\"specialist-note\"\u003e\n\u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n\u003cp\u003eYou’ll need to account for de-squeezing in your workflow, so this isn’t the simplest pick for quick, unplanned filming. The reason to choose it is the combination of that anamorphic character with a fast T1.9 maximum aperture. For a dim interior dialogue scene, opening to T1.9 gives you more light to work with; use the manual focus to make a measured pull between speakers. I’d also consider the Neutral Flare version if you want the image to feel cinematic without colored streaks drawing attention away from the subject. It suits filmmakers who plan their shots and want that look to be a deliberate part of the frame.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eProduct kind: Interchangeable lens\u003c\/li\u003e\n\u003cli\u003eFocal length: 35mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T1.9\u003c\/li\u003e\n\u003cli\u003eLens type: Anamorphic\u003c\/li\u003e\n\u003cli\u003eAnamorphic ratio: 1.5×\u003c\/li\u003e\n\u003cli\u003eSensor format: Full Frame\u003c\/li\u003e\n\u003cli\u003eFocus: Manual Focus\u003c\/li\u003e\n\u003cli\u003eAngle of view: 63° (estimated)\u003c\/li\u003e\n\u003cli\u003eSuitable for: Video, Filmmaking\u003c\/li\u003e\n\u003cli\u003eFlare: Neutral\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sirui","offers":[{"title":"Default Title","offer_id":57492200784212,"sku":"IRON-35-N","price":994.8,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/IRON-35-N_01.jpg?v=1791544622","url":"https:\/\/www.htf-store.com\/de\/products\/sirui-ironstar-t1-9-1-5x-anamorphic-fullframe-cine-lenses-35mm-neutral-flare","provider":"Hard to Find Camera Store","version":"1.0","type":"link"}