{"product_id":"meike-16mm-t2-5-cine-lens-fullframe-pl-mount","title":"Meike 16mm T2.5 Cine Lens FullFrame PL-Mount","description":"\u003ch2\u003eMeike 16mm T2.5 Cine Lens FullFrame PL-Mount | Wide views with room to shape the frame\u003c\/h2\u003e\n\u003cp\u003eWithout an ultra-wide prime, establishing a room or bringing a close foreground into a scene can take more camera movement or a change of lens. The Meike 16mm T2.5 Cine Lens is a manual-focus prime for filmmakers who want a broad view while keeping control over focus and exposure. Its full-frame coverage and estimated 107° angle of view make it well suited to interiors, location shots and wide moving images where the surroundings are part of the story. The T2.5 maximum aperture gives you room to work when light is limited, while also letting you set exposure with the lens aperture in mind. This is a focused tool for video and filmmaking, rather than a general-purpose zoom: choose your framing with the camera position, then work the shot with deliberate focus and exposure.\u003c\/p\u003e\n\n\u003ch3\u003eWhere a 16mm view earns its place\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eFor establishing shots, a broad frame can show the setting and subject together without stepping far back.\u003c\/li\u003e\n\u003cli\u003eIn a tight interior, the wide perspective helps include more of the room from a fixed camera position.\u003c\/li\u003e\n\u003cli\u003eFor close foreground details, careful placement can make the subject feel prominent while retaining the surrounding scene.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWorking with the frame\u003c\/h3\u003e\n\u003cp\u003eA very wide view makes camera position especially noticeable: moving closer or farther away changes how the foreground relates to the background. That can be useful for expressive compositions, but it calls for considered framing. Plan where the subject sits in the image, and use manual focus to keep attention where you want it during the shot.\u003c\/p\u003e\n\n\u003cdiv class=\"specialist-note\"\u003e\n\u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n\u003cp\u003e“Is T2.5 bright enough for a wide interior scene?” Yes, it gives you useful exposure latitude, though you’ll still want to balance aperture with the depth of field your shot needs. I’d suggest this lens to filmmakers building a full-frame PL setup who want a genuinely wide prime for room-setting shots or a close foreground with the location still visible. With its 16mm focal length, even a small change in camera position can alter the composition, so take time to place the camera before rolling. One honest consideration: manual focus rewards a planned pull rather than casual refocusing mid-shot.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eProduct kind: Interchangeable lens\u003c\/li\u003e\n\u003cli\u003eFocal length: 16mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.5\u003c\/li\u003e\n\u003cli\u003eLens type: Ultra Wide Prime\u003c\/li\u003e\n\u003cli\u003eMount: PL\u003c\/li\u003e\n\u003cli\u003eSensor format: Full Frame\u003c\/li\u003e\n\u003cli\u003eFocus: Manual Focus\u003c\/li\u003e\n\u003cli\u003eAngle of view: 107° (estimated)\u003c\/li\u003e\n\u003cli\u003eSuitable for: Video, Filmmaking\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Meike","offers":[{"title":"Default Title","offer_id":57503535563092,"sku":"D224481","price":1226.83,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/D224481_01.jpg?v=1791566485","url":"https:\/\/www.htf-store.com\/es\/products\/meike-16mm-t2-5-cine-lens-fullframe-pl-mount","provider":"Hard to Find Camera Store","version":"1.0","type":"link"}