{"product_id":"saramonic-cammic-compact-camera-mount-condenser-microphone","title":"Saramonic CamMic Compact Camera-Mount Condenser Microphone","description":"\u003ch2\u003eSaramonic CamMic Compact Camera-Mount Condenser Microphone: Record focused audio beside your camera\u003c\/h2\u003e\n\u003cp\u003eThe compact camera-mount format puts the Saramonic CamMic shotgun condenser microphone on your camera, close to the action rather than relying on the camera’s built-in mic. Its cardioid pickup pattern focuses on sound from in front, a useful approach for creators recording speech and other nearby audio. The CamMic connects directly to DSLR, mirrorless and video cameras, and its plug-and-play operation keeps setup straightforward. For a smartphone or tablet, a suitable adapter is sold separately. That makes it an option for a creator who switches between a camera rig and mobile recording, while keeping the microphone itself compact. Use it for a short interview, a presenter speaking to camera or dialogue in a video recorded with a compatible camera; the directional pickup is intended to concentrate the recording on the subject. The microphone is specified for use with a subject up to 120 cm away, so it’s best suited to nearby voices rather than distant sound. An 80 Hz low-cut filter addresses low-frequency noise such as traffic or air-conditioning rumble, which can otherwise distract from speech. The package also includes two coiled audio leads with different connector arrangements, covering camera-style TRS and TRRS connections.\u003c\/p\u003e\n\n\u003ch3 data-section=\"features\"\u003eWhat it does\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCardioid pickup:\u003c\/strong\u003e The pickup pattern focuses on sound from in front of the microphone. That’s useful when you want a nearby speaker to take priority in a recording.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e80 Hz low-cut filter:\u003c\/strong\u003e Switch on the filter to reduce low-frequency noise from sources such as traffic and air conditioning, keeping rumble from competing with spoken audio.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eUp to 120 cm from the subject:\u003c\/strong\u003e The stated working distance suits close dialogue and presentation setups. Keep the speaker within that range for the intended use.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003ePlug-and-play operation:\u003c\/strong\u003e Connect the microphone to a compatible camera and get started without a complicated setup routine.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e1\/4\"-20 base thread:\u003c\/strong\u003e The thread on the underside provides a mounting option when you’re not attaching the microphone directly to a camera.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eLightweight, sturdy construction:\u003c\/strong\u003e Its compact, light build is suited to camera-mounted recording, while the sturdy construction is made for regular handling.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cdiv class=\"specialist-note\"\u003e\n  \u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n  \u003cp\u003eA presenter is speaking beside the camera in a room with the air-conditioning running; that’s where the CamMic’s focused pickup and low-cut filter earn their place. I’d keep the speaker within 120 cm, aim the microphone toward them, and switch on the 80 Hz filter if the room’s low rumble is getting into the recording. The cardioid pattern gives you a clear reason to keep the subject in front of the mic, rather than expecting it to capture a whole room evenly. I recommend it for compact camera setups recording short interviews, direct-to-camera pieces or nearby dialogue. One point to plan for: phones and tablets need a suitable adapter, sold separately. The included TRRS lead is useful, but it doesn’t replace that separate adapter.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003ch3 data-section=\"extra\"\u003eGood to know\u003c\/h3\u003e\n\u003cp\u003eThe package includes two coiled 3.5 mm leads with different plug arrangements. One runs from TRS to TRS and has a right-angle plug at one end; the other runs from TRS to TRRS, with a right-angle plug at the TRS end. Match the lead to the input connection you’re using. A foam windscreen is included as well.\u003c\/p\u003e\n\n\u003ch3\u003eWhat's Included\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eSaramonic CamMic microphone\u003c\/li\u003e\n  \u003cli\u003eFoam windscreen\u003c\/li\u003e\n  \u003cli\u003eCoiled 3.5 mm TRS-to-TRS output cable, with a right-angle plug\u003c\/li\u003e\n  \u003cli\u003eCoiled 3.5 mm TRS-to-TRRS output cable, with a right-angle TRS plug\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eBrand: Saramonic\u003c\/li\u003e\n  \u003cli\u003eModel: CamMic\u003c\/li\u003e\n  \u003cli\u003eType: Camera-mount shotgun condenser microphone\u003c\/li\u003e\n  \u003cli\u003ePickup pattern: Cardioid\u003c\/li\u003e\n  \u003cli\u003eLow-cut filter: 80 Hz\u003c\/li\u003e\n  \u003cli\u003eOutput impedance: 200 ohms\u003c\/li\u003e\n  \u003cli\u003eSensitivity: -45 ±3 dB (0 dB = 1 V\/Pa, at 1 kHz)\u003c\/li\u003e\n  \u003cli\u003eMaximum input SPL: 106 dB at 1 kHz, THD \u0026lt;5%\u003c\/li\u003e\n  \u003cli\u003eSignal-to-noise ratio: 80 dB SPL\u003c\/li\u003e\n  \u003cli\u003eBase thread: 1\/4\"-20\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Saramonic","offers":[{"title":"Default Title","offer_id":57478615728468,"sku":"CAM-MIC","price":43.06,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/CAM-MIC_01.jpg?v=1791469668","url":"https:\/\/www.htf-store.com\/es\/products\/saramonic-cammic-compact-camera-mount-condenser-microphone","provider":"Hard to Find Camera Store","version":"1.0","type":"link"}