{"product_id":"dzofilm-pavo-2x-anamorphic-prime-100mm-t2-1-blue-coating-pl-ef-mt-m","title":"DZOFILM Pavo 2X Anamorphic Prime 100mm T2.1-BLUE Coating-Pl\u0026ef Mt (M)","description":"\u003ch2\u003eDZOFILM Pavo 2X Anamorphic Prime 100mm T2.1 Blue Coating (Canon EF) | A focused anamorphic view for filmmaking\u003c\/h2\u003e\n\u003cp\u003eWithout an anamorphic prime, filmmakers have to find another way to shape a wide, cinematic frame. The DZOFILM Pavo 2X Anamorphic Prime 100mm is a manual-focus lens for video work where that anamorphic approach is central to the shot. Its 100mm focal length suits tighter framing, such as a close dialogue shot or a detail within a scene, rather than covering a broad view from nearby. The T2.1 maximum aperture gives you room to work in lower light and manage depth of field. This Canon EF-mount lens is aimed at filmmakers who are comfortable setting focus themselves and planning shots around a more deliberate camera position. It’s a specialist tool for considered compositions, not a general-purpose lens for quickly covering every angle. The Blue Coating designation identifies this version; the supplied details don’t describe a particular flare or colour effect.\u003c\/p\u003e\n\u003ch3\u003ePlanning your framing\u003c\/h3\u003e\n\u003cp\u003eThink about camera position before setting up the shot. A 100mm view asks you to frame with more distance than a wider focal length, so it can work well when you want a subject to hold the frame without filling it with the background. For a sequence, plan the tighter shots as part of the coverage, then leave room in the edit for changes in angle or scale. That deliberate approach suits the lens’s manual focus and filmmaking use.\u003c\/p\u003e\n\u003cdiv class=\"specialist-note\"\u003e\n\u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n\u003cp\u003eA 100mm lens can feel restrictive in a small room; its value is the composed, tighter framing it gives you when there’s space to step back. I’d consider it for a dialogue close-up or a carefully framed insert: set the camera position first, then rehearse the manual focus pull and mark your subject’s movement. At T2.1, you have useful aperture headroom for a dimmer scene, though focus needs attention when working wide open. On a Canon APS-C (EF-S) body, the view is equivalent to 160mm, so plan for an even tighter composition. This suits filmmakers who can take time over framing, rather than crews needing fast, broad coverage.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eProduct kind: Interchangeable lens\u003c\/li\u003e\n\u003cli\u003eFocal length: 100mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.1\u003c\/li\u003e\n\u003cli\u003eLens type: Anamorphic\u003c\/li\u003e\n\u003cli\u003eMount: Canon EF\u003c\/li\u003e\n\u003cli\u003eFocus: Manual focus\u003c\/li\u003e\n\u003cli\u003eSuitable for: Video, filmmaking\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":57512646967636,"sku":"DZO-PA10021PLMB","price":3123.51,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/DZO-PA10021PLMB_01.jpg?v=1791588080","url":"https:\/\/www.htf-store.com\/nl\/products\/dzofilm-pavo-2x-anamorphic-prime-100mm-t2-1-blue-coating-pl-ef-mt-m","provider":"Hard to Find Camera Store","version":"1.0","type":"link"}