{"product_id":"dzofilm-pavo-2x-anamorphic-prime-b-set-32-55-100mm-t2-1-neutral-pl-ef-mt-m","title":"DZOFILM Pavo 2X Anamorphic Prime B Set 32\/55\/100mm T2.1-Neutral PL \u0026 EF Mt (M)","description":"\u003ch2\u003eDZOFILM Pavo 2X Anamorphic Prime B Set 32\/55\/100mm T2.1-Neutral PL \u0026amp; EF Mt (M) | Three focal lengths for widescreen storytelling\u003c\/h2\u003e\n\u003cp\u003eA conventional prime-lens setup gives you a straightforward image; this set is for filmmakers who want to build an anamorphic look into their lens choice. The DZOFILM Pavo 2X B Set brings three prime focal lengths—32mm, 55mm and 100mm—together, each with a T2.1 rating and a 2X anamorphic design. That gives you distinct framing options while keeping the same stated aperture across the set. It suits cinematographers and production teams working in PL or EF mount setups who want anamorphic character across a scene, rather than reaching for a single specialty lens. The three focal lengths can cover a wider establishing view, a more contained middle shot and a tighter composition, with the framing adjusted through lens changes rather than zooming. Anamorphic shooting also calls for a workflow that can handle the 2X image squeeze, so this set makes most sense when that look is part of the plan from camera through post-production. It’s a focused set of three primes, not a zoom solution.\u003c\/p\u003e\n\u003cdiv class=\"specialist-note\"\u003e\n\u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n\u003cp\u003eThe honest trade-off is that you’re carrying three fixed focal lengths instead of one zoom; the reason to choose this set is the shared 2X anamorphic approach across 32mm, 55mm and 100mm. I’d consider it for a dialogue scene where you want to move from a broader view to a tighter portrait without changing the visual language: use the 32mm for the room, the 55mm for the conversation, then the 100mm for a more restrained close composition. All three are rated T2.1, which gives you the same stated stop to work with as you change lenses. It suits crews who can plan lens changes and de-squeeze the image in post. If speed and a single-lens setup matter most, a three-prime set may be more kit than you need.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eLens type: Anamorphic prime\u003c\/li\u003e\n\u003cli\u003eAnamorphic ratio: 2X\u003c\/li\u003e\n\u003cli\u003eFocal lengths: 32mm, 55mm and 100mm\u003c\/li\u003e\n\u003cli\u003eAperture: T2.1\u003c\/li\u003e\n\u003cli\u003eMount: PL \u0026amp; EF\u003c\/li\u003e\n\u003cli\u003eSet: B\u003c\/li\u003e\n\u003cli\u003eCharacter: Neutral\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":57512637956436,"sku":"DZO-PAB3PLMN","price":8269.43,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/DZO-PAB3PLMN_01.jpg?v=1791588065","url":"https:\/\/www.htf-store.com\/nl\/products\/dzofilm-pavo-2x-anamorphic-prime-b-set-32-55-100mm-t2-1-neutral-pl-ef-mt-m","provider":"Hard to Find Camera Store","version":"1.0","type":"link"}