{"product_id":"hollyland-lark-m3-camera-receiver-space-grey","title":"HOLLYLAND Lark M3 Camera Receiver (Space Grey)","description":"\u003ch2\u003eHOLLYLAND Lark M3 Camera Receiver (Space Grey) | Four wireless voices on camera\u003c\/h2\u003e\n\u003cp\u003eCleaner, more controlled sound starts with a receiver that brings several wireless voices into one camera recording. The HOLLYLAND Lark M3 Camera Receiver (Space Grey) connects directly to a mirrorless camera or DSLR and receives audio from up to four paired LARK M3 transmitters at once. Its stated recording format reaches 48 kHz\/32-bit float, with the available bit depth depending on the recording app and device. Hollyland’s HDT wireless technology is specified as transmitting audio 50% faster, a useful detail when you’re recording in places with plenty of wireless activity. For an interview, you can record several speakers using paired transmitters; for a small panel, the same four-transmitter capacity keeps voices on the camera audio setup. On a multi-camera production, additional receivers can monitor transmitter status while the primary receiver retains control of system settings. That separation is handy when cameras are spread across a set. The receiver also gives you physical gain adjustment, while its app-based controls cover individual or group muting. It’s a focused camera-audio component for creators who already use the LARK M3 system and want its wireless audio feeding a mirrorless camera or DSLR.\u003c\/p\u003e\n\u003ch3 data-section=\"features\"\u003eWhy it is useful\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eUp to four transmitters:\u003c\/strong\u003e Receive audio from as many as four paired LARK M3 transmitters at the same time. That capacity is useful when a scene has several speakers.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirect camera connection:\u003c\/strong\u003e Connect the receiver to a mirrorless camera or DSLR for a camera-based audio setup, rather than relying on a separate recorder for the receiver’s connection.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHDT wireless technology:\u003c\/strong\u003e Hollyland specifies transmission that is 50% faster with its HDT technology. That matters when a wireless environment is busy and dependable audio communication is important.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThree-step gain control:\u003c\/strong\u003e Set gain using the receiver’s slider or the app. The three available levels provide a direct way to adjust the input level for a recording situation.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eApp-based muting:\u003c\/strong\u003e Mute a single transmitter or all transmitters from the app. Selective muting is handy when one speaker needs to pause while the others continue.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e70 dB signal-to-noise ratio:\u003c\/strong\u003e This stated ratio describes the relationship between signal and noise, a useful specification when comparing audio equipment for camera recording.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e125 dB maximum sound pressure level:\u003c\/strong\u003e The receiver’s listed maximum SPL gives a concrete reference for handling loud sound sources in a recording setup.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"specialist-note\"\u003e\n\u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n\u003cp\u003eFour transmitters means you can cover a small group conversation with one receiver, rather than limiting the setup to a single speaker. I’d point this model towards interviewers, educators and small production teams already using LARK M3 transmitters. For a round-table discussion, pair the speakers with transmitters and connect the receiver to the camera; for a solo presentation, use the receiver’s three-step gain control to set the level that fits your recording. I also like that muting can target one transmitter or all of them in the app, so a brief pause from one speaker doesn’t have to interrupt everyone else. One point to plan around is the recording device: 32-bit capture depends on using a compatible third-party app on Apple devices, while Android recording is up to 24-bit.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3 data-section=\"extra\"\u003eGood to know\u003c\/h3\u003e\n\u003cp\u003eWhen several receivers are connected, the first one acts as the primary unit, with control over system settings and a live view of transmitter status. Additional receivers work as secondary units and monitor transmitter status only, which helps prevent accidental setting changes during multi-camera recording. The receiver’s stated 32-bit float format is app-dependent: Apple devices need a third-party app for 32-bit, and Android recording is limited to 24-bit.\u003c\/p\u003e\n\u003ch3\u003eWhat's Included\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eHollyland LARK M3 Camera Receiver\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eBrand: Hollyland\u003c\/li\u003e\n\u003cli\u003eModel: LARK M3 Camera Receiver\u003c\/li\u003e\n\u003cli\u003eType: Wireless camera receiver\u003c\/li\u003e\n\u003cli\u003eColour: Space Grey\u003c\/li\u003e\n\u003cli\u003eCamera compatibility: Mirrorless cameras and DSLR cameras\u003c\/li\u003e\n\u003cli\u003eMaximum paired transmitters: 4\u003c\/li\u003e\n\u003cli\u003eRecording format: Up to 48 kHz\/32-bit float, subject to app and device\u003c\/li\u003e\n\u003cli\u003eSignal-to-noise ratio: 70 dB\u003c\/li\u003e\n\u003cli\u003eMaximum sound pressure level: 125 dB\u003c\/li\u003e\n\u003cli\u003eGain adjustment: 3 levels, using receiver slider or app\u003c\/li\u003e\n\u003cli\u003eWireless technology: Hollyland HDT\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"HOLLYLAND","offers":[{"title":"Default Title","offer_id":57779585220948,"sku":"6978683660597","price":41.78,"currency_code":"EUR","in_stock":false}],"url":"https:\/\/www.htf-store.com\/nl\/products\/hollyland-lark-m3-camera-receiver-space-grey","provider":"Hard to Find Camera Store","version":"1.0","type":"link"}