{"product_id":"sirui-ironstar-t1-9-2-8-1-5x-anamorphic-fullfr-cine-lenses-35mm-45mm-60m","title":"Sirui Ironstar T1.9\/2.8 1.5X Anamorphic FullFr. Cine Lenses 35mm 45mm 60m","description":"\u003ch2\u003eSirui Ironstar T1.9\/2.8 1.5X Anamorphic Full-Frame Cine Lens 35mm | A cinematic widescreen look\u003c\/h2\u003e\n\u003cp\u003eYour footage gets a widescreen cinematic feel, with the controlled framing and focus work filmmaking calls for. The Sirui Ironstar is an interchangeable anamorphic cine lens for full-frame use, made for video and filmmaking rather than general stills shooting. Its 1.5x anamorphic design gives you a distinct widescreen image, making it a useful creative tool for narrative scenes, music videos and other projects where the shape of the frame matters. It suits filmmakers who want to compose deliberately and are comfortable working with manual focus. The 35mm focal length offers a practical perspective for including a subject in their surroundings without making the scene feel distant. This is a focused tool for shaping moving images, not an autofocus lens for quick, unplanned moments. If you’re building a considered visual style and want anamorphic character in a full-frame cine lens, the Ironstar gives you a clear starting point.\u003c\/p\u003e\n\u003ch3\u003eWorking with the anamorphic image\u003c\/h3\u003e\n\u003cp\u003eThe 1.5x squeeze is part of the image-making process: the footage needs to be viewed or processed with the matching de-squeeze to appear in its intended proportions. Plan your framing with that in mind, especially when composing dialogue or keeping important details near the edges. That extra step suits a deliberate filmmaking workflow, where framing and post-production are planned together.\u003c\/p\u003e\n\u003cdiv class=\"specialist-note\"\u003e\n\u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n\u003cp\u003eT1.9 gives you room to keep exposure workable when a scene’s light is limited, while also letting you choose a shallow-focus look when that suits the story. At 35mm, I’d consider it for a dialogue scene where you want the location to remain part of the frame: give your subject some space around them, then use careful focus to keep attention where it belongs. Manual focus makes that considered approach possible, but it does ask for a focus operator or practice with planned focus pulls; it won’t follow a moving subject for you. I’d recommend it to filmmakers who enjoy shaping each shot rather than relying on automatic focus.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eProduct kind: Interchangeable lens\u003c\/li\u003e\n\u003cli\u003eFocal length: 35mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T1.9\u003c\/li\u003e\n\u003cli\u003eLens type: Anamorphic\u003c\/li\u003e\n\u003cli\u003eFocus: Manual Focus\u003c\/li\u003e\n\u003cli\u003eGenuinely suited for: Video, Filmmaking\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sirui","offers":[{"title":"Default Title","offer_id":57667301704020,"sku":"IRON-3DS-N+292A","price":2977.61,"currency_code":"EUR","in_stock":true}],"url":"https:\/\/www.htf-store.com\/nl\/products\/sirui-ironstar-t1-9-2-8-1-5x-anamorphic-fullfr-cine-lenses-35mm-45mm-60m","provider":"Hard to Find Camera Store","version":"1.0","type":"link"}