{"title":"Panasonic Lenses","description":null,"products":[{"product_id":"lumix-s-14-28mm-f-4-5-6-macro","title":"Panasonic LUMIX S 14-28mm f\/4-5.6 Macro","description":"\n\u003ch2\u003ePanasonic Lumix S 14-28mm F\/4-5.6 Macro Lens Overview\u003c\/h2\u003e\n\n\u003cp\u003eThe Panasonic Lumix S 14-28mm F\/4-5.6 Macro is a versatile ultra-wide-angle macro lens designed for the Panasonic L-mount system. This lens excels at capturing stunning landscapes, intimate portraits, and intricate close-ups, making it a valuable addition to any photographer's toolkit.\u003c\/p\u003e\n\n\u003ch3\u003eExceptional Performance\u003c\/h3\u003e\n\u003cp\u003eEquipped with an advanced autofocus system, the Lumix S 14-28mm offers precise and silent operation. Users can take advantage of the non-linear focus setting, which adjusts focus based on the rotation speed of the focus ring. With adjustable sensitivity ranging from 90º to 360º, photographers can achieve remarkable control over their focus precision.\u003c\/p\u003e\n\n\u003cp\u003eFor seamless exposure adjustments, the lens features micro-step diaphragm control, allowing for precise aperture alterations. Additionally, its design minimizes focus breathing, which is particularly advantageous for videographers seeking smooth focus transitions.\u003c\/p\u003e\n\n\u003ch3\u003eOptical Design\u003c\/h3\u003e\n\u003cp\u003eThis lens is constructed with 14 elements arranged in 10 groups, incorporating a variety of special elements including:\u003c\/p\u003e\n\u003cul\u003e\n    \u003cli\u003eOne aspherical ED element for reduced distortion\u003c\/li\u003e\n    \u003cli\u003eOne aspherical element to enhance image quality\u003c\/li\u003e\n    \u003cli\u003eThree ED elements to combat chromatic aberration\u003c\/li\u003e\n    \u003cli\u003eOne UHR element for improved refraction\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eTogether, these elements work to produce stunning sharpness and depth of field, ensuring exceptional image quality.\u003c\/p\u003e\n\n\u003ch3\u003eMacro Capabilities\u003c\/h3\u003e\n\u003cp\u003eWith a minimum focusing distance of just 15 cm across its entire zoom range, this lens is perfect for macro photography. It achieves magnification ratios from 0.25x at 14mm to 0.5x at 28mm, making it ideal for capturing intricate details up close.\u003c\/p\u003e\n\n\u003ch3\u003eCompact and Durable\u003c\/h3\u003e\n\u003cp\u003eFor photographers who are frequently on the move, the Lumix S 14-28mm's lightweight design (weighing only 345 grams) and compact length of 89.8 mm make it perfect for extended shooting sessions. Its dust and splash-resistant construction allows for confident shooting in challenging environments, capable of performing in temperatures ranging from -10ºC to +40ºC. Moreover, the lens is treated with a fluorine coating to effectively repel water and oil, ensuring it stays clean and reliable during use.\u003c\/p\u003e\n\n\u003ch3\u003eKey Features of the Panasonic Lumix S 14-28mm F\/4-5.6 Macro\u003c\/h3\u003e\n\u003cul\u003e\n    \u003cli\u003eUltra-wide angle macro lens\u003c\/li\u003e\n    \u003cli\u003eCompatible with L-mount system\u003c\/li\u003e\n    \u003cli\u003e14 elements in 10 groups construction\u003c\/li\u003e\n    \u003cli\u003e7 diaphragm blades\u003c\/li\u003e\n    \u003cli\u003eAperture range: f\/4 (14mm) to f\/5.6 (28mm)\u003c\/li\u003e\n    \u003cli\u003eMacro magnification capabilities: 0.25x (14mm) to 0.5x (28mm)\u003c\/li\u003e\n    \u003cli\u003eMinimum focusing distance: 15 cm\u003c\/li\u003e\n    \u003cli\u003eFocus ring sensitivity adjustable from 90 to 360 degrees\u003c\/li\u003e\n    \u003cli\u003eField of view: 114º to 75º\u003c\/li\u003e\n    \u003cli\u003eDust and splash proof\u003c\/li\u003e\n    \u003cli\u003eOperational temperature range: +40ºC to -10ºC\u003c\/li\u003e\n    \u003cli\u003eFluorine coating for easier cleaning\u003c\/li\u003e\n    \u003cli\u003eFilter diameter: 77mm\u003c\/li\u003e\n    \u003cli\u003eLens length: 89.8mm\u003c\/li\u003e\n    \u003cli\u003eWeight: 345 grams\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003ePackage Contents\u003c\/h3\u003e\n\u003cul\u003e\n    \u003cli\u003ePanasonic Lumix S 14-28mm F\/4-5.6 Macro lens\u003c\/li\u003e\n    \u003cli\u003eLens cap\u003c\/li\u003e\n    \u003cli\u003eBody cap\u003c\/li\u003e\n    \u003cli\u003eLens hood\u003c\/li\u003e\n\u003c\/ul\u003e\n","brand":"Panasonic","offers":[{"title":"Default Title","offer_id":51320298996052,"sku":"S-R1428E","price":786.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/S-R1428E_01_59330aae-b34c-4c13-a7e6-a940009b5797.jpg?v=1739364069"},{"product_id":"lumix-s-18-40mm-f-4-5-6-3","title":"Panasonic LUMIX S 18-40mm f\/4.5-6.3","description":"\u003ch2\u003ePanasonic LUMIX S 18-40mm F\/4.5-6.3\u003c\/h2\u003e\n\u003cp\u003ePerspective comes to life with the Panasonic LUMIX S 18-40mm F\/4.5-6.3 lens. Ideal for photographers seeking versatility, it provides a focus range covering ultra-wide angle to standard length shots.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eZoom range: 18 to 40 mm\u003c\/li\u003e\n  \u003cli\u003eMaximum aperture: F\/4.5 - F\/6.3\u003c\/li\u003e\n  \u003cli\u003ePack includes Panasonic LUMIX S 18-40mm F\/4.5-6.3 lens and lens caps\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Panasonic","offers":[{"title":"Default Title","offer_id":51320299422036,"sku":"S-R1840E","price":529.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/S-R1840E_01.jpg?v=1739351290"},{"product_id":"lumix-s-20-60mm-f-3-5-5-6-l-mount-black","title":"Panasonic LUMIX S 20-60mm f\/3.5-5.6 L-Mount Black","description":"\u003ch2\u003eThe Panasonic Lumix S9 Jet Black Body + Lumix S 20-60mm F\/3.5-5.6 L-mount: An Unbeatable Duo for Modern Content Creators\u003c\/h2\u003e\n\n\u003cp\u003eThe all-new Panasonic Lumix S9 is the ultimate camera kit designed with the modern content creator in mind. The Lumix S9, despite its lightweight and compact design, boasts the raw power of a full-frame camera, engineered with an innovative 24.2-megapixel full-frame sensor.\u003c\/p\u003e\n\n\u003cp\u003eIt employs a reliable, real-time PDAF (Phase Detection Auto-Focus) recognition autofocus system that can effortlessly track subjects such as humans, animals, and vehicles. The built-in 5-axis Dual I.S.2 image stabilization offers up to 6.5 stops and minimizes blurriness caused by camera shakes, which is perfect for handheld shooting.\u003c\/p\u003e\n\n\u003cul\u003e\n\u003cli\u003eSmartphone Compatibility for Painless Editing \u0026amp; Sharing\u003c\/li\u003e\n\n\u003cp\u003eThe Panasonic Lumix S9 interacts seamlessly with your smartphone, allowing you to create and apply your custom \"signature presets.\" These presets, which are your own pre-set color styles, can instantly be applied to your photos and videos, significantly reducing post-processing time. You can either create your presets or download them via the LUMIX Lab app. Sharing your captures is hassle-free with the new MP4 Lite recording format optimized for smartphones, making your pictures or videos available online in less than 30 seconds.\u003c\/p\u003e\n\n\u003cli\u003eExtend Your Shooting Range with Crop and Hybrid Zoom\u003c\/li\u003e\n\n\u003cp\u003eThe Lumix S9 provides choices to expand your zoom range without sacrificing image quality, thanks to its crop zoom and hybrid zoom capabilities. The crop zoom feature essentially utilizes the camera sensor's center to extend the average zoom range, while the hybrid zoom combines both optical and crop zoom features to further increase the focal length.\u003c\/p\u003e\n\n\u003cli\u003eVariety of Lenses to Choose From\u003c\/li\u003e\n\n\u003cp\u003eThe camera comes equipped with an L-mount, offering an extensive array of over 80 lenses to cater to your content creation needs. Choose from portrait to landscape, architecture to macro, the possibilities for capturing stunning visuals are endless.\u003c\/p\u003e\n\n\u003c\/ul\u003e\n\n\u003ch2\u003eThe Panasonic Lumix S 20-60mm F\/3.5-5.6 L-mount: A Versatile Standard Zoom Lens\u003c\/h2\u003e\n\n\u003cp\u003eThe Panasonic Lumix S 20-60mm F\/3.5-5.6 L-mount is a compact and light standard zoom lens. Its versatile focal length from 20mm to 60mm allows it to be adaptable to various shooting conditions. With its minimum focusing distance being just 15cm, it's great for capturing clear and sweet portraits.\u003c\/p\u003e\n\n\u003cp\u003eThe protective fluorine coating on the front element keeps water and oil at bay, ensuring cleaner and clearer images. Plus, it's dust and splash-proof, making it a reliable companion for outdoor shoots. And with its modest 350g weight, it's the perfect lens for on-the-go creativity.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features of Panasonic Lumix S9:\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eA full-frame sensor with 24.2-megapixels.\u003c\/li\u003e\n\u003cli\u003e6K video recording at 30 frames per second.\u003c\/li\u003e\n\u003cli\u003eStraightforward content sharing with MP4Lite video file format, great for smartphones.\u003c\/li\u003e\n\u003cli\u003eColor preset options for personalized photos and videos.\u003c\/li\u003e\n\u003cli\u003eAutofocus recognition of human, animal, vehicular subjects.\u003c\/li\u003e\n\u003cli\u003eVarious video recording modes like time-lapse and stop-motion.\u003c\/li\u003e\n\u003cli\u003eActive I.S. image stabilization for steady handheld shootings.\u003c\/li\u003e\n\u003cli\u003eExtended shooting range using crop and hybrid zoom features.\u003c\/li\u003e\n\u003cli\u003eVast selection of lenses with L-mount.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eHighlights of Panasonic Lumix S 20-60mm F\/3.5-5.6 L-mount:\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eCompact and lightweight standard zoom lens designed for L-mount.\u003c\/li\u003e\n\u003cli\u003eFlexible focal length for various subjects.\u003c\/li\u003e\n\u003cli\u003eMinimum focusing distance of 15cm, ideal for close-ups.\u003c\/li\u003e\n\u003cli\u003eFluorine coating and dust and splash-proof build for durability.\u003c\/li\u003e\n\u003cli\u003eAlso perfect for seamless video captures.\u003c\/li\u003e\n\u003cli\u003eWeighs only 350g. Full of features, light in weight.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eWhat You Get in the Box:\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003ePanasonic LUMIX S9 Jet Black\u003c\/li\u003e\n\u003cli\u003eBody Cap\u003c\/li\u003e\n\u003cli\u003eHot Shoe Cover\u003c\/li\u003e\n\u003cli\u003eShoulder Strap\u003c\/li\u003e\n\u003cli\u003eBattery\u003c\/li\u003e\n\u003cli\u003ePanasonic Lumix S 20-60mm F\/3.5-5.6 L-mount\u003c\/li\u003e\n\u003cli\u003eLens Caps\u003c\/li\u003e\n\u003cli\u003eLens Hood\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Panasonic","offers":[{"title":"Default Title","offer_id":51320299848020,"sku":"S-R2060E","price":658.32,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/S-R2060E_01.jpg?v=1739351296"},{"product_id":"panasonic-lumix-g-7-14mm-f-4-0-mft-black","title":"Panasonic LUMIX G 7-14mm f\/4.0 MFT Black","description":"\u003ch2\u003eReview: Panasonic Lumix G Vario 7-14mm F4.0 Asph - Used\u003c\/h2\u003e\n\n\u003cp\u003eThe Panasonic MFT 7-14mm F\/4.0 ASPH Lumix G, a second-hand piece, boasts of several notable characteristics that set it apart in the world of photography.\u003c\/p\u003e\n\n\u003cp\u003eIt features an ultra-wide angle that provides an impressive 114 degrees field of view at the wide end, enhancing your ability to capture vast landscapes in a single frame.\u003c\/p\u003e\n\n\u003cul\u003e\n\u003cli\u003eTwo aspherical lenses and four extra-low dispersion (ED) lenses harmoniously team up to deliver exceptional optical performance.\u003c\/li\u003e\n\u003cli\u003eRemarkably, the lens guarantees a constant aperture of f\/4.0 throughout the entire zoom range.\u003c\/li\u003e\n\u003cli\u003eUpdated with the latest technology, this lens supports contrast autofocus (AF).\u003c\/li\u003e\n\u003cli\u003eThe utilization of a circular aperture, combined with multi-coated lens elements and an optimized sun hood, significantly enhances image quality and controls flares.\u003c\/li\u003e\n\u003cli\u003eIt's specially designed to suit the Micro Four Thirds System standard, a perfect fit for photographers favouring smaller, lighter camera systems.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Panasonic","offers":[{"title":"Default Title","offer_id":53701759140180,"sku":"2578037","price":945.08,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/2578037_01.jpg?v=1770698850"},{"product_id":"panasonic-lumix-g-100-300mm-f-4-0-5-6-ii-mft-black","title":"Panasonic LUMIX G 100-300mm f\/4.0-5.6 II MFT Black","description":"\u003ch2\u003ePanasonic Lumix G Vario 100-300mm F\/4.0-5.6 Mark II - An Ultimate Guide\u003c\/h2\u003e\n\n\u003cp\u003eThe Panasonic Lumix G Vario 100-300mm F\/4.0-5.6 Mark II, a versatile telephoto zoom lens, is completely capable of meeting various photography needs owing to its Micro Four Thirds lens mount and a 200-600mm equivalent range. Perfect for nature, wildlife, and sports photography, this lens is equipped with Power OIS image stabilization, which effectively compensates for any shake during shooting, offering sharp images even under low light conditions or at maximum zoom.\u003c\/p\u003e\n\n\u003cp\u003eThe 100-300mm lens supports Panasonic Lumix G Micro system cameras' rapid contrast AF system and can be used at up to 240fps. Using the Face Recognition Pro feature, the camera can identify people to focus and adjust the exposure automatically. Moreover, focusing can begin from as close as 1.5 meters to your subject.\u003c\/p\u003e\n\n\u003cp\u003eThe optical design of the Panasonic Lumix G Vario 100-300mm F\/4.0-5.6 Mark II consists of 17 lens elements, including an extra-low dispersion element to prevent chromatic aberrations across the entire zoom range and provide better clarity and color accuracy. With multi-layer coated elements, lens flare and ghosting are significantly reduced, while the aperture incorporates seven rounded blades, ensuring a smooth transition between focused and defocused areas.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features of the Panasonic Lumix G Vario 100-300mm F\/4.0-5.6 Mark II\u003ch2\u003e\n\n\u003cul\u003e\n  \u003cli\u003eVersatile telephoto zoom lens\u003c\/li\u003e\n  \u003cli\u003eLens mount: Micro Four Thirds\u003c\/li\u003e\n  \u003cli\u003eFocal length: 100-300mm (eqv. 200-600mm)\u003c\/li\u003e\n  \u003cli\u003eMax aperture: f\/4.0-5.6\u003c\/li\u003e\n  \u003cli\u003eMin aperture: f\/22\u003c\/li\u003e\n  \u003cli\u003eAperture blades: 7\u003c\/li\u003e\n  \u003cli\u003eLens elements\/groups: 17\/12\u003c\/li\u003e\n  \u003cli\u003eImage stabilization: Power O.I.S.\u003c\/li\u003e\n  \u003cli\u003eFocusing: automatic and manual\u003c\/li\u003e\n  \u003cli\u003eFilter size: 67mm\u003c\/li\u003e\n  \u003cli\u003eWeight: 520g\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003ePackage Content\u003ch2\u003e\n\u003cul\u003e\n  \u003cli\u003ePanasonic Lumix G Vario 100-300mm F\/4.0-5.6 Mark II\u003c\/li\u003e\n  \u003cli\u003eLens caps\u003c\/li\u003e\n  \u003cli\u003eLens hood\u003c\/li\u003e\n  \u003cli\u003eCarrying case\u003c\/li\u003e\n  \u003cli\u003eUser manual\u003c\/li\u003e\n  \u003cli\u003eTwo-year warranty\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/h2\u003e\n\u003c\/h2\u003e\n\u003c\/h2\u003e\n\u003c\/h2\u003e","brand":"Panasonic","offers":[{"title":"Default Title","offer_id":56138908533076,"sku":"H-FSA100300E","price":599.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/H-FSA100300E_01.jpg?v=1781677270"},{"product_id":"panasonic-s-s18e","title":"Panasonic S-S18E","description":"\n\u003ch2\u003ePanasonic Lumix S 20-60mm F\/3.5-5.6 L-Mount Lens\u003c\/h2\u003e\n\u003cp\u003eThe Panasonic Lumix S 20-60mm F\/3.5-5.6 L-Mount lens is a lightweight and compact standard zoom lens designed for versatility. With a zoom range from 20mm to 60mm, it excels in various photographic scenarios. The wide 20mm angle makes it perfect for capturing expansive landscapes or tight indoor spaces, while the 60mm focal length is ideal for portrait photography.\u003c\/p\u003e\n\u003cp\u003eThis lens features a minimal focusing distance of just 15 centimeters, allowing for stunning close-up shots. It also captures smooth video footage effortlessly, thanks to its unique mechanism that reduces focus breathing. The advanced optical design comprises 11 elements arranged in 9 groups, which includes two aspherical lenses and three ED (Extra-low Dispersion) lenses that mitigate both axial and lateral chromatic aberrations. The aspherical lenses further correct for astigmatism, ensuring your images are exceptionally sharp and clear.\u003c\/p\u003e\n\u003cp\u003eMoreover, a UHR (Ultra-High Refractive Index) lens ensures consistent image quality from the center to the edges, making it a reliable choice for photographers and videographers alike. Weighing only 350 grams, this lens is easy to carry without sacrificing performance. Additionally, it boasts weather-resistant features, making it dust and splash-proof. A special fluorine coating on the front element repels water and oil, preventing unwanted smudges and damage.\u003c\/p\u003e\n\u003cul\u003e\n    \u003cli\u003eCompact and lightweight standard zoom lens for the L-mount\u003c\/li\u003e\n    \u003cli\u003eVersatile focal length range\u003c\/li\u003e\n    \u003cli\u003eMinimum focusing distance of just 15 cm\u003c\/li\u003e\n    \u003cli\u003eExcellent for capturing smooth video clips\u003c\/li\u003e\n    \u003cli\u003e11 optical elements arranged in 9 groups\u003c\/li\u003e\n    \u003cli\u003eIncludes two aspherical lenses and three ED lenses\u003c\/li\u003e\n    \u003cli\u003eDesigned to be resistant to dust and splashes\u003c\/li\u003e\n    \u003cli\u003eLightweight at only 350 grams\u003c\/li\u003e\n    \u003cli\u003eFilter diameter of 67mm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eManufacturer Information:\u003c\/strong\u003e\u003cbr\u003e\nPanasonic GmbH\u003cbr\u003e\nWinsbergring 15, 22525 Hamburg, Germany\u003c\/p\u003e\n","brand":"Panasonic","offers":[{"title":"Default Title","offer_id":56138920886612,"sku":"S-S18E","price":849.03,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/S-S18E_01.jpg?v=1781677561"},{"product_id":"panasonic-lumix-s-24mm-f-1-8-l-mount-black","title":"Panasonic LUMIX S 24mm f\/1.8 L-Mount Black","description":"\u003ch2\u003ePanasonic Lumix S 24mm f\/1.8 L-Mount Lens\u003c\/h2\u003e\n\n\u003cp\u003eThe Panasonic Lumix S 24mm f\/1.8 L-Mount Lens is a stellar addition to your photography arsenal, designed for both photographers and videographers seeking extraordinary image quality and versatility.\u003c\/p\u003e\n\n\u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eFast Aperture:\u003c\/strong\u003e With a maximum aperture of f\/1.8, this lens excels in low-light conditions and offers beautiful bokeh for stunning background blur.\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eWide Angle:\u003c\/strong\u003e The 24mm focal length is perfect for landscapes, architecture, and environmental portraits, providing a dynamic perspective.\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eCompact Design:\u003c\/strong\u003e Lightweight and portable, this lens makes it ideal for on-the-go shooting without compromising on image quality.\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eWeather-Sealed:\u003c\/strong\u003e Built to withstand the elements, its dust, splash, and freeze-resistant design ensures durability in challenging environments.\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eOutstanding Autofocus:\u003c\/strong\u003e The lens offers exceptional autofocus performance, making it the perfect choice for both stills and video capture.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cdiv class=\"specialist-note\"\u003e\n    \u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n    \u003cp\u003eTo maximize the performance of the Lumix S 24mm f\/1.8, consider using it for street photography or capturing vibrant scenes during golden hour. Experiment with different aperture settings to enhance your creative expression.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Panasonic","offers":[{"title":"Default Title","offer_id":56138921181524,"sku":"S-S24E","price":799.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/S-S24E_01.jpg?v=1781677578"},{"product_id":"panasonic-lumix-s-85mm-f-1-8-l-mount-black","title":"Panasonic LUMIX S 85mm f\/1.8 L-Mount Black","description":"\n\u003ch2\u003ePanasonic Lumix S 85mm f\/1.8 L-Mount Lens\u003c\/h2\u003e\n\n\u003cp\u003eIntroducing the Panasonic Lumix S 85mm f\/1.8 L-Mount Lens, a high-performance lens designed to elevate your photography and videography experience. With its advanced features, this lens is perfect for capturing stunning images with clarity and precision.\u003c\/p\u003e\n\n\u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eWide Aperture:\u003c\/strong\u003e Features a bright f\/1.8 aperture, allowing for excellent low-light performance and beautiful bokeh effects.\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eSilent Operation:\u003c\/strong\u003e Designed with a noiseless mechanism, making it ideal for filmmakers and content creators who require discreet operation.\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDurability:\u003c\/strong\u003e Built to withstand the elements with dust, splash, and freeze resistance, ensuring reliability in various shooting conditions.\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eFast Autofocus:\u003c\/strong\u003e Equipped with rapid and accurate autofocus capabilities, enabling you to capture fast-moving subjects with ease.\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eImage Quality:\u003c\/strong\u003e Delivers outstanding resolution across the entire frame, ensuring your photos are sharp and detailed.\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eLightweight:\u003c\/strong\u003e Weighing in at just 355 grams, it's easy to carry, making it suitable for long shooting sessions.\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eFilter Size:\u003c\/strong\u003e Compatible with 67mm filters, allowing for additional creative possibilities.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eFor inquiries regarding the responsible entity in the EU, please refer to:\u003c\/p\u003e\n\u003cp\u003ePanasonic Deutschland, a division of Panasonic Marketing Europe GmbH\u003cbr\u003e\nWinsbergring 15, 22525 Hamburg, Germany\u003c\/p\u003e\n","brand":"Panasonic","offers":[{"title":"Default Title","offer_id":56138921541972,"sku":"S-S85E","price":638.54,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/S-S85E_01.jpg?v=1781677589"},{"product_id":"panasonic-lumix-s-100-500mm-f-5-7-1-black","title":"Panasonic LUMIX S 100-500mm f\/5-7.1 Black","description":"\u003ch2\u003ePanasonic LUMIX S 100-500mm f\/5-7.1 Black | Long reach for wildlife, birds and sport\u003c\/h2\u003e\n\u003cp\u003eBirds, players and performers can be hard to frame when you can’t get closer. The Panasonic LUMIX S 100-500mm f\/5-7.1 gives you a broad telephoto zoom range, so you can adjust your framing from a portrait-length view to a much tighter one without changing lenses. It’s a full-frame autofocus lens with a Leica L mount, suited to photographers who want to follow wildlife, birds, sports or events from a practical distance. The reach is useful for picking out a subject against a busy background, while the shorter end also makes portraits and event moments easier to frame. Its 24°-5° angle of view narrows as you zoom in, helping you focus your composition on distant action. It’s a specialist long-range lens, rather than an all-purpose walkaround option.\u003c\/p\u003e\n\u003cdiv class=\"specialist-note\"\u003e\n\u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n\u003cp\u003eAt a bird hide, I’d start at 500mm and aim for around 1\/1000 sec when birds are moving. The zoom’s f\/7.1 maximum aperture at that end means you may need plenty of daylight or a higher ISO to keep that shutter speed. That’s the trade-off for reaching distant subjects with this lens. Its 100-500mm range also suits field sports: zoom back when play comes closer, then tighten the framing again. I’d recommend it to wildlife and sports photographers who need that reach in a full-frame setup and are happy to work with the available light.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eProduct kind: Interchangeable lens\u003c\/li\u003e\n\u003cli\u003eLens type: Telephoto zoom\u003c\/li\u003e\n\u003cli\u003eFocal length: 100-500mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: f\/5-7.1\u003c\/li\u003e\n\u003cli\u003eMount: Leica L\u003c\/li\u003e\n\u003cli\u003eSensor format: Full Frame\u003c\/li\u003e\n\u003cli\u003eFocus: Autofocus\u003c\/li\u003e\n\u003cli\u003eAngle of view: 24°-5°\u003c\/li\u003e\n\u003cli\u003eColour: Black\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Panasonic","offers":[{"title":"Default Title","offer_id":57492175618388,"sku":"S-R100500E","price":1986.72,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/S-R100500E_01.jpg?v=1791544581"},{"product_id":"panasonic-lumix-g-100-400mm-f-4-0-6-3-leica-dg","title":"Panasonic LUMIX G 100-400mm f\/4.0-6.3 Leica DG","description":"\u003ch2\u003ePanasonic LUMIX G 100-400mm f\/4.0-6.3 Leica DG | Reach distant subjects with precision\u003c\/h2\u003e\n\u003cp\u003eIts 100-400mm zoom range gives Micro Four Thirds photographers room to frame distant subjects tightly without changing lenses. This interchangeable telephoto lens suits anyone who regularly photographs wildlife, birds or sports, and it can also help you make portraits with a less crowded background. At the shorter end, there's more room to include context; at the long end, you can pick out a bird on a branch or follow action across a field from where you’re standing. It’s also a useful option for events where getting closer isn’t practical. Autofocus makes it a natural fit for moving subjects, though the long reach is especially valuable when your subject is far away. If wildlife and birds are your main subjects, that’s where this zoom’s reach is put to best use.\u003c\/p\u003e\n\u003cdiv class=\"specialist-note\"\u003e\n\u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n\u003cp\u003e400mm lets you frame small, distant subjects closely; on a Micro Four Thirds body, the view corresponds to 800mm on full frame. For birds, I’d start around 1\/1000 sec to help freeze movement, then raise ISO if the light calls for it. The maximum aperture narrows from f\/4 to f\/6.3 as you zoom, so the long end is more demanding in dim conditions; daylight suits it better, especially for wildlife and outdoor sport. If you photograph indoor events, be ready to balance shutter speed and ISO rather than expecting the lens to gather lots of light. It’s a specialised reach tool, and that’s its appeal.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eProduct kind: Interchangeable lens\u003c\/li\u003e\n\u003cli\u003eFocal length: 100-400mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: f\/4-6.3\u003c\/li\u003e\n\u003cli\u003eLens type: Telephoto zoom\u003c\/li\u003e\n\u003cli\u003eMount: MFT\u003c\/li\u003e\n\u003cli\u003eSensor format: Micro Four Thirds\u003c\/li\u003e\n\u003cli\u003eFocus: Autofocus\u003c\/li\u003e\n\u003cli\u003eAngle of view: 12°-3°\u003c\/li\u003e\n\u003cli\u003eSuitable for: Portrait, events, sports, wildlife, birds\u003c\/li\u003e\n\u003cli\u003eColour: Black\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Panasonic","offers":[{"title":"Default Title","offer_id":57503578030420,"sku":"H-RSA100400E","price":1607.43,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/H-RSA100400E_01.jpg?v=1791566559"},{"product_id":"panasonic-lumix-g-12mm-f-1-4-leica-mft-black","title":"Panasonic LUMIX G 12mm f\/1.4 Leica MFT Black","description":"\u003ch2\u003ePanasonic LUMIX G 12mm f\/1.4 Leica MFT Black | Bright, expansive views in low light\u003c\/h2\u003e\n\u003cp\u003eBroad landscapes, striking building lines and generous night-sky views are what this lens is made to frame. The Panasonic LUMIX G 12mm f\/1.4 is an ultra-wide prime for Micro Four Thirds cameras, with an 84° angle of view that gives you room to include foreground and context in the same picture. Its 12mm focal length suits scenes where stepping back isn’t practical, such as interiors and tight architectural spaces, as well as open outdoor views. Autofocus makes it straightforward to work when you want to move quickly between compositions. The wide view does ask you to pay attention to what’s near the edges of the frame: building lines and nearby objects can look more prominent there. For photographers who deliberately use that perspective, it’s a focused tool for landscape, architecture and astro work.\u003c\/p\u003e\n\u003cdiv class=\"specialist-note\"\u003e\n\u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n\u003cp\u003eThe Panasonic LUMIX G 12mm f\/1.4 is at its best when you want a wide, bright view for night-sky photography. The f\/1.4 maximum aperture lets in plenty of light, so you can work with a shorter exposure or keep ISO lower than you would with a slower lens; for stars, start at f\/1.4 and keep the shutter fast enough to hold them as points. On a Micro Four Thirds body, 12mm gives a 24mm-equivalent view, which is also a natural fit for dramatic landscapes and architecture. I’d recommend it to someone who enjoys composing close foreground details against a broad scene. That wide perspective needs careful framing, though: it won’t hide a distracting object near the edge.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eProduct kind: Interchangeable lens\u003c\/li\u003e\n\u003cli\u003eLens type: Ultra Wide Prime\u003c\/li\u003e\n\u003cli\u003eFocal length: 12mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: f\/1.4\u003c\/li\u003e\n\u003cli\u003eMount: MFT\u003c\/li\u003e\n\u003cli\u003eSensor format: Micro Four Thirds\u003c\/li\u003e\n\u003cli\u003eFocus: Autofocus\u003c\/li\u003e\n\u003cli\u003eAngle of view: 84°\u003c\/li\u003e\n\u003cli\u003eColour: Black\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Panasonic","offers":[{"title":"Default Title","offer_id":57503579046228,"sku":"H-X012E","price":1323.72,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/H-X012E_01.jpg?v=1791566561"},{"product_id":"panasonic-lumix-g-14-140mm-f-3-5-5-6-mft-black","title":"Panasonic LUMIX G 14-140mm f\/3.5-5.6 MFT Black","description":"\u003ch2\u003ePanasonic LUMIX G 14-140mm f\/3.5-5.6 MFT Black | One lens for wide views and distant details\u003c\/h2\u003e\n\u003cp\u003eWhat sets this superzoom apart is its broad 14-140mm range, giving you room to frame a landscape wide and then zoom in on a more distant subject without changing lenses. It suits photographers who want one lens for travel and everyday use, especially when carrying several lenses isn’t practical. At 14mm, you can take in a broad scene; at 140mm, you can frame portraits or pick out details at an event. That range makes it a flexible option for days when the subject or viewpoint can change quickly. It’s also worth considering for landscape photography, where you can choose between a wide composition and a tighter view of part of the scene. The lens uses autofocus and is made for Micro Four Thirds cameras. Its variable maximum aperture means the available light changes as you zoom, so it’s most at home when convenience and framing flexibility matter more than keeping a bright aperture throughout the range.\u003c\/p\u003e\n\n\u003cdiv class=\"specialist-note\"\u003e\n\u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n\u003cp\u003ePeople buying a superzoom for the first time sometimes expect the lens to stay just as bright as they zoom in; here, the maximum aperture moves from f\/3.5 to f\/5.6. At the long end, allow for that by raising ISO when light is limited, particularly if you’re photographing moving people at an event. For a tighter portrait, try 140mm: on a Micro Four Thirds body that gives a 280mm full-frame equivalent view, so leave a little room between you and your subject. At the other end, 14mm gives you a 28mm equivalent view for fitting more of a landscape into the frame. It’s a sensible match for travel and daily photography, with the honest trade-off that dim scenes need more care at longer focal lengths.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eProduct kind: Interchangeable lens\u003c\/li\u003e\n\u003cli\u003eFocal length: 14-140mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: f\/3.5-5.6\u003c\/li\u003e\n\u003cli\u003eLens type: Superzoom\u003c\/li\u003e\n\u003cli\u003eMount: MFT\u003c\/li\u003e\n\u003cli\u003eSensor format: Micro Four Thirds\u003c\/li\u003e\n\u003cli\u003eFocus: Autofocus\u003c\/li\u003e\n\u003cli\u003eAngle of view: 75°-9°\u003c\/li\u003e\n\u003cli\u003eColour: Black\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Panasonic","offers":[{"title":"Default Title","offer_id":57503579898196,"sku":"H-FSA14140E","price":661.37,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/H-FSA14140E_01.jpg?v=1791566563"},{"product_id":"panasonic-lumix-g-35-100mm-f-2-8-leica-dg","title":"Panasonic LUMIX G 35-100mm f\/2.8 Leica DG","description":"\u003ch2\u003ePanasonic LUMIX G 35-100mm f\/2.8 Leica DG | Reach for portraits and events\u003c\/h2\u003e\n\u003cp\u003eAt a reception, a guest or speaker may be across the room, and stepping closer can interrupt the moment. The Panasonic LUMIX G 35-100mm f\/2.8 Leica DG gives you a telephoto zoom for framing people from a distance, with room to adjust your composition without changing position. It’s an interchangeable autofocus lens for Micro Four Thirds cameras, designed for travel, portraits and events. The zoom range lets you move between a tighter detail and a looser portrait from where you’re standing. That makes it especially useful when the action or your subject’s position keeps changing. For Micro Four Thirds users who often photograph people, performances or candid moments, it brings a dedicated telephoto range in one lens. It’s a specialist range rather than an all-purpose everyday zoom, so it makes most sense when you regularly want more reach.\u003c\/p\u003e\n\u003cdiv class=\"specialist-note\"\u003e\n\u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n\u003cp\u003eThe Panasonic LUMIX G 35-100mm f\/2.8 Leica DG lets you frame candid moments across a room without stepping into the scene. On a Micro Four Thirds body, its range gives a 70-200mm-equivalent view: useful for a stage performance or a tighter travel portrait, where you can keep some distance from your subject. At the 100mm end, leave room to step back if you want a head-to-toe portrait. The f\/2.8 maximum aperture is helpful at indoor events; try around 1\/250 sec for people in motion, then raise ISO if the room is dim. I’d suggest it to portrait and event shooters who want reach, though it won’t replace a wide-angle lens in a small room.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eProduct kind: Interchangeable lens\u003c\/li\u003e\n\u003cli\u003eLens type: Telephoto zoom\u003c\/li\u003e\n\u003cli\u003eFocal length: 35-100mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: f\/2.8\u003c\/li\u003e\n\u003cli\u003eMount: MFT\u003c\/li\u003e\n\u003cli\u003eSensor format: Micro Four Thirds\u003c\/li\u003e\n\u003cli\u003eFocus: Autofocus\u003c\/li\u003e\n\u003cli\u003eAngle of view: 34°-12°\u003c\/li\u003e\n\u003cli\u003eColour: Black\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Panasonic","offers":[{"title":"Default Title","offer_id":57503580553556,"sku":"H-ES35100E","price":1181.35,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/H-ES35100E_01.jpg?v=1791566565"},{"product_id":"panasonic-lumix-g-42-5mm-f-1-2-leica-mft-black","title":"Panasonic LUMIX G 42.5mm f\/1.2 Leica MFT Black","description":"\u003ch2\u003ePanasonic LUMIX G 42.5mm f\/1.2 Leica MFT Black | Intimate street portraits in low light\u003c\/h2\u003e\n\u003cp\u003eFor street portraits and travel details, this lens gives you a tighter view that helps pick a person or detail out of a busy scene. The Panasonic LUMIX G 42.5mm f\/1.2 Leica MFT Black is an autofocus standard prime for Micro Four Thirds cameras, with a 42.5mm focal length and a bright maximum aperture of f\/1.2. On a Micro Four Thirds camera, that focal length gives an 85mm-equivalent view: a natural fit when you want to frame a face or a small part of a place without crowding your subject. The wide aperture is particularly useful when the light drops, and can help create a soft background behind your subject. It suits photographers who like to travel light in their approach and prefer choosing a clear subject over including the whole scene. For wide city views or cramped interiors, a wider lens will be easier to work with.\u003c\/p\u003e\n\u003cdiv class=\"specialist-note\"\u003e\n\u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n\u003cp\u003eThis 42.5mm is especially good at making a street portrait feel considered without having to stand close to the person. Its f\/1.2 maximum aperture gives you room to work in dimmer light, and it can soften the background when your subject is in focus. I’d use it for a travel portrait or a detail in a lively street: step back enough to frame comfortably, then open to f\/1.2 when you want the subject to separate from the setting. It’s a focused tool, though; the 85mm-equivalent view can feel tight in a small café or narrow room. For those scenes, a wider lens is a better companion.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eLens type: Standard Prime\u003c\/li\u003e\n\u003cli\u003eFocal length: 42.5mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: f\/1.2\u003c\/li\u003e\n\u003cli\u003eMount: MFT\u003c\/li\u003e\n\u003cli\u003eSensor format: Micro Four Thirds\u003c\/li\u003e\n\u003cli\u003eFocus: Autofocus\u003c\/li\u003e\n\u003cli\u003eAngle of view: 29°\u003c\/li\u003e\n\u003cli\u003eColour: Black\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Panasonic","offers":[{"title":"Default Title","offer_id":57503581307220,"sku":"H-NS043E","price":1512.55,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/H-NS043E_01.jpg?v=1791566567"},{"product_id":"panasonic-lumix-s-70-300mm-f-4-5-5-6-macro-ois-l-mount-black","title":"Panasonic LUMIX S 70-300mm f\/4.5-5.6 Macro OIS L-Mount Black","description":"\u003ch2\u003ePanasonic LUMIX S 70-300mm f\/4.5-5.6 Macro OIS L-Mount Black | Reach nature and product details\u003c\/h2\u003e\n\u003cp\u003eWhat sets this telephoto zoom apart is its combination of long reach and a macro designation, giving L-mount photographers one lens for distant nature subjects and close-up product work. Its 70–300mm range lets you frame a broad view at the shorter end, then tighten the composition around an animal or a small detail without changing lenses. Autofocus helps when your subject moves; for careful product compositions, you can take more time to place the subject and set the frame. It’s made for Leica L-mount cameras and suits photographers who want a versatile telephoto for nature, product photography and macro subjects. The zoom range is especially useful when you can’t easily move closer, though the results still depend on light, subject movement and how you support the camera.\u003c\/p\u003e\n\u003ch3\u003eMaking the most of the reach\u003c\/h3\u003e\n\u003cp\u003eFor nature photography, begin with a little room around the subject so you can keep it in the frame, then tighten the composition as the moment allows. With a product, a steady setup and deliberate framing make it easier to show a chosen detail without distracting surroundings. That change of approach—from following a subject to carefully arranging a frame—is where this zoom is especially versatile.\u003c\/p\u003e\n\u003cdiv class=\"specialist-note\"\u003e\n\u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n\u003cp\u003eNew telephoto owners often expect stabilisation to freeze every moving subject; it can steady camera movement, but it can’t stop an animal in motion. Here, the optical stabilisation is useful when you’re framing a still subject at the long end, while a faster shutter speed is still the answer for movement. For wildlife, try starting around 1\/800 sec and adjust for the light. The f\/4.5–5.6 maximum aperture means you’ll need to keep an eye on ISO as light fades, rather than expecting a very bright lens. It suits L-mount photographers who want nature reach and product or macro work in one lens; for small products, autofocus can help you settle focus before refining the composition.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eProduct kind: Interchangeable lens\u003c\/li\u003e\n\u003cli\u003eFocal length: 70–300mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: f\/4.5–5.6\u003c\/li\u003e\n\u003cli\u003eLens type: Macro\u003c\/li\u003e\n\u003cli\u003eMount: Leica L\u003c\/li\u003e\n\u003cli\u003eSensor format: Full Frame\u003c\/li\u003e\n\u003cli\u003eFocus: Autofocus\u003c\/li\u003e\n\u003cli\u003eAngle of view: 34°–8°\u003c\/li\u003e\n\u003cli\u003eOptical stabilisation: Yes\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Panasonic","offers":[{"title":"Default Title","offer_id":57503581962580,"sku":"S-R70300E","price":945.27,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/S-R70300E_01.jpg?v=1791566569"},{"product_id":"panasonic-lumix-s-pro-16-35mm-f-4-0-l-mount-black","title":"Panasonic LUMIX S Pro 16-35mm f\/4.0 L-Mount Black","description":"\u003ch2\u003ePanasonic LUMIX S Pro 16-35mm f\/4.0 L-Mount Black | Wide views, close control\u003c\/h2\u003e\n\u003cp\u003eWithout a wide zoom, fitting a building or a broad landscape into the frame can mean stepping back—or changing lenses. The Panasonic LUMIX S Pro 16-35mm f\/4.0 is a full-frame wide-angle zoom for L-Mount cameras, giving you a useful range from expansive views to a more natural wide perspective. It suits photographers who work with landscapes, architecture and travel scenes, especially when there isn’t room to move farther away. At 16mm, you can include more of a scene; zoom towards 35mm to give a chosen detail more space in the frame. Autofocus helps when you want to move quickly between compositions. The maximum aperture is f\/4, so this is a practical lens for daylight and considered shooting, rather than a particularly bright option for dim interiors. It brings a dedicated wide-angle range to your kit without making every frame feel ultra-wide.\u003c\/p\u003e\n\u003cdiv class=\"specialist-note\"\u003e\n\u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n\u003cp\u003e“Is the 16-35mm wide enough for architecture?” Yes, especially when you’re close to a building or working in a tight street. At 16mm you can fit more of the scene into the frame; keep the camera level to help keep vertical lines looking natural. For a landscape, I’d begin at the wide end and use autofocus on a clear subject in the scene, then zoom in if the foreground feels too dominant. The full-frame format makes this a natural match for full-frame L-Mount shooting, while f\/4 gives you less room in low light than a brighter lens. It’s a considered pick for daylight travel, architecture and landscapes.”\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eProduct kind: Interchangeable lens\u003c\/li\u003e\n\u003cli\u003eFocal length: 16-35mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: f\/4\u003c\/li\u003e\n\u003cli\u003eLens type: Wide Angle Zoom\u003c\/li\u003e\n\u003cli\u003eMount: Leica L\u003c\/li\u003e\n\u003cli\u003eSensor format: Full Frame\u003c\/li\u003e\n\u003cli\u003eFocus: Autofocus\u003c\/li\u003e\n\u003cli\u003eAngle of view: 107°-63°\u003c\/li\u003e\n\u003cli\u003eColour: Black\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Panasonic","offers":[{"title":"Default Title","offer_id":57503582421332,"sku":"S-R1635E","price":1323.53,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/S-R1635E_01.jpg?v=1791566571"},{"product_id":"panasonic-lumix-40mm-f-2-0-l-mount-black","title":"Panasonic LUMIX 40mm f\/2.0 L-Mount Black","description":"\u003ch2\u003ePanasonic LUMIX 40mm f\/2.0 L-Mount Black | Natural framing for street and travel\u003c\/h2\u003e\n\u003cp\u003eStreet corners, café tables and changing travel scenes are where a 40mm view feels especially at home: it keeps a subject in context without making the frame feel overly wide. The Panasonic LUMIX 40mm f\/2.0 L-Mount Black is a full-frame standard prime with autofocus for Leica L-mount cameras. Its f\/2 maximum aperture gives you more room to work in available light and can soften the background when your subject is close. It suits photographers who want one straightforward focal length for walking around, rather than switching between views. On a trip, that means you can move from a street scene to a detail or a person without changing lenses. The 40mm perspective also feels at ease with everyday scenes, so composing becomes a matter of choosing what belongs in the frame, not correcting an exaggerated wide-angle look.\u003c\/p\u003e\n\n\u003ch3\u003eWhere it earns its place\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eStreet photography:\u003c\/strong\u003e Keep a person or detail within the wider scene, so the setting remains part of the story.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTravel:\u003c\/strong\u003e Use one familiar viewpoint as you move between street life, food and people, without stopping to change lenses.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eA considered angle of view\u003c\/h3\u003e\n\u003cp\u003eAt about 57°, the view gives you a useful amount of surrounding context while keeping attention on your subject. That balance is handy in busy streets, where a little background can explain the scene without taking over the frame.\u003c\/p\u003e\n\n\u003cdiv class=\"specialist-note\"\u003e\n\u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n\u003cp\u003eThis 40mm gives street portraits a composed, natural-feeling frame without relying on a wide view and cropping later. I’d use it for a person in their surroundings, or for travel details at a café: get close enough to make the subject clear and leave some of the scene around them. The f\/2 aperture helps when the light starts to fade; for someone walking, try around 1\/250s, open to f\/2 and raise ISO if needed. It’s a lovely fit for a photographer who enjoys working with one considered viewpoint. The honest trade-off is that it won’t take in a sweeping cityscape as readily as a wider lens.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eProduct kind: Interchangeable lens\u003c\/li\u003e\n\u003cli\u003eFocal length: 40mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: f\/2\u003c\/li\u003e\n\u003cli\u003eLens type: Standard Prime\u003c\/li\u003e\n\u003cli\u003eMount: Leica L\u003c\/li\u003e\n\u003cli\u003eSensor format: Full Frame\u003c\/li\u003e\n\u003cli\u003eFocus: Autofocus\u003c\/li\u003e\n\u003cli\u003eAngle of view: 57°\u003c\/li\u003e\n\u003cli\u003eColour: Black\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Panasonic","offers":[{"title":"Default Title","offer_id":57512838005076,"sku":"S-S40E-K","price":377.34,"currency_code":"EUR","in_stock":false}]},{"product_id":"panasonic-lumix-g-45mm-f-2-8-leica-mft-black","title":"Panasonic LUMIX G 45mm f\/2.8 Leica MFT Black","description":"\u003ch2\u003ePanasonic LUMIX G 45mm f\/2.8 Leica MFT Black | A tighter view for street and travel\u003c\/h2\u003e\n\u003cp\u003eStreet details and travel scenes are easier to frame when you want to pick out one subject rather than include the whole setting. The Panasonic LUMIX G 45mm f\/2.8 Leica MFT Black is an autofocus standard prime for Micro Four Thirds cameras, with a 45mm focal length and f\/2.8 maximum aperture. On a Micro Four Thirds body, its framing is equivalent to 90mm on full frame: useful for a market-stall detail, a doorway or a person across a stretch of pavement, with the surroundings kept secondary. The f\/2.8 maximum aperture gives you more room to work as daylight fades and can help separate your subject from the background when focus is placed carefully. This is deliberate, fairly tight framing, rather than a broad view of a room or landscape. If you enjoy choosing a subject and composing around it, this lens gives you a clear and focused way to do that on the street or while travelling.\u003c\/p\u003e\n\u003cdiv class=\"specialist-note\"\u003e\n\u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n\u003cp\u003eFor isolating a street detail across the pavement, this lens lets you frame it without having to move right up to it. On a Micro Four Thirds body, the 90mm-equivalent view suits a shop sign or a travel portrait; take a step back and keep the background deliberate. The f\/2.8 maximum aperture gives you some flexibility as the light drops. For a passing person, try 1\/250 sec and raise ISO if the exposure needs it. Autofocus is handy when someone’s position or expression is changing, so you can keep your attention on composing. I’d recommend it to someone who likes selective framing, with one honest limitation: it’s a tight view for sweeping street scenes.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eLens type: Standard Prime\u003c\/li\u003e\n\u003cli\u003eFocal length: 45mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: f\/2.8\u003c\/li\u003e\n\u003cli\u003eMount: MFT\u003c\/li\u003e\n\u003cli\u003eSensor format: Micro Four Thirds\u003c\/li\u003e\n\u003cli\u003eFocus: Autofocus\u003c\/li\u003e\n\u003cli\u003eAngle of view: 27°\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Panasonic","offers":[{"title":"Default Title","offer_id":57512839315796,"sku":"2578318","price":756.25,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/2578318_01.jpg?v=1791588351"},{"product_id":"panasonic-lumix-g-45-150mm-f-4-0-5-6-mft-black","title":"Panasonic LUMIX G 45-150mm f\/4.0-5.6 MFT Black","description":"\u003ch2\u003ePanasonic LUMIX G 45-150mm f\/4.0-5.6 MFT Black | Reach further without changing your position\u003c\/h2\u003e\n\u003cp\u003eAt a family gathering or local event, stepping closer can interrupt the moment. The Panasonic LUMIX G 45-150mm f\/4.0-5.6 gives you room to frame people and details from farther away, while keeping a useful range of focal lengths in one interchangeable lens. It’s a telephoto zoom for Micro Four Thirds cameras, with autofocus and a 45-150mm range. That makes it well suited to travel, portraits and events where you may want to move from a wider view to a tighter composition quickly. On a Micro Four Thirds camera, its angle of view runs from about 27° to 8°, narrowing as you zoom in. The maximum aperture changes from f\/4 to f\/5.6 across the zoom range, so it’s a practical fit when there’s decent light. The black finish keeps the look understated.\u003c\/p\u003e\n\u003cdiv class=\"specialist-note\"\u003e\n\u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n\u003cp\u003eThis lens lets you frame someone across a room without having to move into their space. I’d use the long end for candid portraits at a gathering, or to pick out a detail while travelling. At 150mm, the framing is equivalent to 300mm on a Micro Four Thirds camera, so you can fill the frame from quite a distance. The aperture is f\/5.6 at that end; in a dim venue, I’d raise ISO or wait for brighter light rather than expect a fast shutter speed at low ISO. For portraits, start around 100mm and keep some distance from your subject for a natural-looking composition. It’s a straightforward way to add reach, with low light its main compromise.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 45-150mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: f\/4-5.6\u003c\/li\u003e\n\u003cli\u003eLens type: Telephoto Zoom\u003c\/li\u003e\n\u003cli\u003eMount: MFT\u003c\/li\u003e\n\u003cli\u003eSensor format: Micro Four Thirds\u003c\/li\u003e\n\u003cli\u003eFocus: Autofocus\u003c\/li\u003e\n\u003cli\u003eAngle of view: 27°-8°\u003c\/li\u003e\n\u003cli\u003eColour: Black\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Panasonic","offers":[{"title":"Default Title","offer_id":57563940749652,"sku":"H-FS45150EKA","price":235.29,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/H-FS45150EKA_01.jpg?v=1791805366"},{"product_id":"panasonic-lumix-g-50-200mm-f-2-8-4-0-leica-mft-black","title":"Panasonic LUMIX G 50-200mm f\/2.8-4.0 Leica MFT Black","description":"\u003ch2\u003ePanasonic LUMIX G 50-200mm f\/2.8-4.0 Leica MFT Black | Flexible reach for distant subjects\u003c\/h2\u003e\n\u003cp\u003eDistant players and wildlife can fill more of your frame, while a quick change in zoom lets you adjust when the action comes closer. The Panasonic LUMIX G 50-200mm is an autofocus telephoto zoom for Micro Four Thirds cameras, with a 50-200mm focal-length range. That makes it useful when you can’t or don’t want to move closer: think sideline sports, stage events or animals that are best left undisturbed. It also gives portrait photographers room to frame a face from a comfortable distance, and travel photographers a way to pick out details without changing lenses. The range can handle changing subject distances during an event, though it’s worth planning your position around the reach you need. If your photography often involves subjects across a field, across a room or beyond the path in front of you, this lens gives you plenty of framing flexibility.\u003c\/p\u003e\n\u003cdiv class=\"specialist-note\"\u003e\n\u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n\u003cp\u003eFirst-time telephoto buyers often keep the zoom at its longest setting, even when the subject comes closer; with this 50-200mm range, it pays to reframe rather than keep backing away. For wildlife on a Micro Four Thirds body, the long end gives a full-frame-equivalent field of view of 400mm, handy for filling the frame from a respectful distance. For fast-moving sport, try 1\/1000 sec as a starting shutter speed. The maximum aperture changes from f\/2.8 to f\/4 across the zoom range, so at the long end you may need to raise ISO to hold that speed in dim light. It suits anyone who values reach, but it isn’t a constant-f\/2.8 zoom.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eProduct kind: Interchangeable lens\u003c\/li\u003e\n\u003cli\u003eFocal length: 50-200mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: f\/2.8-4\u003c\/li\u003e\n\u003cli\u003eLens type: Telephoto zoom\u003c\/li\u003e\n\u003cli\u003eMount: MFT\u003c\/li\u003e\n\u003cli\u003eSensor format: Micro Four Thirds\u003c\/li\u003e\n\u003cli\u003eFocus: Autofocus\u003c\/li\u003e\n\u003cli\u003eAngle of view: 24°-6°\u003c\/li\u003e\n\u003cli\u003eColour: Black\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Panasonic","offers":[{"title":"Default Title","offer_id":57563941634388,"sku":"H-ES50200E9","price":1702.37,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/H-ES50200E9_01.jpg?v=1791805368"},{"product_id":"panasonic-lumix-g-8-18mm-f-2-8-4-0-leica-mft-black","title":"Panasonic LUMIX G 8-18mm f\/2.8-4.0 Leica MFT Black","description":"\u003ch2\u003ePanasonic LUMIX G 8-18mm f\/2.8-4.0 Leica MFT Black | Wide views for tight spaces\u003c\/h2\u003e\n\u003cp\u003eOn a narrow street, or beside a sweeping landscape, there may be no room to step back and fit the scene into your frame. This Panasonic wide-angle zoom gives you a 8–18mm range for those situations, with autofocus to help you focus quickly as you compose. It’s made for the Micro Four Thirds system and suits photographers drawn to landscapes, architecture and night skies. The field of view runs from 107° at the wide end to 62° at the long end, so you can include a broad scene at 8mm or tighten the framing at 18mm. Its maximum aperture changes from f\/2.8 to f\/4 across the zoom range. That makes this a practical option when you want a wide view without changing lenses, while the shorter maximum aperture at 18mm is worth bearing in mind for dim scenes.\u003c\/p\u003e\n\u003cdiv class=\"specialist-note\"\u003e\n\u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n\u003cp\u003eFor framing a whole building when the street gives you nowhere to step back, the 8–18mm range is more direct than making a panorama from several frames. I’d point it toward architecture or a broad landscape when keeping the scene in one composition matters. On a Micro Four Thirds body, the field of view corresponds to 16–36mm, which gives you a very wide starting point but still lets you pull back from the most dramatic perspective. For night-sky work, use the 8mm end at f\/2.8 to gather more light; as you zoom in, the maximum aperture narrows to f\/4, so you’ll have less room to work in very dark conditions. It suits someone who wants one lens for wide compositions, not a long-reach option.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 8–18mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: f\/2.8–4\u003c\/li\u003e\n\u003cli\u003eLens type: Wide Angle Zoom\u003c\/li\u003e\n\u003cli\u003eMount: MFT\u003c\/li\u003e\n\u003cli\u003eSensor format: Micro Four Thirds\u003c\/li\u003e\n\u003cli\u003eFocus: Autofocus\u003c\/li\u003e\n\u003cli\u003eAngle of view: 107°–62°\u003c\/li\u003e\n\u003cli\u003eColour: Zwart\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Panasonic","offers":[{"title":"Default Title","offer_id":57563942977876,"sku":"H-E08018E","price":1133.91,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/H-E08018E_01.jpg?v=1791805370"},{"product_id":"panasonic-lumix-g-9mm-f-1-7-leica-black","title":"Panasonic LUMIX G 9mm f\/1.7 Leica Black","description":"\u003ch2\u003ePanasonic LUMIX G 9mm f\/1.7 Leica Black | Wide views in low light\u003c\/h2\u003e\n\u003cp\u003eWide landscapes, bold architectural lines and night skies are the scenes this lens is made to bring into the frame. The Panasonic LUMIX G 9mm f\/1.7 Leica Black is an ultra-wide prime for Micro Four Thirds cameras, with a bright maximum aperture of f\/1.7. It suits photographers who want a broad view without stepping back, and who also need a lens that can gather plenty of light when the day fades. Autofocus makes it practical for changing subjects and compositions. On a Micro Four Thirds body, its 9mm focal length gives a distinctly wide perspective for landscapes and buildings, while the fast aperture makes astro photography a realistic use too. It’s a specialised wide-angle lens rather than a general-purpose zoom, so it earns its place when space, scale or a dark sky is part of the picture.\u003c\/p\u003e\n\u003ch3\u003eMaking sense of the wide view\u003c\/h3\u003e\n\u003cp\u003eThe 100° angle of view helps explain why this lens can take in a broad stretch of scenery or more of an architectural interior. On Micro Four Thirds, 9mm gives the perspective of an 18mm lens on a full-frame camera. That wide framing is useful, but it rewards careful composition: move close to a foreground detail to give it presence, and keep important lines near the edges in mind.\u003c\/p\u003e\n\u003cdiv class=\"specialist-note\"\u003e\n\u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n\u003cp\u003eTight rooms and cramped compositions are exactly the problem this lens helps solve: you can include more of a space or foreground without stepping back. Its f\/1.7 maximum aperture is handy for a night sky; open it fully to gather more light, then choose an exposure that keeps stars crisp. For architecture, I’d use autofocus on a clear subject detail and pay attention to the edges, where nearby lines can feel especially prominent in such a wide view. It suits Micro Four Thirds photographers who want an 18mm-equivalent perspective in a prime. The honest trade-off is that distant subjects look small.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eProduct kind: Interchangeable lens\u003c\/li\u003e\n\u003cli\u003eLens type: Ultra Wide Prime\u003c\/li\u003e\n\u003cli\u003eMount: MFT\u003c\/li\u003e\n\u003cli\u003eSensor format: Micro Four Thirds\u003c\/li\u003e\n\u003cli\u003eFocus: Autofocus\u003c\/li\u003e\n\u003cli\u003eAngle of view: 100°\u003c\/li\u003e\n\u003cli\u003eColour: Black\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Panasonic","offers":[{"title":"Default Title","offer_id":57563943600468,"sku":"H-X09E","price":471.56,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/H-X09E_01.jpg?v=1791805371"},{"product_id":"panasonic-lumix-s-100-mm-f-2-8-macro-l-mount-black","title":"Panasonic LUMIX S 100 mm f\/2.8 Macro L-Mount Black","description":"\u003ch2\u003ePanasonic LUMIX S 100 mm f\/2.8 Macro L-Mount Black | Bring small details into focus\u003c\/h2\u003e\n\u003cp\u003eWithout a dedicated macro lens, getting a convincing close-up can mean cropping away much of the frame; this Panasonic gives you a lens designed for that work. It’s an interchangeable autofocus lens for full-frame cameras with a Leica L mount, suited to photographers who want to make close-up images of products, natural details and small subjects. The 24° angle of view keeps the composition focused, which can help when you want one detail to carry the picture rather than include a busy background. It’s also a practical fit for product photography, where careful framing helps show texture, finish or a small feature clearly. For nature work, it gives you a dedicated option for close views of details such as petals and leaves. If macro is a regular part of what you photograph, this lens gives that work its own place in your kit.\u003c\/p\u003e\n\u003ch3\u003eMaking the most of a macro lens\u003c\/h3\u003e\n\u003cp\u003eFor a product image, choose the detail you want viewers to notice before setting up the frame: a surface texture, an edge or a small component. Keep the subject still and take time to refine focus; a small change in framing can alter how the detail reads. In nature, look for a clean background behind the subject so the close-up stays easy to read. These small choices matter more than trying to include every detail at once.\u003c\/p\u003e\n\u003cdiv class=\"specialist-note\"\u003e\n\u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n\u003cp\u003eClose-up work can be unforgiving: a small shift in focus may move the sharpest detail away from the part you meant to show. The reason I’d still point you to this lens is its 100mm focal length paired with a bright f\/2.8 maximum aperture. That focal length gives you room to frame a product detail without crowding the subject, while f\/2.8 can help separate it from a softer background. For a flower, try 1\/500 sec if there’s a little movement, then raise ISO as needed. It suits L-mount full-frame users who want macro, product and nature work in one dedicated lens.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eProduct kind: Interchangeable lens\u003c\/li\u003e\n\u003cli\u003eFocal length: 100mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: f\/2.8\u003c\/li\u003e\n\u003cli\u003eLens type: Macro\u003c\/li\u003e\n\u003cli\u003eMount: Leica L\u003c\/li\u003e\n\u003cli\u003eSensor format: Full Frame\u003c\/li\u003e\n\u003cli\u003eFocus: Autofocus\u003c\/li\u003e\n\u003cli\u003eAngle of view: 24°\u003c\/li\u003e\n\u003cli\u003eColour: Black\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Panasonic","offers":[{"title":"Default Title","offer_id":57563948843348,"sku":"S-E100E","price":1039.63,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/S-E100E_01.jpg?v=1791805380"},{"product_id":"panasonic-lumix-s-24-105mm-f-4-0-macro-ois-l-mount-black","title":"Panasonic LUMIX S 24-105mm f\/4.0 Macro OIS L-Mount Black","description":"\u003ch2\u003ePanasonic LUMIX S 24-105mm f\/4.0 Macro OIS L-Mount Black | One lens for detail and wider views\u003c\/h2\u003e\n\u003cp\u003eFor product and nature photography, the 24–105mm range makes it possible to move from a broad view to a tighter composition without changing lenses. The Panasonic LUMIX S 24-105mm f\/4.0 Macro OIS is a standard zoom for full-frame cameras with a Leica L mount, with autofocus and optical image stabilisation. Its macro designation makes it suited to close-up subjects, while the zoom range also gives you room to frame products and natural details at different sizes. Stabilisation can help reduce blur caused by camera movement, particularly when you’re shooting handheld. This lens will suit photographers who want one versatile focal range for considered product images, small details in nature and general everyday shooting. It’s a practical option when your subject or preferred framing changes, though the f\/4 maximum aperture is something to keep in mind in dim light.\u003c\/p\u003e\n\u003cdiv class=\"specialist-note\"\u003e\n\u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n\u003cp\u003eFor product work that moves from a close detail to a wider view, this lens lets you adjust framing across 24–105mm instead of swapping focal lengths. I’d use the longer end to make a small object or natural detail fill more of the frame, then pull back towards 24mm to include more context. The f\/4 maximum aperture gives you a consistent setting to work with as you reframe; in lower light, you may need to raise ISO or use a slower shutter speed. Its optical stabilisation helps with camera shake, but it won’t freeze a moving subject. It suits L-mount full-frame photographers who want macro, product and nature work covered in one lens.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eProduct kind: Interchangeable lens\u003c\/li\u003e\n\u003cli\u003eFocal length: 24–105mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: f\/4\u003c\/li\u003e\n\u003cli\u003eLens type: Macro\u003c\/li\u003e\n\u003cli\u003eMount: Leica L\u003c\/li\u003e\n\u003cli\u003eSensor format: Full Frame\u003c\/li\u003e\n\u003cli\u003eFocus: Autofocus\u003c\/li\u003e\n\u003cli\u003eAngle of view: 84°–23° (estimated)\u003c\/li\u003e\n\u003cli\u003eOptical stabilisation: Yes\u003c\/li\u003e\n\u003cli\u003eColour: Black\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Panasonic","offers":[{"title":"Default Title","offer_id":57563950809428,"sku":"S-R24105E","price":1323.53,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/S-R24105E_01.jpg?v=1791805382"},{"product_id":"panasonic-lumix-s-26mm-f-8-0-pancake-lens","title":"Panasonic LUMIX S 26mm f\/8.0 Pancake Lens","description":"\u003ch2\u003ePanasonic LUMIX S 26mm f\/8.0 Pancake Lens | A slim lens for street days\u003c\/h2\u003e\n\u003cp\u003ePanasonic’s defining choice is the pancake form: it keeps this interchangeable lens focused on a slim, straightforward setup rather than zoom flexibility. It’s made for photographers who want to travel light and keep a camera ready for street scenes, changing details and everyday views. On a full-frame Leica L-mount camera, autofocus helps you react when a moment moves quickly, while the wide-angle prime design encourages you to work close to the scene instead of relying on a zoom. This is a specialist lens with a clear purpose, not an all-conditions option. Its strongest match is daylight street and travel photography, where a compact setup and an unhurried approach to framing matter more than a bright aperture. If that sounds like your kind of shooting, it offers a refreshingly simple way to carry a wide view.\u003c\/p\u003e\n\u003ch3\u003eA wide view for everyday scenes\u003c\/h3\u003e\n\u003cp\u003eThe estimated 80° angle of view gives you room to include both a subject and some of its surroundings. That suits street details, shopfronts and travel scenes where context helps tell the story. It also rewards considered positioning: move closer to a detail when you want it to lead, or step back to make more of the setting part of the frame. The lens is finished in black.\u003c\/p\u003e\n\u003cdiv class=\"specialist-note\"\u003e\n\u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n\u003cp\u003eA morning street market is filling with shoppers, and there’s a quick portrait to catch between the stalls. I’d suggest setting focus on your subject and keeping the framing simple: the 26mm focal length gives space for a little of the scene around them. The f\/8 maximum aperture means this lens is happiest in good light; for a moving person outdoors, try around 1\/250s and raise ISO as needed for a well-exposed frame. It’s a lovely fit for a light travel setup if you enjoy working with available daylight. In dim interiors, though, that aperture can make exposure a challenge, so I’d bring a brighter lens for those situations.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eProduct kind: Interchangeable lens\u003c\/li\u003e\n\u003cli\u003eFocal length: 26mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: f\/8\u003c\/li\u003e\n\u003cli\u003eLens type: Wide Angle Prime\u003c\/li\u003e\n\u003cli\u003eMount: Leica L\u003c\/li\u003e\n\u003cli\u003eSensor format: Full Frame\u003c\/li\u003e\n\u003cli\u003eFocus: Autofocus\u003c\/li\u003e\n\u003cli\u003eAngle of view: 80°\u003c\/li\u003e\n\u003cli\u003eColour: Black\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Panasonic","offers":[{"title":"Default Title","offer_id":57563951497556,"sku":"S-R26E","price":226.27,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/S-R26E_01.jpg?v=1791805383"},{"product_id":"panasonic-lumix-s-28-200mm-f-4-5-7-1-macro-ois","title":"Panasonic LUMIX S 28-200mm f\/4.5-7.1 Macro OIS","description":"\u003ch2\u003ePanasonic LUMIX S 28-200mm f\/4.5-7.1 Macro OIS | One zoom for close-ups and distant detail\u003c\/h2\u003e\n\u003cp\u003eThe Panasonic LUMIX S 28-200mm f\/4.5-7.1 Macro OIS covers a broad 28-200mm range in a single full-frame lens. It’s built for L-mount photographers who want to move between everyday scenes, nature and close-up subjects without changing lenses. That range makes it especially handy when you’re following changing subjects: frame a wider view, then zoom in on a detail. Its macro capability also brings small subjects and product details into reach, making it useful beyond general-purpose photography. Autofocus helps you keep pace when the subject shifts, while optical stabilisation is there to help reduce the effect of camera shake. For a photographer who wants one lens for varied subjects, this Panasonic brings together a wide zoom range and close-up use in a straightforward package.\u003c\/p\u003e\n\u003cdiv class=\"specialist-note\"\u003e\n\u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n\u003cp\u003eSoft morning light falls across a row of garden flowers, and a small insect settles on one of them. This is the sort of changing subject where the 200mm end lets you frame the detail from farther back, while the macro design gives you a way to work close when the subject allows. At the long end, f\/7.1 is the widest aperture available, so in dim light you may need to raise ISO or use support. The OIS helps counter camera shake, but it won’t freeze a moving petal or insect. I’d recommend this lens to L-mount users who want one zoom for nature details and product close-ups, with a little patience for light levels at 200mm.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eProduct kind: Interchangeable lens\u003c\/li\u003e\n\u003cli\u003eFocal length: 28-200mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: f\/4.5-7.1\u003c\/li\u003e\n\u003cli\u003eLens type: Macro\u003c\/li\u003e\n\u003cli\u003eMount: Leica L\u003c\/li\u003e\n\u003cli\u003eSensor format: Full Frame\u003c\/li\u003e\n\u003cli\u003eFocus: Autofocus\u003c\/li\u003e\n\u003cli\u003eAngle of view: 75°-12°\u003c\/li\u003e\n\u003cli\u003eOptical stabilisation: Yes\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Panasonic","offers":[{"title":"Default Title","offer_id":57563952513364,"sku":"S-R28200E","price":945.27,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/S-R28200E_01.jpg?v=1791805385"},{"product_id":"panasonic-lumix-s-35mm-f-1-8-l-mount-black","title":"Panasonic LUMIX S 35mm f\/1.8 L-Mount Black","description":"\u003ch2\u003ePanasonic LUMIX S 35mm f\/1.8 L-Mount Black | A bright prime for street and travel\u003c\/h2\u003e\n\u003cp\u003eThe Panasonic LUMIX S 35mm f\/1.8 L-Mount Black combines a 35mm focal length with a bright maximum aperture, giving you a practical everyday view and room to work in dimmer light. It’s a full-frame autofocus prime for photographers who want to keep their kit simple on city walks and trips. The 35mm perspective takes in a good sense of place while keeping your main subject prominent, so it suits street scenes, cafés and travel details without feeling overly wide. Autofocus makes it easier to follow a changing scene, while the f\/1.8 aperture gives you more flexibility as the light fades. This is a fixed-focal-length lens, so framing means moving yourself rather than zooming. If you enjoy working with one considered viewpoint and getting close to the moment, it’s a straightforward lens to make part of your regular kit.\u003c\/p\u003e\n\u003cdiv class=\"specialist-note\"\u003e\n\u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n\u003cp\u003eLate afternoon light falls across a market stall as people pass through the frame. For that kind of street scene, I’d keep the aperture at f\/1.8 when the light drops and start around 1\/125s for moving people, raising ISO if the exposure needs it. The 35mm view gives you room to include a little of the surroundings without making the scene feel distant. I’d also consider it for travel days when you want one lens for street views and smaller details. The trade-off is simple: there’s no zoom, so you’ll need to step closer or back to change your framing. That deliberate pace suits this lens well.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eProduct type: Interchangeable lens\u003c\/li\u003e\n\u003cli\u003eLens type: Standard Prime\u003c\/li\u003e\n\u003cli\u003eFocal length: 35mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: f\/1.8\u003c\/li\u003e\n\u003cli\u003eMount: Leica L\u003c\/li\u003e\n\u003cli\u003eSensor format: Full Frame\u003c\/li\u003e\n\u003cli\u003eFocus: Autofocus\u003c\/li\u003e\n\u003cli\u003eAngle of view: 63°\u003c\/li\u003e\n\u003cli\u003eColour: Black\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Panasonic","offers":[{"title":"Default Title","offer_id":57563953496404,"sku":"S-S35E","price":643.01,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/S-S35E_01.jpg?v=1791805386"},{"product_id":"panasonic-lumix-s-50mm-f-1-8-l-mount-black","title":"Panasonic LUMIX S 50mm f\/1.8 L-Mount Black","description":"\u003ch2\u003ePanasonic LUMIX S 50mm f\/1.8 L-Mount Black | A natural view for everyday shooting\u003c\/h2\u003e\n\u003cp\u003eWithout a dedicated 50mm lens, everyday scenes usually mean adjusting a zoom to find the framing you want. The Panasonic LUMIX S 50mm f\/1.8 is a standard prime for full-frame L-Mount cameras, offering one familiar view rather than a range of focal lengths. Its 47° angle of view gives street scenes and travel photos a composed feel without making the framing overly tight; it also works well for portraits. Autofocus is helpful when a moment is moving and you’d rather concentrate on framing than focus manually. On a city walk, that fixed view encourages you to choose your position before taking the picture. This lens suits photographers who enjoy that deliberate way of working and want a straightforward prime for street photography, travel and portraits.\u003c\/p\u003e\n\u003cdiv class=\"specialist-note\"\u003e\n\u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n\u003cp\u003eA fixed 50mm won’t let you change the framing from where you stand, so you’ll need to move; that’s the trade-off for a simple, deliberate standard lens. I’d recommend it if you want one view to get familiar with, especially for portraits and street scenes. For an indoor portrait, open the f\/1.8 aperture and focus carefully on the eye; that lets in more light and helps keep attention on the face. The full-frame format gives you a familiar standard-lens view on a full-frame body. For a dim street scene, f\/1.8 is a useful starting point; stop down when you want more of the scene in focus. It’s a considered pairing for city walks, with fixed framing the clear limitation.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 50mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: f\/1.8\u003c\/li\u003e\n\u003cli\u003eLens type: Standard Prime\u003c\/li\u003e\n\u003cli\u003eMount: Leica L\u003c\/li\u003e\n\u003cli\u003eSensor format: Full Frame\u003c\/li\u003e\n\u003cli\u003eFocus: Autofocus\u003c\/li\u003e\n\u003cli\u003eAngle of view: 47°\u003c\/li\u003e\n\u003cli\u003eColour: Black\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Panasonic","offers":[{"title":"Default Title","offer_id":57563954807124,"sku":"S-S50E","price":443.79,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/S-S50E_01.jpg?v=1791805388"},{"product_id":"panasonic-lumix-s-pro-24-70mm-f-2-8-l-mount-black","title":"Panasonic LUMIX S Pro 24-70mm f\/2.8 L-Mount Black","description":"\u003ch2\u003ePanasonic LUMIX S Pro 24-70mm f\/2.8 L-Mount Black | One zoom for wide scenes and close portraits\u003c\/h2\u003e\n\u003cp\u003eThe defining choice here is the 24–70mm zoom range: it moves from a broad view for landscapes and travel scenes to tighter framing for portraits and events. That gives L-Mount photographers room to respond to changing subjects without swapping lenses every time the composition shifts. It’s a practical range for someone who wants one standard zoom to handle much of a day’s photography, from a city street to a family gathering. Autofocus helps keep the process straightforward when moments move quickly, while the lens is designed for full-frame cameras. I’d consider it for photographers who value a useful span of focal lengths in one lens and regularly work across several kinds of subjects. Its strongest fit is varied, everyday shooting where both wider context and more selective framing matter.\u003c\/p\u003e\n\u003cdiv class=\"specialist-note\"\u003e\n\u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n\u003cp\u003eAt a dim reception, the speeches begin and the expressions change quickly; this is where the LUMIX S Pro 24–70mm f\/2.8 earns its place. The f\/2.8 maximum aperture gives you more room to work in low light than a slower setting would, and it can help soften the background for a portrait. For a closer, more intimate frame, try 70mm at f\/2.8; for a portrait that includes more of the setting, open the view back up. It suits full-frame L-Mount photographers covering people, travel and events. One honest limit: 70mm won’t bring distant subjects close, so you’ll need to move nearer when you can.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eProduct kind: Interchangeable lens\u003c\/li\u003e\n\u003cli\u003eLens type: Standard Zoom\u003c\/li\u003e\n\u003cli\u003eFocal length: 24–70mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: f\/2.8\u003c\/li\u003e\n\u003cli\u003eMount: Leica L\u003c\/li\u003e\n\u003cli\u003eSensor format: Full Frame\u003c\/li\u003e\n\u003cli\u003eFocus: Autofocus\u003c\/li\u003e\n\u003cli\u003eAngle of view: 84°–34°\u003c\/li\u003e\n\u003cli\u003eColour: Black\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Panasonic","offers":[{"title":"Default Title","offer_id":57563955659092,"sku":"S-E2470E","price":1892.44,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/S-E2470E_01.jpg?v=1791805389"},{"product_id":"panasonic-lumix-g-10-25mm-f-1-7-leica-mft-black","title":"Panasonic LUMIX G 10-25mm f\/1.7 Leica MFT Black","description":"\u003ch2\u003ePanasonic LUMIX G 10-25mm f\/1.7 Leica MFT Black | Wide views, fast aperture\u003c\/h2\u003e\n\u003cp\u003eWide scenes can be hard to frame when you’re boxed in by buildings, travelling light on options, or trying to include both a landscape and its foreground. This Panasonic LUMIX G wide-angle zoom gives you room to adjust your composition without changing lenses. It’s an interchangeable lens for Micro Four Thirds cameras, with autofocus for everyday shooting and a 10–25mm range that suits landscapes, architecture and travel. Its broad-to-standard perspective is also useful for astro photography, where a wide view can take in more of the night sky. The 95°–47° angle of view gives a sense of how much the frame changes as you zoom. For photographers who often work in tight spaces or want to refine a wide composition on the move, this is a practical, versatile focal range.\u003c\/p\u003e\n\n\u003cdiv class=\"specialist-note\"\u003e\n\u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n\u003cp\u003eAt 10mm, I’d start with the camera level for a building exterior, then zoom in a little if the edges feel too stretched. On a Micro Four Thirds body, this lens frames like a 20–50mm lens on full frame, so it moves from genuinely wide to a natural-looking everyday view. The maximum f\/1.7 aperture is especially helpful for an astro foreground: open it up and try around 1\/30 sec at the wide end, then adjust exposure to suit the sky. I’d recommend it to travellers and architecture or landscape photographers who want that range in one lens. Its limit is clear: 25mm isn’t a telephoto view.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eProduct kind: Interchangeable lens\u003c\/li\u003e\n\u003cli\u003eFocal length: 10–25mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: f\/1.7\u003c\/li\u003e\n\u003cli\u003eLens type: Wide Angle Zoom\u003c\/li\u003e\n\u003cli\u003eMount: MFT\u003c\/li\u003e\n\u003cli\u003eSensor format: Micro Four Thirds\u003c\/li\u003e\n\u003cli\u003eFocus: Autofocus\u003c\/li\u003e\n\u003cli\u003eAngle of view: 95°–47°\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Panasonic","offers":[{"title":"Default Title","offer_id":57563967324500,"sku":"H-X1025E","price":1891.13,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/H-X1025E_01.jpg?v=1791805403"},{"product_id":"panasonic-lumix-g-12-32mm-f-3-5-5-6-mft-black","title":"Panasonic LUMIX G 12-32mm f\/3.5-5.6 MFT Black","description":"\u003ch2\u003ePanasonic LUMIX G 12-32mm f\/3.5-5.6 MFT Black | A small-range zoom for travel and wide views\u003c\/h2\u003e\n\u003cp\u003eAt a city square, a narrow street or a viewpoint, it helps to have a lens that can frame both the wider scene and a closer detail without changing lenses. The Panasonic LUMIX G 12-32mm f\/3.5-5.6 is a standard zoom for Micro Four Thirds cameras, with autofocus and a 12-32mm focal range. Its widest setting suits landscapes and architecture, while the longer end gives you a tighter view of a travel subject. The variable maximum aperture of f\/3.5-5.6 means the available light matters more as you zoom in, so this lens is best suited to daytime outings and well-lit interiors rather than dim scenes. Its 84°-37° angle of view takes you from a broad composition to a more selective one. For photographers who want one straightforward lens for travel, buildings and open landscapes, it covers useful ground without making the kit complicated.\u003c\/p\u003e\n\u003cdiv class=\"specialist-note\"\u003e\n\u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n\u003cp\u003eThe 12-32mm range gives this lens a practical shift from open views to tighter framing, without a big jump between the two. On a Micro Four Thirds body, 12mm frames like 24mm on a full-frame camera, which is a helpful width for a building façade or a landscape; keep the camera level when photographing architecture to avoid converging verticals. At 32mm, the view is like 64mm, useful for picking out a detail while travelling. The f\/3.5-5.6 maximum aperture is the honest trade-off: as you zoom in, it lets in less light, so bright conditions suit it best. I’d recommend it to someone who values a simple, versatile travel setup.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eProduct type: Interchangeable lens\u003c\/li\u003e\n\u003cli\u003eFocal length: 12-32mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: f\/3.5-5.6\u003c\/li\u003e\n\u003cli\u003eLens type: Wide Angle Zoom\u003c\/li\u003e\n\u003cli\u003eMount: MFT\u003c\/li\u003e\n\u003cli\u003eSensor format: Micro Four Thirds\u003c\/li\u003e\n\u003cli\u003eFocus: Autofocus\u003c\/li\u003e\n\u003cli\u003eColour: Zwart\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Panasonic","offers":[{"title":"Default Title","offer_id":57563968667988,"sku":"H-FS12032E-K","price":330.17,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/H-FS12032E-K_01.jpg?v=1791805405"},{"product_id":"panasonic-lumix-g-12-60mm-f-2-8-4-0-leica-mft-black","title":"Panasonic LUMIX G 12-60mm f\/2.8-4.0 Leica MFT Black","description":"\u003ch2\u003ePanasonic LUMIX G 12-60mm f\/2.8-4.0 Leica MFT Black | One zoom for changing scenes\u003c\/h2\u003e\n\u003cp\u003eWithout a zoom, going from a wide landscape to a closer portrait means changing lenses or settling for a different frame. The Panasonic LUMIX G 12-60mm f\/2.8-4.0 Leica is an autofocus zoom for Micro Four Thirds cameras, covering a useful spread of everyday subjects in one lens. It suits travel and daily photography, and the broad end of its range is handy for landscapes, while the longer end helps you frame people more tightly. Its maximum aperture runs from f\/2.8 to f\/4, so it also has room for low-light subjects such as night skies, particularly at the wide end. The 12-60mm range makes this a flexible option when you want to respond to a scene without swapping lenses. It’s a practical fit for photographers who move between places and subjects, and prefer a single zoom for much of the day.\u003c\/p\u003e\n\u003ch3\u003eFraming across the range\u003c\/h3\u003e\n\u003cp\u003eThink of the zoom as a way to change how much of the scene fills your frame: start wide for a sweeping view, then zoom in to give a person or detail more space. That makes the lens especially useful on trips and ordinary days when the subject can change quickly. For landscapes, the wide end lets you include more of the setting; for portraits, the longer end offers a tighter composition without moving as close.\u003c\/p\u003e\n\u003cdiv class=\"specialist-note\"\u003e\n\u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n\u003cp\u003eAt 12mm, I’d begin a landscape or night-sky frame by including plenty of the surroundings; on a Micro Four Thirds body, that gives you a 24mm full-frame-equivalent view. For a night sky, use the wide end at f\/2.8 to let in as much light as this zoom allows, then set your exposure to the scene. I’d also use 60mm for a tighter portrait when you want the person to take up more of the frame. This suits travellers and everyday photographers who like one lens for varied subjects. The honest trade-off: it gets slower toward f\/4 as you zoom in, so f\/2.8 isn’t available throughout.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eProduct kind: Interchangeable lens\u003c\/li\u003e\n\u003cli\u003eFocal length: 12-60mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: f\/2.8-4\u003c\/li\u003e\n\u003cli\u003eLens type: Superzoom\u003c\/li\u003e\n\u003cli\u003eMount: MFT\u003c\/li\u003e\n\u003cli\u003eSensor format: Micro Four Thirds\u003c\/li\u003e\n\u003cli\u003eFocus: Autofocus\u003c\/li\u003e\n\u003cli\u003eAngle of view: 84°-20° (estimated)\u003c\/li\u003e\n\u003cli\u003eColour: Black\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Panasonic","offers":[{"title":"Default Title","offer_id":57563970601300,"sku":"H-ES12060E","price":944.09,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/H-ES12060E_01.jpg?v=1791805408"},{"product_id":"panasonic-lumix-g-12-60mm-f-3-5-5-6-mft-black","title":"Panasonic LUMIX G 12-60mm f\/3.5-5.6 MFT Black","description":"\u003ch2\u003ePanasonic LUMIX G 12-60mm f\/3.5-5.6 MFT Black | Flexible reach for travel and everyday photography\u003c\/h2\u003e\n\u003cp\u003eThe defining decision behind this lens is a generous zoom span in a single optic: it moves from wide views to tighter framing, helping you follow changing scenes without changing lenses. The Panasonic LUMIX G 12-60mm f\/3.5-5.6 is an interchangeable superzoom for the Micro Four Thirds system, with autofocus for everyday focusing. It suits photographers who want a standard-range lens for travel, daily subjects and landscapes, while still being able to frame portraits without moving closer. The coverage lets you compose a broad scene, then narrow the view around a person or detail. Its maximum aperture changes across the zoom range, favouring framing flexibility over the same widest aperture at every setting. For a varied day out, that can mean fewer lens changes and more time deciding how you want a scene to look.\u003c\/p\u003e\n\u003cdiv class=\"specialist-note\"\u003e\n\u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n\u003cp\u003ePhotographers who move from wide landscape views to portraits during the same outing will get the most from this zoom. At 12mm, it gives a 24mm-equivalent view on Micro Four Thirds, useful for keeping a broad landscape in frame; zoom to 60mm (120mm equivalent) to frame a portrait more tightly. I’d start at the wide end for scenery, then use the long end when you can’t move nearer. The f\/3.5-5.6 maximum aperture means less light reaches the lens as you zoom toward 60mm, so in dim conditions you may need a higher ISO or a slower shutter. That’s the trade-off; for a travel setup built around one flexible lens, it makes sense.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eProduct kind: Interchangeable lens\u003c\/li\u003e\n\u003cli\u003eFocal length: 12-60mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: f\/3.5-5.6\u003c\/li\u003e\n\u003cli\u003eLens type: Superzoom\u003c\/li\u003e\n\u003cli\u003eMount: MFT\u003c\/li\u003e\n\u003cli\u003eSensor format: Micro Four Thirds\u003c\/li\u003e\n\u003cli\u003eFocus: Autofocus\u003c\/li\u003e\n\u003cli\u003eAngle of view: 84°-20°\u003c\/li\u003e\n\u003cli\u003eColour: Black\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Panasonic","offers":[{"title":"Default Title","offer_id":57563971846484,"sku":"H-FS12060E-K","price":424.58,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/H-FS12060E-K_01.jpg?v=1791805409"},{"product_id":"panasonic-lumix-g-15mm-f-1-7-leica-mft-black","title":"Panasonic LUMIX G 15mm f\/1.7 Leica MFT Black","description":"\u003ch2\u003ePanasonic LUMIX G 15mm f\/1.7 Leica MFT Black | Bright, natural-looking wide-angle views\u003c\/h2\u003e\n\u003cp\u003eStruggling to photograph a room, a building or a night sky without losing the atmosphere? The Panasonic LUMIX G 15mm f\/1.7 is a wide-angle prime lens for Micro Four Thirds cameras, with a bright maximum aperture that helps when the light is low. Its 15mm focal length gives a 30mm-equivalent view on this sensor format: wide enough to include more of a scene, while keeping the framing fairly natural. That makes it a considered option for landscape and architecture photography, as well as astrophotography. Autofocus helps when you want to focus on a subject without turning every shot into a manual task. It suits photographers who prefer a fixed focal length and want a lens that can work across daylight scenes and dimmer conditions. The view is not extremely expansive, so for very tight interiors you may need to step back or choose a different viewpoint.\u003c\/p\u003e\n\u003cdiv class=\"specialist-note\"\u003e\n\u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n\u003cp\u003eIts 30mm-equivalent view on Micro Four Thirds won’t give you the sweeping perspective some architectural scenes call for; I’d still recommend it when you want a wide view with a bright aperture. At f\/1.7, you can let in more light for a night-sky composition, which is helpful when you’re trying to keep exposures short enough to limit star trails. For buildings, use the 15mm framing to include both the structure and some of its surroundings, and keep the camera level to avoid leaning vertical lines. It suits MFT photographers who value that mix of everyday-wide framing and low-light flexibility.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eProduct kind: Interchangeable lens\u003c\/li\u003e\n\u003cli\u003eFocal length: 15mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: f\/1.7\u003c\/li\u003e\n\u003cli\u003eLens type: Ultra Wide Prime\u003c\/li\u003e\n\u003cli\u003eMount: MFT\u003c\/li\u003e\n\u003cli\u003eSensor format: Micro Four Thirds\u003c\/li\u003e\n\u003cli\u003eFocus: Autofocus\u003c\/li\u003e\n\u003cli\u003eAngle of view: 72°\u003c\/li\u003e\n\u003cli\u003eSuitable for: Landscape, architecture, astrophotography\u003c\/li\u003e\n\u003cli\u003eColour: Black\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Panasonic","offers":[{"title":"Default Title","offer_id":57563972632916,"sku":"H-X015E-K","price":566.43,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/H-X015E-K_01.jpg?v=1791805411"},{"product_id":"panasonic-lumix-g-25-50mm-f-1-7-leica-mft-black","title":"Panasonic LUMIX G 25-50mm f\/1.7 Leica MFT Black","description":"\u003ch2\u003ePanasonic LUMIX G 25-50mm f\/1.7 Leica MFT Black | Bright reach for travel and portraits\u003c\/h2\u003e\n\u003cp\u003eOn a city walk, the view can shift from a street scene to a portrait in a moment. This Panasonic LUMIX G standard zoom covers 25-50mm, so you can move from a wider everyday view to tighter framing without changing lenses. Its maximum aperture is f\/1.7, giving you room to work in softer light and control background blur. Autofocus handles focusing, while the Micro Four Thirds mount and sensor format make it a fit for photographers using that camera system. I’d look at it for travel when you want a bright zoom with a useful portrait end, and for portraits where you prefer some flexibility in how tightly you frame your subject. It’s a specialist range rather than an all-purpose long zoom, but within its span it gives you two distinct ways to compose.\u003c\/p\u003e\n\u003cdiv class=\"specialist-note\"\u003e\n\u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n\u003cp\u003eIf your travel day moves from indoor scenes to portraits, this lens removes the choice between a bright standard view and a tighter frame. At f\/1.7, you can open the aperture when the light drops, or use it to soften the background behind a portrait. On a Micro Four Thirds body, the 25-50mm range gives a 50-100mm full-frame equivalent field of view; the 50mm end is particularly handy for head-and-shoulders portraits. I’d suggest it to someone who values that bright, portrait-friendly range in one zoom. One limit to keep in mind: 100mm equivalent reach won’t suit distant wildlife.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 25-50mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: f\/1.7\u003c\/li\u003e\n\u003cli\u003eLens type: Standard Zoom\u003c\/li\u003e\n\u003cli\u003eMount: MFT\u003c\/li\u003e\n\u003cli\u003eSensor format: Micro Four Thirds\u003c\/li\u003e\n\u003cli\u003eFocus: Autofocus\u003c\/li\u003e\n\u003cli\u003eAngle of view: 47°-24°\u003c\/li\u003e\n\u003cli\u003eColour: Black\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Panasonic","offers":[{"title":"Default Title","offer_id":57563973779796,"sku":"H-X2550E","price":1891.13,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/H-X2550E_01.jpg?v=1791805412"},{"product_id":"panasonic-lumix-g-25mm-f-1-4-ii-leica-mft-black","title":"Panasonic LUMIX G 25mm f\/1.4 II Leica MFT Black","description":"\u003ch2\u003ePanasonic LUMIX G 25mm f\/1.4 II Leica MFT Black | A bright prime for street and travel\u003c\/h2\u003e\n\u003cp\u003eThe defining choice is a 25mm f\/1.4 prime: it gives Micro Four Thirds photographers a natural-feeling view with a wide maximum aperture for working in changing light. This interchangeable Panasonic lens is made for the MFT mount and suits photographers who prefer a fixed focal length to a zoom, especially for street scenes and travel. Its bright aperture gives you more freedom to photograph in the evening or indoors without immediately reaching for a higher ISO. It can also help separate a subject from a busy background when you focus on a person or detail. The 25mm focal length is a flexible everyday perspective, but it asks you to frame with your position rather than zooming in or out. For a compact-looking travel kit, it offers a direct way to keep your setup centred on one dependable view.\u003c\/p\u003e\n\u003cdiv class=\"specialist-note\"\u003e\n\u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n\u003cp\u003eOn a late city walk, a café window catches the last light and a passer-by moves through the frame. This is where I’d reach for this 25mm: on a Micro Four Thirds body it gives a 50mm-equivalent angle of view, a useful, familiar perspective for street details without making the scene feel distant. Open the aperture to f\/1.4 when the light drops; that gives you room to use a faster shutter and helps your subject stand apart from the background. It suits travellers who like to photograph people, doorways and small details as they come across them. The trade-off is simple: there’s no zoom, so you’ll need to move to change your framing.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eProduct kind: Interchangeable lens\u003c\/li\u003e\n\u003cli\u003eFocal length: 25mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: f\/1.4\u003c\/li\u003e\n\u003cli\u003eLens type: Wide Angle Prime\u003c\/li\u003e\n\u003cli\u003eMount: MFT\u003c\/li\u003e\n\u003cli\u003eSensor format: Micro Four Thirds\u003c\/li\u003e\n\u003cli\u003eFocus: Autofocus\u003c\/li\u003e\n\u003cli\u003eAngle of view: 47° (estimated)\u003c\/li\u003e\n\u003cli\u003eColour: Black\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Panasonic","offers":[{"title":"Default Title","offer_id":57563974664532,"sku":"H-XA025E","price":613.94,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/H-XA025E_01.jpg?v=1791805413"},{"product_id":"panasonic-lumix-g-25mm-f-1-7-mft-black","title":"Panasonic LUMIX G 25mm f\/1.7 MFT Black","description":"\u003ch2\u003ePanasonic LUMIX G 25mm f\/1.7 MFT Black | A bright prime for street and travel\u003c\/h2\u003e\n\u003cp\u003eFor street scenes and travel, the Panasonic LUMIX G 25mm f\/1.7 gives you a composed, natural-looking view that’s well suited to people, details and everyday moments. This black autofocus prime has a 25mm focal length and a maximum aperture of f\/1.7, for Micro Four Thirds cameras. Its 47° angle of view keeps the framing purposeful: you can make a subject the focus without including too much of the surrounding scene. Autofocus helps when moments move quickly, while the bright maximum aperture gives you more room to work as available light fades. As a prime lens, it has a fixed focal length rather than zoom; you’ll change your framing by moving closer or stepping back. That makes it a straightforward option for photographers who enjoy choosing a viewpoint and building a picture around it.\u003c\/p\u003e\n\u003cdiv class=\"specialist-note\"\u003e\n\u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n\u003cp\u003eThe fixed 25mm focal length shapes the way you frame: on a Micro Four Thirds body, it gives a view equivalent to 50mm on full frame. I’d suggest it to someone who wants street pictures with a clear subject, or travel portraits that still feel connected to their surroundings. For a café portrait, try f\/1.7 and focus on the person’s eyes; the wide aperture can help draw attention to them against a less distinct background. It’s also useful when light is fading, though a prime won’t let you zoom in from where you’re standing. I like it most for deliberate, close-to-the-scene photography.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eProduct type: Interchangeable lens\u003c\/li\u003e\n\u003cli\u003eFocal length: 25mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: f\/1.7\u003c\/li\u003e\n\u003cli\u003eLens type: Wide Angle Prime\u003c\/li\u003e\n\u003cli\u003eMount: MFT\u003c\/li\u003e\n\u003cli\u003eSensor format: Micro Four Thirds\u003c\/li\u003e\n\u003cli\u003eFocus: Autofocus\u003c\/li\u003e\n\u003cli\u003eAngle of view: 47°\u003c\/li\u003e\n\u003cli\u003eColour: Black\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Panasonic","offers":[{"title":"Default Title","offer_id":57563975811412,"sku":"H-H025E-K","price":188.31,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/H-H025E-K_01.jpg?v=1791805415"},{"product_id":"panasonic-lumix-g-30mm-f-2-8-mft-black","title":"Panasonic LUMIX G 30mm f\/2.8 MFT Black","description":"\u003ch2\u003ePanasonic LUMIX G 30mm f\/2.8 MFT Black | A considered view for street and travel\u003c\/h2\u003e\n\u003cp\u003eOn a street walk, you often want to isolate a detail without carrying a long, bulky-looking setup. The Panasonic LUMIX G 30mm f\/2.8 is an interchangeable autofocus lens for Micro Four Thirds cameras, suited to street photography and travel. Its 30mm focal length gives a deliberate, fairly focused view: useful for picking a subject out of a busy scene or making a travel detail the centre of the frame. The 40° angle of view gives you a helpful sense of how much of a scene will fit, so it’s easier to decide where to stand and how to frame. Autofocus makes it practical when a moment is moving on and you’d rather concentrate on composition. This is a straightforward prime lens for photographers who want a specific perspective, rather than one lens that covers every framing situation.\u003c\/p\u003e\n\u003cdiv class=\"specialist-note\"\u003e\n\u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n\u003cp\u003eThe MFT mount is the physical detail that gives this lens its place in a kit: it’s made for a Micro Four Thirds body, with a clear role for walks and trips. Its 30mm focal length frames like a 60mm lens on full frame, which I find a useful perspective to think through when composing. For a street scene, try keeping your subject distinct against the surroundings; for a travel detail, step back enough to include a little context. The f\/2.8 maximum aperture gives you room to work in softer light—try 1\/250 sec for a moving street subject and raise ISO if needed. Its framing can feel tight in a small room, so it pairs well with a wider focal length.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eProduct kind: Interchangeable lens\u003c\/li\u003e\n\u003cli\u003eFocal length: 30mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: f\/2.8\u003c\/li\u003e\n\u003cli\u003eLens type: Wide Angle Prime\u003c\/li\u003e\n\u003cli\u003eMount: MFT\u003c\/li\u003e\n\u003cli\u003eSensor format: Micro Four Thirds\u003c\/li\u003e\n\u003cli\u003eFocus: Autofocus\u003c\/li\u003e\n\u003cli\u003eAngle of view: 40°\u003c\/li\u003e\n\u003cli\u003eColour: Black\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Panasonic","offers":[{"title":"Default Title","offer_id":57563976696148,"sku":"H-HS030E","price":330.17,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/H-HS030E_01.jpg?v=1791805416"},{"product_id":"panasonic-lumix-g-35-100mm-f-4-0-5-6-mft-black","title":"Panasonic LUMIX G 35-100mm f\/4.0-5.6 MFT Black","description":"\u003ch2\u003ePanasonic LUMIX G 35-100mm f\/4.0-5.6 MFT Black | Bring distant moments closer\u003c\/h2\u003e\n\u003cp\u003eFor travel, portraits and events, this telephoto zoom helps you frame people and details that are too far away for a standard view, without needing to move closer. The Panasonic LUMIX G 35-100mm f\/4.0-5.6 MFT Black gives you a 35-100mm focal-length range in a lens made for Micro Four Thirds cameras. At the shorter end, you can include more of a scene; zoom in to make a person or a distant detail fill more of the frame. That flexibility is handy when you’re photographing a changing moment and can’t reposition freely. It suits photographers who want to travel light on lens changes and who often shoot portraits, performances or candid moments from a little distance. The range is useful for bringing your framing in close, while still letting you pull back when the scene calls for more context.\u003c\/p\u003e\n\u003cdiv class=\"specialist-note\"\u003e\n\u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n\u003cp\u003eWhen the person or moment you want is just beyond easy reach, this zoom gives you a way to frame it without stepping into the scene. On a Micro Four Thirds camera, its 35-100mm range frames like 70-200mm on full frame, so the long end can suit a portrait from across a room or a candid event moment. For a head-and-shoulders portrait, try the 100mm end and leave some space between you and your subject. The f\/4-5.6 maximum aperture is the trade-off: in a dim venue, you may need to raise ISO, and for moving people I’d start around 1\/500 sec and adjust from there. It suits travellers and portrait shooters who can work with available light.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eProduct kind: Interchangeable lens\u003c\/li\u003e\n\u003cli\u003eFocal length: 35-100mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: f\/4.0-5.6\u003c\/li\u003e\n\u003cli\u003eLens type: Telephoto Zoom\u003c\/li\u003e\n\u003cli\u003eMount: MFT\u003c\/li\u003e\n\u003cli\u003eSensor format: Micro Four Thirds\u003c\/li\u003e\n\u003cli\u003eFocus: Autofocus\u003c\/li\u003e\n\u003cli\u003eAngle of view: 34°-12°\u003c\/li\u003e\n\u003cli\u003eColour: Black\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Panasonic","offers":[{"title":"Default Title","offer_id":57563977810260,"sku":"H-FS35100E-K","price":330.17,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/H-FS35100E-K_01.jpg?v=1791805418"},{"product_id":"panasonic-lumix-g-42-5mm-f-1-7-mft-black","title":"Panasonic LUMIX G 42.5mm f\/1.7 MFT Black","description":"\u003ch2\u003ePanasonic LUMIX G 42.5mm f\/1.7 MFT Black | Bright, considered framing for street and travel\u003c\/h2\u003e\n\u003cp\u003eThe Panasonic LUMIX G 42.5mm f\/1.7 MFT Black combines a 42.5mm focal length with a bright f\/1.7 maximum aperture. It’s for Micro Four Thirds photographers who want a tighter, more deliberate view for street scenes and travel, rather than a lens that takes in everything around them. Autofocus keeps focusing straightforward, while the wide maximum aperture gives you room to work in softer light and separate a subject from its background. On a Micro Four Thirds sensor, the 29° angle of view makes it easier to pick out a face, a market detail or a small part of a larger scene. This is a standard prime, so the framing stays fixed: you move to refine your composition instead of zooming. That suits photographers who enjoy making considered frames and want a compact focal-length choice for everyday outings. Its tighter view asks for a little space, though, so it’s less at home when you need to capture a broad street or a cramped interior.\u003c\/p\u003e\n\u003cdiv class=\"specialist-note\"\u003e\n\u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n\u003cp\u003eThe 85mm-equivalent framing gives you a clear subject to work around; it naturally encourages a more selective composition. I’d use it for a travel detail or a street portrait, keeping the subject in focus and letting the surroundings sit quietly behind. At f\/1.7, you have more room to keep shutter speed up in dimmer light; for someone walking, try 1\/250 sec and adjust ISO to suit the scene. Autofocus means you can concentrate on timing and framing rather than focusing manually. It suits someone who likes working a little farther back and choosing a moment. The honest trade-off is that the view is tight for broad scenes, so pair it with a wider lens if you want both kinds of framing on a trip.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eProduct kind: Interchangeable lens\u003c\/li\u003e\n\u003cli\u003eFocal length: 42.5mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: f\/1.7\u003c\/li\u003e\n\u003cli\u003eLens type: Standard Prime\u003c\/li\u003e\n\u003cli\u003eMount: MFT\u003c\/li\u003e\n\u003cli\u003eSensor format: Micro Four Thirds\u003c\/li\u003e\n\u003cli\u003eFocus: Autofocus\u003c\/li\u003e\n\u003cli\u003eAngle of view: 29°\u003c\/li\u003e\n\u003cli\u003eColour: Black\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Panasonic","offers":[{"title":"Default Title","offer_id":57563978989908,"sku":"H-HS043E-K","price":377.67,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/H-HS043E-K_01.jpg?v=1791805419"}],"url":"https:\/\/www.htf-store.com\/pl\/collections\/brand-panasonic-lenses.oembed","provider":"Hard to Find Camera Store","version":"1.0","type":"link"}