{"title":"Sony Camera Equipment","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eWelcome to the world of Sony Camera Equipment,!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFrom compact point-and-shoot cameras to high-end mirrorless systems, Sony Camera Equipment offers a comprehensive range of tools to suit photographers of all levels. Whether you're capturing breathtaking landscapes, cinematic videos, or stunning portraits, Sony provides the equipment you need to bring your creative vision to life with unparalleled clarity and detail.\u003c\/p\u003e","products":[{"product_id":"sony-sel30m35","title":"Sony 30mm 3,5 Macro","description":"\u003cspan data-mce-fragment=\"1\"\u003eThis Sony 30mm 3,5 Macro lens is perfect for capturing close-up shots with its 1:1 magnification ratio. With its high-quality construction and accurate autofocus, you can capture incredibly detailed macro images with ease. Ideal for product photography, nature shots, and more.\u003c\/span\u003e","brand":"Hard to Find Camera Store","offers":[{"title":"Default Title","offer_id":47416736350548,"sku":"","price":129.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/IMG_5176.jpg?v=1706884218"},{"product_id":"sony-a900","title":"Sony A900","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe Sony A900 is a full-frame DSLR that delivers outstanding image quality and robust performance for professional photographers and advanced enthusiasts. Featuring a 24.6-megapixel Exmor CMOS sensor, this camera ensures incredible detail and dynamic range in every shot. The A900's sturdy build and intuitive controls make it a reliable choice for various photography genres, from portraits to landscapes.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eHigh-Resolution Sensor:\u003c\/strong\u003e Equipped with a 24.6-megapixel full-frame Exmor CMOS sensor for stunning image clarity and detail.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSteadyShot INSIDE:\u003c\/strong\u003e In-body image stabilization that reduces camera shake, ensuring sharp images with any lens.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDual BIONZ Processors:\u003c\/strong\u003e Enhanced processing power for faster image processing and reduced noise, even at high ISO settings.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBright Optical Viewfinder:\u003c\/strong\u003e 100% field coverage for accurate framing and composition.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Used, Good Condition\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct Information:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eBrand:\u003c\/strong\u003e Sony\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eModel:\u003c\/strong\u003e A900\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eType:\u003c\/strong\u003e Digital SLR Camera\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSensor:\u003c\/strong\u003e 24.6 MP full-frame Exmor CMOS sensor\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eISO Range:\u003c\/strong\u003e ISO 100-6400 (expandable to ISO 50)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eShutter Speed:\u003c\/strong\u003e 1\/8000 to 30 seconds, Bulb mode\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAutofocus Points:\u003c\/strong\u003e 9 AF points with 10 assist points\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eViewfinder:\u003c\/strong\u003e Optical pentaprism with 100% frame coverage\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDisplay:\u003c\/strong\u003e 3-inch, 921k-dot LCD screen\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eContinuous Shooting:\u003c\/strong\u003e Up to 5 fps\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStorage Media:\u003c\/strong\u003e Dual CF card slots\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBattery:\u003c\/strong\u003e NP-FM500H rechargeable lithium-ion battery\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 156 x 117 x 82 mm (6.1 x 4.6 x 3.2 in.)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e Approx. 850 g (1.87 lbs) without battery\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWhat's Included:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSony A900 camera body\u003c\/li\u003e\n\u003cli\u003eNP-FM500H rechargeable lithium-ion battery\u003c\/li\u003e\n\u003cli\u003eBattery charger\u003c\/li\u003e\n\u003cli\u003eNeck strap\u003c\/li\u003e\n\u003cli\u003eBody cap\u003c\/li\u003e\n\u003cli\u003eUSB cable\u003c\/li\u003e\n\u003cli\u003eOriginal packaging \u003c\/li\u003e\n\u003cli\u003eUser manual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c!----\u003e","brand":"Hard to Find Camera Store","offers":[{"title":"Default Title","offer_id":49224292401492,"sku":"W2504DB","price":495.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/IMG_2069.jpg?v=1718804563"},{"product_id":"lcsu11b-syh-carrying-case","title":"Sony LCSU11B.SYH Carrying Case","description":"\u003ch2\u003eSony Carrying Case (LCSU11B.SYH)\u003c\/h2\u003e\n\u003cp\u003eThe Sony Carrying Case is a versatile and robust storage solution designed to protect your Sony cameras, whether it be a DSLR, a system camera, or even a video camera. The case is crafted from high-quality materials to ensure the ultimate protection for your valuable camera when you're on the move. It also features a unique top-loading design that allows easy access to your camera.\u003c\/p\u003e\n\n\u003cp\u003eOne of the key features of this carrying case is its storage compartments. The front pocket allows you to store and easily retrieve additional accessories like an extra battery, cables, or a lens cleaning cloth. In addition, it has two side pockets where you can conveniently keep your lens cap for easy access when you need to store your camera. The main compartment is equipped with removable dividers that let you customize the storage space according to your equipment.\u003c\/p\u003e\n\n\u003cul\u003e\n    \u003cli\u003eDesigned specifically for Sony devices\u003c\/li\u003e\n    \u003cli\u003eAdditional front and side pockets for accessories\u003c\/li\u003e\n    \u003cli\u003eFeatures a shoulder strap and a large handle for easy carrying\u003c\/li\u003e\n    \u003cli\u003eEasy access to your camera\u003c\/li\u003e\n    \u003cli\u003eRemovable dividers to customize the interior storage space\u003c\/li\u003e\n    \u003cli\u003eMade from sturdy nylon\u003c\/li\u003e\n    \u003cli\u003eWeighs 215 grams\u003c\/li\u003e\n    \u003cli\u003eColour: Black\u003c\/li\u003e\n    \u003cli\u003eExterior dimensions (lxbxh): 12x17x14cm\u003c\/li\u003e\n    \u003cli\u003eInterior dimensions (lxbxh): 9x14x11cm\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eThe Sony Carrying Case (LCSU11B.SYH) package includes a shoulder strap and comes with a two-year warranty.\u003c\/p\u003e\n","brand":"Sony","offers":[{"title":"Default Title","offer_id":51320217698644,"sku":"LCSU11B.SYH","price":19.1,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/LCSU11B.SYH_01.jpg?v=1739349774"},{"product_id":"sony-dt-3-5-6-3-18-200mm","title":"Sony DT 3,5-6,3\/18-200mm","description":"\u003ch3 data-start=\"0\" data-end=\"71\" class=\"\"\u003e\u003cstrong data-start=\"4\" data-end=\"69\"\u003eSony DT 18-200mm f\/3.5-6.3 – All-in-One Zoom Lens for A-Mount\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"73\" data-end=\"449\" class=\"\"\u003eThe \u003cstrong data-start=\"77\" data-end=\"107\"\u003eSony DT 18-200mm f\/3.5-6.3\u003c\/strong\u003e is a \u003cstrong data-start=\"113\" data-end=\"147\"\u003eversatile all-in-one zoom lens\u003c\/strong\u003e, designed for \u003cstrong data-start=\"162\" data-end=\"205\"\u003eSony A-mount APS-C DSLR and SLT cameras\u003c\/strong\u003e. With an \u003cstrong data-start=\"215\" data-end=\"244\"\u003eimpressive 11x zoom range\u003c\/strong\u003e, this lens covers everything from \u003cstrong data-start=\"279\" data-end=\"327\"\u003ewide-angle landscapes to telephoto close-ups\u003c\/strong\u003e, making it a perfect choice for \u003cstrong data-start=\"360\" data-end=\"446\"\u003etravel, everyday photography, and those who prefer not to swap lenses in the field\u003c\/strong\u003e.\u003c\/p\u003e\n\u003ch3 data-start=\"451\" data-end=\"474\" class=\"\"\u003e\u003cstrong data-start=\"455\" data-end=\"472\"\u003eKey Features:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul data-start=\"475\" data-end=\"1102\"\u003e\n\u003cli data-start=\"475\" data-end=\"551\" class=\"\"\u003e\n\u003cp data-start=\"477\" data-end=\"551\" class=\"\"\u003e\u003cstrong data-start=\"477\" data-end=\"494\"\u003eFocal Length:\u003c\/strong\u003e 18–200mm (equivalent to \u003cstrong data-start=\"519\" data-end=\"531\"\u003e27–300mm\u003c\/strong\u003e on APS-C sensors)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"552\" data-end=\"593\" class=\"\"\u003e\n\u003cp data-start=\"554\" data-end=\"593\" class=\"\"\u003e\u003cstrong data-start=\"554\" data-end=\"573\"\u003eAperture Range:\u003c\/strong\u003e f\/3.5–6.3 to f\/40\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"594\" data-end=\"685\" class=\"\"\u003e\n\u003cp data-start=\"596\" data-end=\"685\" class=\"\"\u003e\u003cstrong data-start=\"596\" data-end=\"611\"\u003eLens Mount:\u003c\/strong\u003e \u003cstrong data-start=\"612\" data-end=\"640\"\u003eSony A-mount (DT series)\u003c\/strong\u003e – designed for APS-C format DSLRs and SLTs\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"686\" data-end=\"772\" class=\"\"\u003e\n\u003cp data-start=\"688\" data-end=\"772\" class=\"\"\u003e\u003cstrong data-start=\"688\" data-end=\"702\"\u003eAutofocus:\u003c\/strong\u003e Smooth and quiet internal AF motor, ideal for both stills and video\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"773\" data-end=\"851\" class=\"\"\u003e\n\u003cp data-start=\"775\" data-end=\"851\" class=\"\"\u003e\u003cstrong data-start=\"775\" data-end=\"802\"\u003eMinimum Focus Distance:\u003c\/strong\u003e 45 cm (1.5 ft) – suitable for semi-macro shots\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"852\" data-end=\"968\" class=\"\"\u003e\n\u003cp data-start=\"854\" data-end=\"968\" class=\"\"\u003e\u003cstrong data-start=\"854\" data-end=\"873\"\u003eOptical Design:\u003c\/strong\u003e 15 elements in 13 groups, including aspherical and ED glass elements for reduced aberrations\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"969\" data-end=\"1042\" class=\"\"\u003e\n\u003cp data-start=\"971\" data-end=\"1042\" class=\"\"\u003e\u003cstrong data-start=\"971\" data-end=\"1001\"\u003eCompact \u0026amp; Travel-Friendly:\u003c\/strong\u003e Lightweight considering the zoom range\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1043\" data-end=\"1102\" class=\"\"\u003e\n\u003cp data-start=\"1045\" data-end=\"1102\" class=\"\"\u003e\u003cstrong data-start=\"1045\" data-end=\"1066\"\u003eZoom Lock Switch:\u003c\/strong\u003e Prevents lens creep when carrying\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-start=\"1104\" data-end=\"1130\" class=\"\"\u003e\u003cstrong data-start=\"1108\" data-end=\"1128\"\u003eWhat’s Included:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul data-start=\"1131\" data-end=\"1209\"\u003e\n\u003cli data-start=\"1131\" data-end=\"1166\" class=\"\"\u003e\n\u003cp data-start=\"1133\" data-end=\"1166\" class=\"\"\u003eSony DT 18-200mm f\/3.5-6.3 Lens\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1167\" data-end=\"1195\" class=\"\"\u003e\n\u003cp data-start=\"1169\" data-end=\"1195\" class=\"\"\u003eFront and Rear Lens Caps\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1196\" data-end=\"1209\" class=\"\"\u003e\n\u003cp data-start=\"1198\" data-end=\"1209\" class=\"\"\u003eLens Hood\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-start=\"1211\" data-end=\"1253\" class=\"\"\u003e\u003cstrong data-start=\"1215\" data-end=\"1251\"\u003eCondition: Used – Good Condition\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"1254\" data-end=\"1511\" class=\"\"\u003eThis lens is in \u003cstrong data-start=\"1270\" data-end=\"1288\"\u003egood condition\u003c\/strong\u003e, with some signs of use but \u003cstrong data-start=\"1317\" data-end=\"1337\"\u003efully functional\u003c\/strong\u003e. The \u003cstrong data-start=\"1343\" data-end=\"1361\"\u003eglass is clean\u003c\/strong\u003e, autofocus works smoothly, and the \u003cstrong data-start=\"1397\" data-end=\"1435\"\u003ezoom and focus rings turn properly\u003c\/strong\u003e. There may be \u003cstrong data-start=\"1450\" data-end=\"1474\"\u003eminor cosmetic marks\u003c\/strong\u003e, but they do not affect performance.\u003c\/p\u003e","brand":"Hard to Find Camera Store","offers":[{"title":"Default Title","offer_id":51569635721556,"sku":"A133W3454IP","price":175.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/IMG_0072.jpg?v=1742987124"},{"product_id":"sony-ac-l200-ac-adapter","title":"Sony AC-L200 AC-Adapter","description":"\u003cul\u003e\n\u003cli\u003eCharges: 3A for one battery or 1.5A for two batteries simultaneously\u003c\/li\u003e\n\u003cli\u003eCharging capacity: up to 48 Wh for one battery, 24 Wh for two batteries\u003c\/li\u003e\n\u003cli\u003eSize: 14 x 11.4 x 7.6 cm\u003c\/li\u003e\n\u003cli\u003eWeight: 500 g\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53698765914452,"sku":"5732078","price":118.82,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/5732078_01.jpg?v=1770658535"},{"product_id":"sony-ag-r2b-grip-for-rx100-serie","title":"Sony AG-R2B Grip For RX100 Serie","description":"\u003ch2\u003eSony AG-R2B Grip for RX100 (AGR2B.SYH)\u003c\/h2\u003e\n\u003cp\u003eThe Sony AG-R2 attachment serves as a grip for Sony’s convoy of digital cameras, namely, RX100, RX100 II, RX100 III, and RX100 IV. It provides a substantial hold that enhances both your comfort and stability while using your Sony camera.\u003c\/p\u003e\n\u003cp\u003eThe Sony AG-R2 is composed of strong, rubber-like Thermoplastic Elastomer (TPE) and polycarbonate materials, designed with the convenience of attaching to your camera with double-sided tape.\u003c\/p\u003e\n\u003ch2\u003eMain Features of the Sony AG-R2B Grip for RX100 (AGR2B.SYH)\u003c\/h2\u003e \n\u003cul\u003e\n    \u003cli\u003eDesigned for RX100, RX100 II, RX100 III, RX100 IV series\u003c\/li\u003e\n    \u003cli\u003eEnhances stability and user comfort\u003c\/li\u003e\n    \u003cli\u003eConstructed with rugged, rubbery TPE and polycarbonate\u003c\/li\u003e\n    \u003cli\u003eFuss-free attachment system using double-sided tape\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe Sony AG-R2B Grip comes standard with a two-year warranty upon purchase.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53699016393044,"sku":"AGR2B.SYH","price":14.22,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/AGR2B.SYH_01.jpg?v=1770661280"},{"product_id":"sony-lens-hood-for-sel55f18z","title":"Sony Lens Hood For SEL55F18Z","description":"\u003ch2\u003eSony Lens Hood for SEL55F18Z (A1951349A)\u003c\/h2\u003e\n\n\u003cp\u003eInnovatively designed for use with the Sony Zeiss Sonnar® T* FE 55mm F\/1.8 ZA lens, the Sony Lens Hood for SEL55F18Z plays a significant role in mitigating glare caused by light. Not only that, but it also provides an additional layer of protection against external bumps and scratches. Whether you are on the lookout for a replacement or a backup, this lens hood is an excellent investment to ponder upon.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features of the Sony Lens Hood for SEL55F18Z (A1951349A)\u003c\/h2\u003e\n\n\u003cul\u003e\n  \u003cli\u003eSpecially designed for the Sony Zeiss Sonnar® T* FE 55mm F\/1.8 ZA lens\u003c\/li\u003e\n  \u003cli\u003eAids in protecting the lens against shock inducing accidents\u003c\/li\u003e\n  \u003cli\u003eEfficient at warding off undesired ambient light\u003c\/li\u003e\n  \u003cli\u003eCan serve as a replacement or backup\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eWhat's Included with the Sony Lens Hood for SEL55F18Z (A1951349A)?\u003c\/h2\u003e\n\n\u003cul\u003e\n  \u003cli\u003eSony sunshade for the Zeiss Sonnar® T* FE 55mm F\/1.8 ZA lens\u003c\/li\u003e\n  \u003cli\u003eTwo-year warranty\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53701588681044,"sku":"ALCSH131DI.EU","price":37.27,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/ALCSH131DI.EU_01.jpg?v=1770695613"},{"product_id":"sony-lens-hood-for-sel70200g","title":"Sony Lens Hood For SEL70200G","description":"\u003ch2\u003eSony Lens Hood for SEL70200G (ALC-SH133DI.EU)\u003c\/h2\u003e\n\n\u003cp\u003eThe Sony lens hood for the SEL70200G has been precisely designed for the Sony FE 70-200mm F\/4 G OSS lens. This lens hood optimizes your photography by reducing lens flare. It also provides additional protection for your lens, preventing undesired scratches. Acquire this lens hood as a backup or a replacement to ensure your lens is always protected.\u003c\/p\u003e\n\n\u003ch2\u003eMain Features of Sony Lens Hood for SEL70200G (ALC-SH133DI.EU)\u003c\/h2\u003e\n\n\u003cul\u003e\n    \u003cli\u003ePerfectly fits the Sony FE 70-200mm F\/4 G OSS lens\u003c\/li\u003e\n    \u003cli\u003eProtects the lens from accidental damages and scratches\u003c\/li\u003e\n    \u003cli\u003eHelps to block unwanted light from entering your photos\u003c\/li\u003e\n    \u003cli\u003eUse it as a replacement or a backup\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eThe Sony Lens Hood for SEL70200G (ALC-SH133DI.EU) comes standard with the following:\u003c\/p\u003e\n\n\u003cul\u003e\n    \u003cli\u003eLens hood for the Sony FE 70-200mm F\/4 G OSS lens \u003c\/li\u003e\n    \u003cli\u003eA two-year warranty\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53701589270868,"sku":"ALCSH133.SYH","price":56.82,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/ALCSH133.SYH_01.jpg?v=1770695628"},{"product_id":"sony-rmt-dslr2-remote-control","title":"Sony RMT-DSLR2 Remote Control","description":"\u003ch2\u003eSony RMT-DSLR2 Remote Control\u003c\/h2\u003e\n\u003cp\u003eThe Sony RMT-DSLR2 Remote Control is a versatile device designed to remotely operate your camera. It allows you to take photographs and videos, adjust settings, and review captured content conveniently.\u003c\/p\u003e\n\u003cp\u003eThis remote is compatibility with the following Sony models:\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eAlpha NEX 5\/5N\u003c\/li\u003e\n  \u003cli\u003eAlpha NEX 6\u003c\/li\u003e\n  \u003cli\u003eAlpha NEX 7\u003c\/li\u003e\n  \u003cli\u003eAlpha A57\u003c\/li\u003e\n  \u003cli\u003eAlpha A65\u003c\/li\u003e\n  \u003cli\u003eAlpha A77\u003c\/li\u003e\n  \u003cli\u003eAlpha A99\u003c\/li\u003e\n  \u003cli\u003eAlpha A7\u003c\/li\u003e\n  \u003cli\u003eAlpha A7R\u003c\/li\u003e\n  \u003cli\u003eAlpha A6000\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53702397264212,"sku":"5732658","price":24.83,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/5732658_01.jpg?v=1770714953"},{"product_id":"sony-lens-hood-for-sel2450g","title":"Sony Lens Hood For SEL2450G","description":"\n\u003ch2\u003eSony ALC-SH174 Lens Hood for SEL2070G: Essential Protection for Your Lens\u003c\/h2\u003e\n\n\u003cp\u003eThe Sony ALC-SH174 lens hood is specifically crafted to enhance the performance of the Sony FE 20-70mm F\/4.0 G lens. This accessory not only minimizes glare from bright light sources but also offers substantial safeguard against physical impacts and scratches. Whether as a replacement or an extra unit, this lens hood is a must-have for any photographer looking to protect their equipment.\u003c\/p\u003e\n\n\u003ch3\u003eKey Features of the Sony ALC-SH174 Lens Hood\u003c\/h3\u003e\n\u003cul\u003e\n    \u003cli\u003eTailored for the Sony FE 20-70mm F\/4.0 G lens\u003c\/li\u003e\n    \u003cli\u003eProvides additional defense against bumps and drops\u003c\/li\u003e\n    \u003cli\u003eBlocks unwanted light intrusion, enhancing image quality\u003c\/li\u003e\n    \u003cli\u003eAvailable for purchase as a spare or replacement option\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003ePackage Contents\u003c\/h3\u003e\n\u003cul\u003e\n    \u003cli\u003eSony ALC-SH174 Lens Hood for SEL2070G\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eEU Responsible Entity Information (GPSR)\u003c\/h3\u003e\n\u003cp\u003e\n    \u003cstrong\u003eSony\u003c\/strong\u003e\u003cbr\u003e\n    Sony Benelux LTD\u003cbr\u003e\n    Taurusavenue 16, 2132 LS Hoofddorp, The Netherlands\u003cbr\u003e\n    Email: \u003ca href=\"mailto:SBNLSalesSupport@eu.sony.com\"\u003eSBNLSalesSupport@eu.sony.com\u003c\/a\u003e\n\u003c\/p\u003e\n","brand":"Sony","offers":[{"title":"Default Title","offer_id":53702740869460,"sku":"ALCSH178.SYH","price":55.49,"currency_code":"EUR","in_stock":true}]},{"product_id":"sony-np-fv100a2-ce-battery","title":"Sony NP-FV100A2.CE Battery","description":"\n\u003ch2\u003eRechargeable Battery for Your Sony Digital Camera\u003c\/h2\u003e\n\u003cp\u003eThe Sony NP-BX1 is an essential accessory for your Sony digital camera, providing reliable power for all your photography adventures. This high-performance Lithium™ battery (type X) is specifically designed for Cyber-shot cameras, ensuring optimal compatibility and efficiency.\u003c\/p\u003e\n\u003cp\u003eWith a substantial capacity of 1240 mAh, this battery allows you to capture more of those precious moments without frequent recharges. Its energy-efficient design means you can enjoy extended shooting sessions, making it ideal for both amateur photographers and professionals alike.\u003c\/p\u003e\n\u003cp\u003eHere are some key features of the Sony NP-BX1:\u003c\/p\u003e\n\u003cul\u003e\n    \u003cli\u003eHigh capacity of 1240 mAh.\u003c\/li\u003e\n    \u003cli\u003eLightweight and compact for portability.\u003c\/li\u003e\n    \u003cli\u003eDesigned specifically for Sony Cyber-shot cameras.\u003c\/li\u003e\n    \u003cli\u003eEnergy-efficient for longer recording periods.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eMake the most of your photography experience with the reliable and efficient NP-BX1 battery!\u003c\/p\u003e\n","brand":"Sony","offers":[{"title":"Default Title","offer_id":55967152243028,"sku":"NPFV100A.CE7","price":148.45,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/NPFV100A.CE7_01.jpg?v=1779966026"},{"product_id":"sony-np-fm500h-battery","title":"Sony NP-FM500H Battery","description":"\n\u003ch2\u003eSony NP-FV50A Battery\u003c\/h2\u003e\n\u003cp\u003eThe Sony NP-FV50A is an authentic battery designed for use with certain Sony cameras. This versatile power source is compatible with various products, ensuring that you can rely on it for your filming needs.\u003c\/p\u003e\n\u003cp\u003eThis battery is specifically designed for models such as the Sony AX100 and the PXW-X70 camcorders, as well as the HVL-LE1 video light. Here are some of its key features:\u003c\/p\u003e\n\u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eType:\u003c\/strong\u003e Camera battery\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003ePower Capacity:\u003c\/strong\u003e 950mAh\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eTrust the Sony NP-FV50A battery to keep your equipment running smoothly during crucial moments of filming.\u003c\/p\u003e\n","brand":"Sony","offers":[{"title":"Default Title","offer_id":55967153258836,"sku":"5733035","price":62.6,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/5733035_01.jpg?v=1779966045"},{"product_id":"sony-f55","title":"Sony F55 - FULL SET","description":"\u003cp\u003e\u003cstrong\u003eSony F55 Cinema Camera Kit with AXS-R5 RAW Recorder - Good Condition | Professional 4K Cinema Package with Accessories\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Sony F55 paired with the AXS-R5 RAW Recorder is one of the most capable and respected professional cinema camera packages ever assembled — a combination that has been trusted by cinematographers worldwide for high-end film, television, and commercial production. The F55 is a landmark in digital cinema — offering a Super 35mm global shutter sensor, internal 4K recording, and a colour science that delivers stunning, filmic images straight out of the camera. Paired with the AXS-R5 RAW Recorder, it gains the ability to record uncompressed RAW footage for maximum post-production flexibility. This comprehensive kit includes a Smallrig V-mount battery, Metabones EF-FZ Mount T Cine adapter for Canon EF lens compatibility, five 512GB memory cards, and a DVF-L350 viewfinder — making it a complete and professional-grade cinema package ready for immediate deployment. 1700 recorded film hours on the body. No serial numbers noted.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSony F55 Super 35mm global shutter sensor — exceptional cinematic image quality\u003c\/li\u003e\n\u003cli\u003eAXS-R5 RAW Recorder for uncompressed RAW footage capture\u003c\/li\u003e\n\u003cli\u003eInternal 4K recording up to 60fps\u003c\/li\u003e\n\u003cli\u003eMetabones EF-FZ Mount T Cine adapter — compatible with Canon EF lens ecosystem\u003c\/li\u003e\n\u003cli\u003eSmallrig V-mount battery for extended shooting sessions\u003c\/li\u003e\n\u003cli\u003eFive 512GB memory cards for the RAW recorder — extensive storage capacity\u003c\/li\u003e\n\u003cli\u003eDVF-L350 electronic viewfinder for accurate on-set monitoring\u003c\/li\u003e\n\u003cli\u003e1700 recorded film hours — a well-used professional workhorse\u003c\/li\u003e\n\u003cli\u003eComplete and ready-to-shoot professional cinema package\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCondition Report\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBody: Good condition — handling marks consistent with professional use; no cracks or structural damage\u003c\/li\u003e\n\u003cli\u003eSensor\/Optics: Sensor clean and functioning correctly; viewfinder in good order\u003c\/li\u003e\n\u003cli\u003eMechanics\/Electronics: All controls, recording functions, and electronic systems functioning as expected; RAW recorder functioning correctly; Metabones adapter mount clean and secure; V-mount battery functioning correctly\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\"The Sony F55 with AXS-R5 RAW Recorder is a combination that serious cinematographers recognise immediately. The global shutter eliminates rolling shutter artefacts, the colour science is outstanding, and RAW recording gives you maximum flexibility in post. With 1700 hours on the clock this is a well-used professional tool — but well-used professional Sony cinema cameras are built to go the distance. A comprehensive and capable cinema package at a fraction of new cost.\"\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cstrong\u003eWhat's Included\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSony F55 cinema camera body\u003c\/li\u003e\n\u003cli\u003eSony AXS-R5 RAW Recorder\u003c\/li\u003e\n\u003cli\u003eSmallrig V-mount battery\u003c\/li\u003e\n\u003cli\u003eMetabones EF-FZ Mount T Cine adapter\u003c\/li\u003e\n\u003cli\u003e5x 512GB memory cards\u003c\/li\u003e\n\u003cli\u003eDVF-L350 electronic viewfinder\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTechnical Specifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBrand: Sony\u003c\/li\u003e\n\u003cli\u003eModel: F55 with AXS-R5 RAW Recorder\u003c\/li\u003e\n\u003cli\u003eSerial Number: Not available\u003c\/li\u003e\n\u003cli\u003eSensor: Super 35mm Global Shutter CMOS\u003c\/li\u003e\n\u003cli\u003eInternal Recording: 4K XAVC up to 60fps\u003c\/li\u003e\n\u003cli\u003eRAW Recording: Uncompressed RAW via AXS-R5\u003c\/li\u003e\n\u003cli\u003eMount: Sony FZ (with Metabones EF-FZ T Cine adapter included)\u003c\/li\u003e\n\u003cli\u003eISO Range: 500 – 12800 (native ISO 1250)\u003c\/li\u003e\n\u003cli\u003eShutter: Global shutter — no rolling shutter artefacts\u003c\/li\u003e\n\u003cli\u003eRecorded Hours: approx. 1700 hours\u003c\/li\u003e\n\u003cli\u003eViewfinder: DVF-L350 electronic viewfinder\u003c\/li\u003e\n\u003cli\u003eStorage: AXS memory cards (5x 512GB included)\u003c\/li\u003e\n\u003cli\u003eBattery: V-mount (Smallrig included)\u003c\/li\u003e\n\u003cli\u003eType: Action \/ Vlog Camera\u003c\/li\u003e\n\u003cli\u003eCategory: Cameras\u003c\/li\u003e\n\u003cli\u003eCondition: Good Condition\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eShipping \u0026amp; Customs Information\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCountry of Origin: Japan\u003c\/li\u003e\n\u003cli\u003eHS Code: 9007.19.00\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":56237187531092,"sku":null,"price":2799.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/IMG_4942_1ad4e780-6e63-4b91-b772-89a08ad64ab5.jpg?v=1782464110"},{"product_id":"sony-cyber-shot-dsc-wx350-1","title":"Sony Cyber-shot DSC-WX350","description":"\u003cp\u003e\u003cstrong\u003eSony Cyber-shot DSC-WX350 - Good Condition | Slim Travel Compact with 20x Optical Zoom and Wi-Fi — White\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Sony Cyber-shot DSC-WX350 is a slim and capable travel compact that packs an impressive 20x optical zoom — equivalent to 25-500mm — into a remarkably pocketable body. With an 18.2-megapixel Exmor R CMOS sensor, Sony's Optical SteadyShot image stabilisation, and built-in Wi-Fi for effortless image sharing, it delivers serious travel camera capability in an elegant and lightweight package. This example is finished in an attractive white colourway and comes complete with wriststrap, battery, and charger. Serial number SR 3251819.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e18.2MP Exmor R CMOS sensor for detailed, high-quality images\u003c\/li\u003e\n\u003cli\u003e20x optical zoom — 25-500mm equivalent — from wide-angle to telephoto\u003c\/li\u003e\n\u003cli\u003eSony Optical SteadyShot image stabilisation for sharp handheld shots\u003c\/li\u003e\n\u003cli\u003eBuilt-in Wi-Fi for easy image sharing and remote control\u003c\/li\u003e\n\u003cli\u003eFull HD 1080p video recording\u003c\/li\u003e\n\u003cli\u003e3.0\" LCD screen for easy image review and composition\u003c\/li\u003e\n\u003cli\u003eSlim and pocketable — ideal for travel and everyday carry\u003c\/li\u003e\n\u003cli\u003eElegant white finish\u003c\/li\u003e\n\u003cli\u003eWriststrap, battery, and charger included\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCondition Report\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBody: Good condition — light handling marks consistent with use\u003c\/li\u003e\n\u003cli\u003eSensor\/Optics: Lens and sensor clean; LCD in good order\u003c\/li\u003e\n\u003cli\u003eMechanics\/Electronics: Zoom, shutter, and all controls functioning correctly; Wi-Fi functioning as expected; flash operating correctly\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\"The DSC-WX350 is one of those travel compacts that consistently impresses with its combination of reach and pocketability. The 20x zoom delivers serious telephoto capability in a body that disappears into any pocket, and the Wi-Fi connectivity makes sharing images on the go effortless. In white and complete with wriststrap, battery, and charger this is a particularly complete and stylish find.\"\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cstrong\u003eWhat's Included\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSony Cyber-shot DSC-WX350 camera (white)\u003c\/li\u003e\n\u003cli\u003eWriststrap\u003c\/li\u003e\n\u003cli\u003eBattery\u003c\/li\u003e\n\u003cli\u003eCharger\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTechnical Specifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBrand: Sony\u003c\/li\u003e\n\u003cli\u003eModel: Cyber-shot DSC-WX350\u003c\/li\u003e\n\u003cli\u003eSerial Number: SR 3251819\u003c\/li\u003e\n\u003cli\u003eColour: White\u003c\/li\u003e\n\u003cli\u003eSensor: 18.2MP Exmor R CMOS\u003c\/li\u003e\n\u003cli\u003eLens: Sony 20x Zoom — 4.3-86mm (25-500mm equivalent)\u003c\/li\u003e\n\u003cli\u003eMaximum Aperture: f\/3.3 (wide) – f\/6.3 (tele)\u003c\/li\u003e\n\u003cli\u003eISO Range: 100–3200\u003c\/li\u003e\n\u003cli\u003eShutter Speed: 30s – 1\/2000s\u003c\/li\u003e\n\u003cli\u003eScreen: 3.0\" LCD, 460,000 dots\u003c\/li\u003e\n\u003cli\u003eVideo: Full HD 1080p\u003c\/li\u003e\n\u003cli\u003eImage Stabilisation: Optical SteadyShot\u003c\/li\u003e\n\u003cli\u003eWi-Fi: Yes\u003c\/li\u003e\n\u003cli\u003eBuilt-in Flash: Yes — automatic\u003c\/li\u003e\n\u003cli\u003eBattery: NP-BG1\u003c\/li\u003e\n\u003cli\u003eDimensions: approx. 96 x 54 x 25mm\u003c\/li\u003e\n\u003cli\u003eWeight: approx. 137g (without battery)\u003c\/li\u003e\n\u003cli\u003eType: Digital Compact Camera\u003c\/li\u003e\n\u003cli\u003eCategory: Cameras\u003c\/li\u003e\n\u003cli\u003eCondition: Good Condition\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003eVolgende product mag!\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":56550725419348,"sku":null,"price":249.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/IMG_9079_3344305b-5077-48b2-b8a9-c6fb0034edda.jpg?v=1784883965"},{"product_id":"sony-mrws1-uhs-ii-card-reader","title":"Sony MRWS1 UHS-II Card reader","description":"\u003ch2\u003eSony SD UHS-II Card Reader\u003c\/h2\u003e\n\u003cp\u003eThe Sony SD UHS-II Card Reader is an efficient device for swift file transfers from a UHS-II SD memory card. Enabled to speed up transfer rates, this card reader is equipped with a USB 3.1 interface and is compatible with both Windows and Mac operating systems.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSony memory card reader\u003c\/li\u003e\n\u003cli\u003eCapable of handling high-res images and 4K videos\u003c\/li\u003e\n\u003cli\u003eUSB 3.1 interface with LED indicator\u003c\/li\u003e\n\u003cli\u003eCompatible with Windows and Mac\u003c\/li\u003e\n\u003cli\u003eWeight: 20 g\u003c\/li\u003e\n\u003cli\u003ePackage includes a two-year warranty\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":57453526155604,"sku":"MRWS1","price":36.85,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/MRWS1_01.jpg?v=1791321444"},{"product_id":"sony-sel-20mm-f-2-8","title":"Sony SEL 20mm f\/2.8","description":"\u003ch2\u003eSony 20mm F2.8 Wide Angle E-Mount Lens\u003c\/h2\u003e\n\n\u003cp\u003eThe Sony 20mm F2.8 is a wide-angle lens that is aptly tailored towards a broad array of subjects that extend from landscapes to interiors. With its pancake lens outlook, it is the ideal companion for your Alpha E camera. It is uniquely compact and lightweight without compromising on its outstanding performance. The lens is integrated with an optical design that boasts three aspherical lens elements. This design promotes reduced distortion and aberration, providing high-resolution, contrast-filled images. Sony takes pride in a refined lens design featuring a sleek body, laser engravings, and an elegantly designed control ring.\u003c\/p\u003e\n\n\u003cp\u003eThe lens has three interior elements that cooperatively combat noise and distortion, ensuring the edges of your photographs remain sharp and lucid. Are you looking forward to a full day of shooting? This 'pancake' lens is compact enough to fit in your bag without fuss. It's a fixed focal length 20mm lens that occupies minimal space. The lens offers a clear and wide F2.8 aperture, letting you take atmospheric shots even in dim light. With its streamlined aluminum design, you can shoot in style all day. A well-gripped ring on the lens cylinder lets you choose whether to focus on a subject or have it blurred against the backdrop.\u003c\/p\u003e\n\n\u003cp\u003eEssential features of the Sony SEL 20MM F\/2.8 include:\u003c\/p\u003e\n\n\u003cul\u003e\n    \u003cli\u003eLens configuration: 6 elements in 6 groups\u003c\/li\u003e\n    \u003cli\u003eShortest focus distance: 0.2 m\u003c\/li\u003e\n    \u003cli\u003eMaximum aperture: F2.8\u003c\/li\u003e\n    \u003cli\u003eNumber of diaphragm blades: 7 (rounded)\u003c\/li\u003e\n    \u003cli\u003eFocal length: 20mm (35mm equivalent = 30mm)\u003c\/li\u003e\n    \u003cli\u003eFilter size: 49mm\u003c\/li\u003e\n    \u003cli\u003e20mm wide-angle lens (35mm equivalent of 30mm)\u003c\/li\u003e\n    \u003cli\u003eBright with a maximum aperture of f\/2.8\u003c\/li\u003e\n    \u003cli\u003eUltra-compact design\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eItems included standard with the Sony SEL 20MM F\/2.8:\u003c\/p\u003e\n\u003cul\u003e\n    \u003cli\u003eSony SEL 20mm F\/2.8\u003c\/li\u003e\n    \u003cli\u003eLens caps\u003c\/li\u003e\n    \u003cli\u003eSun hood\u003c\/li\u003e\n    \u003cli\u003eTwo-year warranty\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":57453526647124,"sku":"SEL20F28.AE","price":314.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/SEL20F28.AE_01.jpg?v=1791321445"},{"product_id":"sony-bc-vm10-acculader","title":"Sony BC-VM10 Acculader","description":"\u003ch2\u003eSony BC-VM10 Battery Charger | Charge M-series batteries from a mains outlet\u003c\/h2\u003e\n\u003cp\u003eCharge a camera battery from a mains outlet and have a clear signal for when charging is finished. The Sony BC-VM10 Battery Charger supplies 8.4 V and is intended for Sony M-series batteries. It’s a focused charging unit for keeping a compatible battery ready between photo sessions, or for charging one while you prepare the rest of your camera kit. There’s no display to interpret: the charger uses a small orange lamp to show its status, with the lamp going out when the battery is fully charged. Its compact measurements and low weight make it straightforward to place on a shelf or desk alongside your other equipment. The supplied mains lead and manual are included with the charger, so the box contains the listed essentials for using it as a mains-powered charger. Check the operating temperature range if you plan to use it somewhere other than a typical indoor setting: its stated range is 0°C to 40°C.\u003c\/p\u003e\n\u003ch3 data-section=\"features\"\u003eCharger Features\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFor M-series batteries:\u003c\/strong\u003e The BC-VM10 is specified for Sony batteries in the M series. That makes the battery series the key detail to match when choosing this charger for an existing camera setup.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOrange charging indicator:\u003c\/strong\u003e An orange lamp comes on while the charger is connected and charging. It gives you a visible status cue at a glance, without needing to rely on a screen or a series of indicator lights.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLamp goes out at full charge:\u003c\/strong\u003e The orange light switches off when the battery is fully charged. That change provides a simple finishing signal, useful when the charger is on a desk or another spot where you can see it.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompact dimensions:\u003c\/strong\u003e At 70 × 25 × 95 mm, the BC-VM10 has a small footprint. Those measurements are handy to have when you’re deciding where to keep a regular charging spot or how much shelf space to set aside.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLightweight unit:\u003c\/strong\u003e The charger weighs 90 g. It’s easy to move between a storage area and a charging spot, and its weight is useful to know when you’re packing equipment for a trip.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStated operating range:\u003c\/strong\u003e Sony’s listed operating temperature is 0°C to 40°C. This gives you a specific range to bear in mind when choosing where to use the charger.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWhat's Included\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eSony BC-VM10 Battery Charger\u003c\/li\u003e\n\u003cli\u003eMains power cord\u003c\/li\u003e\n\u003cli\u003eManual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eBrand: Sony\u003c\/li\u003e\n\u003cli\u003eModel: BC-VM10\u003c\/li\u003e\n\u003cli\u003eType: Battery charger\u003c\/li\u003e\n\u003cli\u003eCompatible battery series: Sony M-series\u003c\/li\u003e\n\u003cli\u003eOutput voltage: 8.4 V\u003c\/li\u003e\n\u003cli\u003eDimensions: 70 × 25 × 95 mm\u003c\/li\u003e\n\u003cli\u003eWeight: 90 g\u003c\/li\u003e\n\u003cli\u003eOperating temperature: 0°C to 40°C\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":57453527204180,"sku":"BCVM10.CEE","price":66.21,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/BCVM10.CEE_01.jpg?v=1791321446"},{"product_id":"sony-alc-sh0005-lens-hood-for-sal1680z","title":"Sony ALC-SH0005 Lens Hood For SAL1680Z","description":"\u003ch2\u003eSony ALC-SH0005 Lens Hood For SAL1680Z | Less unwanted flare\u003c\/h2\u003e\n\u003cp\u003eCleaner-looking photos and video are the result this Sony ALC-SH0005 Lens Hood is made to support, and it is specifically for the SAL1680Z lens. By blocking unwanted light from entering the lens, it reduces the reflections and lens flare that can distract from a scene. It also gives the lens’s front element extra protection. That combination makes it a useful accessory for SAL1680Z owners who want to keep stray light and everyday contact from becoming distractions in their images. For still photography, it addresses flare and reflections that can affect the finished picture. For video, the same control over unwanted light keeps those visual distractions from appearing in the footage. The added protection is relevant whenever the front of the lens is exposed during use or handling. This is a model-specific Sony hood, rather than a general accessory: its stated fit is the SAL1680Z. So if that is the lens you use, this is the hood identified for it. The benefits are straightforward and focused on the lens itself: less unwanted light reaching it, and an extra barrier in front of its front element.\u003c\/p\u003e\n\u003ch3 data-section=\"features\"\u003eWhy it is useful\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eMade for the SAL1680Z:\u003c\/strong\u003e This hood is identified specifically for Sony’s SAL1680Z lens. That exact model match makes it a clear accessory option for owners of that lens.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBlocks unwanted light:\u003c\/strong\u003e Stray light entering the lens can cause reflections and lens flare. The hood is intended to block that unwanted light, keeping those effects from distracting in a photo or video.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReduces reflections:\u003c\/strong\u003e Reflections are one of the image problems this hood addresses. That matters when you want the scene, rather than light entering the lens, to remain the focus of the picture.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHelps control lens flare:\u003c\/strong\u003e Lens flare can affect both still images and footage. Using this hood with the SAL1680Z is a direct way to block unwanted light associated with that effect.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAdded front-element protection:\u003c\/strong\u003e The hood provides extra protection for the lens’s front element. It adds a protective layer at the front of the lens while you use the SAL1680Z.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUseful for photos and video:\u003c\/strong\u003e The stated benefits apply to both kinds of capture: blocking unwanted light and helping reduce reflections and flare in your images and footage.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"specialist-note\"\u003e\n\u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n\u003cp\u003eALC-SH0005 is the model designation to match with the SAL1680Z; in practice, that exact pairing matters because this hood is made for that lens. I’d recommend it to an SAL1680Z owner who wants to address unwanted light in both still photos and video, rather than leave the lens without its specified hood. For a scene where light is causing distracting reflections or flare, use the hood with the lens to block that unwanted light; the benefit applies to footage as well as individual frames. It also gives the front element extra protection, which is useful when the lens is in use or being handled. One point to keep in mind: this is a lens-specific accessory, so its stated match is the SAL1680Z, not a general-purpose hood.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003eWhat's Included\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eSony ALC-SH0005 Lens Hood For SAL1680Z\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eBrand: Sony\u003c\/li\u003e\n\u003cli\u003eModel: ALC-SH0005\u003c\/li\u003e\n\u003cli\u003eType: Lens hood\u003c\/li\u003e\n\u003cli\u003eCompatible lens: SAL1680Z\u003c\/li\u003e\n\u003cli\u003eLight control: Blocks unwanted light entering the lens\u003c\/li\u003e\n\u003cli\u003eImage effects addressed: Reflections and lens flare\u003c\/li\u003e\n\u003cli\u003eAdditional function: Extra protection for the lens’s front element\u003c\/li\u003e\n\u003cli\u003eStated applications: Photography and video\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":57478613205332,"sku":"ALCSH0005.SYH","price":75.8,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/ALCSH0005.SYH_01.jpg?v=1791469664"},{"product_id":"sony-alc-sh167-lens-hood-for-sel70200gm2","title":"Sony ALC-SH167 Lens Hood For SEL70200GM2","description":"\u003ch2\u003eSony ALC-SH167 Lens Hood For SEL70200GM2 | Helps control stray light\u003c\/h2\u003e\n\u003cp\u003eMade specifically for the Sony FE 70-200mm f\/2.8 GM OSS II, the Sony ALC-SH167 Lens Hood For SEL70200GM2 is a dedicated accessory for controlling unwanted light around this lens. It’s the right hood to consider when bright conditions or light entering from the side could cause lens flare. By shading the front of the lens, it reduces the amount of unwanted light reaching it, helping keep flare under control in situations such as outdoor portraits in strong daylight or sports photography beside a brightly lit field. The hood also offers some protection against bumps, a useful extra when the lens is being handled between shots. Its stated dimensions are 112 x 76 mm, and its weight is 108.9 g, so it adds a clearly defined amount of size and weight to your setup. This isn’t a general-purpose hood: its stated compatibility is specific to the FE 70-200mm f\/2.8 GM OSS II. For owners of that lens, the benefit is straightforward—a matching shade for managing stray light, with a little added physical protection for the lens front.\u003c\/p\u003e\n\u003ch3 data-section=\"features\"\u003eWhy it is useful\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eMade for one specific lens:\u003c\/strong\u003e The hood is intended for the Sony FE 70-200mm f\/2.8 GM OSS II. That exact match makes it a relevant replacement or extra hood for owners of this lens.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eShades the lens from unwanted light:\u003c\/strong\u003e The hood blocks light that would otherwise enter from outside the intended view. This is useful in bright settings where stray light can affect the image.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHelps prevent lens flare:\u003c\/strong\u003e By reducing unwanted light reaching the lens, it helps keep flare at bay. That matters when a scene includes strong light near the frame.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOffers some bump protection:\u003c\/strong\u003e The hood provides a degree of protection against knocks. It adds a buffer at the front of the lens during handling, though it isn’t a substitute for careful handling.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e112 x 76 mm dimensions:\u003c\/strong\u003e These are the listed diameter and length. They give you the hood’s stated physical size when considering the overall footprint of the lens setup.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e108.9 g weight:\u003c\/strong\u003e The listed weight is useful to factor into a kit where accessories add up. It’s a specific, modest component of the total lens setup rather than an unknown extra.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"specialist-note\"\u003e\n\u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n\u003cp\u003e108.9 g is the hood’s listed weight, so you can account for its added mass when packing the 70-200mm setup. I’d recommend this specific hood to anyone using the FE 70-200mm f\/2.8 GM OSS II who wants the intended shade for that lens, rather than an accessory with a different fit. For outdoor portraits in bright light, fit the hood to cut down unwanted light reaching the lens; it’s also useful around a sports field when strong light sits just outside the frame. The hood provides some protection from bumps as well, which is welcome when handling a large telephoto lens between frames. Its role is focused: light control and a little impact protection, not protection from every kind of damage.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003eWhat's Included\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eSony ALC-SH167 lens hood\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eBrand: Sony\u003c\/li\u003e\n\u003cli\u003eModel: ALC-SH167\u003c\/li\u003e\n\u003cli\u003eType: Lens hood\u003c\/li\u003e\n\u003cli\u003eCompatible lens: Sony FE 70-200mm f\/2.8 GM OSS II\u003c\/li\u003e\n\u003cli\u003eDimensions (diameter x length): 112 x 76 mm\u003c\/li\u003e\n\u003cli\u003eWeight: 108.9 g\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":57478613893460,"sku":"ALCSH167.SYH","price":130.35,"currency_code":"EUR","in_stock":true}]},{"product_id":"sony-sel-30mm-f-3-5-macro-nex","title":"Sony SEL 30mm f\/3.5 Macro Nex","description":"\u003ch2\u003eSony SEL 30mm f\/3.5 Macro NEX - 1:1 close-ups\u003c\/h2\u003e\n\u003cp\u003eThe Sony SEL 30mm f\/3.5 Macro NEX is a 30mm autofocus lens with 1:1 magnification, so small subjects can fill the frame and appear life-size on the camera sensor. It’s an interchangeable macro lens for Sony E-mount NEX cameras, aimed at photographers who enjoy working close to the details in flowers, nature and small products. That true 1:1 reproduction is its defining feature: a petal’s fine markings, the texture of a handmade object or the small details on a product can take centre stage rather than being lost in a wider view. The 30mm focal length also makes the lens useful beyond dedicated close-ups, including everyday photographs when you want a natural, moderately wide perspective. Autofocus gives you a straightforward way to bring subjects into focus, whether you’re shifting between a product detail and a wider arrangement or following the shape of a flower. At just 138 g, it’s a light addition to a camera bag, and its compact form suits a small camera setup. The f\/3.5 maximum aperture keeps the lens modest in size, while the close-focus capability opens up a distinctly different way of seeing familiar subjects.\u003c\/p\u003e\n\n\u003ch3 data-section=\"features\"\u003eWhere this lens shines\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e1:1 magnification:\u003c\/strong\u003e The subject is reproduced life-size on the sensor at maximum magnification. That’s useful for close-up work where small details need to occupy a meaningful part of the frame.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.5 cm minimum focusing distance:\u003c\/strong\u003e The close-focus distance supports tight framing of small objects. For macro photographs of flowers or product details, it brings the subject within the lens’s focusing range.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAutofocus:\u003c\/strong\u003e The lens focuses automatically, keeping focusing simple when you’re adjusting composition between close details and more general scenes.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e138 g weight:\u003c\/strong\u003e Its low weight is welcome in a compact kit, especially when you’re carrying a camera and lens for nature photography or moving between several product setups.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e49 mm filter thread:\u003c\/strong\u003e This standard filter size gives you a clear reference when choosing a compatible filter. It’s also a useful detail when organising accessories for your lens kit.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSeven elements in six groups:\u003c\/strong\u003e The optical design combines seven lens elements across six groups, a specific construction detail for this compact macro lens.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e50-degree angle of view:\u003c\/strong\u003e This angle of view offers a useful working perspective for the 30mm focal length, from close subject studies to everyday scenes that include some surroundings.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cdiv class=\"specialist-note\"\u003e\n\u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n\u003cp\u003eFor someone who spends time photographing tiny plants, insects or carefully made objects, this Sony has a very appealing speciality: genuine 1:1 macro reproduction in a light 138 g lens. I’d use autofocus to settle focus on the main detail, then compose tightly so the subject fills the frame. The f\/3.5 maximum aperture is a sensible fit for a small lens, but at close range the area in focus can be very shallow; for more depth across a product, try a smaller aperture such as f\/11 or f\/22 and keep the camera steady. One point to bear in mind is the close working distance: the front of the lens sits just 2.4 cm from the subject at its closest, so lighting an insect or reflective item can take care. For nature and tabletop detail, that trade-off is part of the macro experience.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003ch3\u003eWhat's Included\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eSony SEL 30mm f\/3.5 Macro lens\u003c\/li\u003e\n\u003cli\u003eLens caps\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eBrand: Sony\u003c\/li\u003e\n\u003cli\u003eModel: SEL 30mm f\/3.5 Macro NEX (SEL30M35.AE)\u003c\/li\u003e\n\u003cli\u003eType: Interchangeable macro lens\u003c\/li\u003e\n\u003cli\u003eFocal length: 30mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: f\/3.5\u003c\/li\u003e\n\u003cli\u003eMinimum aperture: f\/22\u003c\/li\u003e\n\u003cli\u003eFocus: Autofocus\u003c\/li\u003e\n\u003cli\u003eMount: Sony E\u003c\/li\u003e\n\u003cli\u003eMinimum focusing distance: 9.5 cm\u003c\/li\u003e\n\u003cli\u003eMaximum magnification: 1:1\u003c\/li\u003e\n\u003cli\u003eAngle of view: 50 degrees\u003c\/li\u003e\n\u003cli\u003eFilter diameter: 49 mm\u003c\/li\u003e\n\u003cli\u003eOptical construction: 7 elements in 6 groups\u003c\/li\u003e\n\u003cli\u003eWeight: 138 g\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":57478614843732,"sku":"2563013","price":235.35,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/2563013_01.jpg?v=1791469667"},{"product_id":"sony-leather-case-dsc-rx100-serie-new","title":"Sony Leather Case DSC-RX100 Serie - New","description":"\u003ch2\u003eSony Leather Case DSC-RX100 Serie: protect your camera in a bag\u003c\/h2\u003e\n\u003cp\u003eThe polyester body has a leather-look finish, pairing a protective pouch with a more considered appearance than a plain cover. The Sony Leather Case DSC-RX100 Serie is a black, two-piece case for the Sony Cyber-shot DSC-RX100. Its purpose is straightforward: keep the camera’s finish shielded from scratches and bumps while it travels inside a larger bag. That makes it a good match for carrying the camera alongside other everyday items, or packing it away between outings. The upper section comes off for shooting, while the lower section can stay attached; a tripod connection in that base means you don’t have to remove it just to mount the camera. There’s also an opening for the camera’s microphone jack, and a strap is included for carrying the case. Use the cover to protect the camera during a commute, keep it from rubbing against other kit in a camera bag, or store it between photo sessions. The leather-style finish is made from polyester, rather than leather, and the case is sized for the DSC-RX100. It’s a focused accessory: a fitted cover for carrying and protecting that camera, with a removable top for access when you’re ready to take pictures.\u003c\/p\u003e\n\n\u003ch3 data-section=\"features\"\u003eAccess and protection\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eTwo-piece construction:\u003c\/strong\u003e The case separates into a base and a removable upper section. You can uncover the camera for shooting without taking the whole case off.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTripod connection in the base:\u003c\/strong\u003e The lower section has a tripod fitting, so it can remain on the camera when you attach it to a tripod. That saves removing and refitting the base between shots.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMicrophone-jack opening:\u003c\/strong\u003e An opening in the case provides access to the camera’s microphone jack. It’s a useful detail for connecting a microphone while keeping the case fitted.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePolyester with a leather-look finish:\u003c\/strong\u003e The surface has the appearance of leather, while the listed material is polyester. That distinction is worth knowing if you’re choosing the case for its look as well as its protective role.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompact dimensions:\u003c\/strong\u003e At 11.5 × 5.4 × 6.4 cm, the case is made for the DSC-RX100 rather than general camera storage. Its defined size keeps the accessory focused on carrying that compact camera.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSeparate carrying strap:\u003c\/strong\u003e A strap is included with the case. Use it when carrying the case on its own, or keep the case packed inside a larger bag to guard against scrapes and knocks.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cdiv class=\"specialist-note\"\u003e\n\u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n\u003cp\u003eAt a café table, the camera comes out for a quick portrait and the top section is already off; the base can stay fitted while you shoot. That’s the detail I’d point out at the counter, because this case doesn’t force you to strip everything away before taking a picture. The tripod connection in the lower section is equally handy for a planned, steady composition: leave the base attached, then mount the camera. I’d recommend it to an RX100 owner who carries the camera in a bag with other belongings and wants a dedicated cover between shots. The included strap also works for carrying the case separately. Just remember that the leather-like surface is polyester, not leather, and remove the upper section when you’re ready to photograph.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003ch3\u003eWhat's Included\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eSony Leather Case DSC-RX100 Serie\u003c\/li\u003e\n\u003cli\u003eCarrying strap\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eBrand: Sony\u003c\/li\u003e\n\u003cli\u003eModel: Leather Case DSC-RX100 Serie\u003c\/li\u003e\n\u003cli\u003eType: Protective case \/ pouch\u003c\/li\u003e\n\u003cli\u003eCompatible camera: Sony Cyber-shot DSC-RX100\u003c\/li\u003e\n\u003cli\u003eColour: Black\u003c\/li\u003e\n\u003cli\u003eMaterial: Polyester\u003c\/li\u003e\n\u003cli\u003eConstruction: Two-piece case with removable upper section\u003c\/li\u003e\n\u003cli\u003eDimensions: 11.5 × 5.4 × 6.4 cm\u003c\/li\u003e\n\u003cli\u003eWeight: 118 g\u003c\/li\u003e\n\u003cli\u003eTripod connection: In the lower section\u003c\/li\u003e\n\u003cli\u003eAccess: Opening for microphone jack\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":57478615925076,"sku":"LCSRXGB.SYH","price":116.76,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/LCSRXGB.SYH_01.jpg?v=1791469669"},{"product_id":"sony-sdxc-256gb-uhs-ii-sf-m-tough-r277-w150-mb-s","title":"Sony SDXC 256GB UHS-II SF-M Tough R277\/W150 MB\/s","description":"\u003ch2\u003eSony SDXC 256GB UHS-II SF-M Tough R277\/W150 MB\/s: Keep more footage on one card\u003c\/h2\u003e\n\u003cp\u003eKeep a substantial collection of stills and video on one card: the Sony SDXC 256GB UHS-II SF-M Tough R277\/W150 MB\/s combines 256GB of capacity with read speeds up to 277 MB\/s and write speeds up to 150 MB\/s. It’s a high-capacity SDXC card for photographers and videographers working with demanding shoots, and its Tough construction is protected against dust and resistant to shock. The 256GB capacity is useful for a longer day of shooting, while the stated write speed is relevant when recording a run of photographs or capturing video. After the shoot, the maximum read speed is the figure to look at when transferring files from the card. UHS-II, U3 and V60 ratings add specific speed classifications for choosing the card around a photo or video workflow. Class 10 is listed as well. This is a clearly specified card for people who need both substantial storage and a high-speed interface; the figures describe its maximum rates, so actual performance depends on the equipment and workflow around it. For work where a card may face dust or knocks as it’s carried and used, the Tough design adds another useful detail to consider.\u003c\/p\u003e\n\u003ch3 data-section=\"features\"\u003eCapacity and Tough Protection\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e256GB SDXC capacity:\u003c\/strong\u003e The card holds up to 256GB of data, giving you a sizeable place to record photographs and video before moving files elsewhere. That capacity is particularly relevant for longer shoots where you want more storage on the card itself.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRead speeds up to 277 MB\/s:\u003c\/strong\u003e The maximum read rate matters when you’re moving captured files off the card. It’s a useful specification to compare when image transfers are part of your workflow, especially after a shoot with a large amount of material.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWrite speeds up to 150 MB\/s:\u003c\/strong\u003e The stated write rate is relevant while the camera records to the card. It supports a workflow involving repeated still captures or video recording, with the actual rate dependent on the camera and recording conditions.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUHS-II interface:\u003c\/strong\u003e UHS-II identifies the card’s bus interface. It’s a specific detail to match against the equipment and workflow you plan to use, rather than relying on capacity alone when choosing a memory card.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eU3 and V60 classifications:\u003c\/strong\u003e These speed ratings provide further information for photographers and videographers comparing cards for image capture. They make the card’s intended speed class clearer for video recording and other demanding capture tasks.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDust protection and shock resistance:\u003c\/strong\u003e Sony’s Tough model is protected against dust and resistant to shock. Those characteristics are relevant when the card is handled and carried between locations, where it may encounter less controlled conditions than a desk or studio.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWhat's Included\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eSony SDXC 256GB UHS-II SF-M Tough memory card\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eBrand: Sony\u003c\/li\u003e\n\u003cli\u003eModel: SF-M Tough\u003c\/li\u003e\n\u003cli\u003eType: SDXC memory card\u003c\/li\u003e\n\u003cli\u003eCapacity: 256GB\u003c\/li\u003e\n\u003cli\u003eInterface: UHS-II\u003c\/li\u003e\n\u003cli\u003eSpeed class: Class 10\u003c\/li\u003e\n\u003cli\u003eUHS speed class: U3\u003c\/li\u003e\n\u003cli\u003eVideo speed class: V60\u003c\/li\u003e\n\u003cli\u003eMaximum read speed: 277 MB\/s\u003c\/li\u003e\n\u003cli\u003eMaximum write speed: 150 MB\/s\u003c\/li\u003e\n\u003cli\u003eProtection: Dust-protected and shock-resistant\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":57478616580436,"sku":"SFM256T.SYM","price":314.36,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/SFM256T.SYM_01.jpg?v=1791469670"},{"product_id":"sony-lens-hood-for-sel100400mc","title":"Sony Lens Hood For SEL100400MC","description":"\u003ch2\u003eSony Lens Hood For SEL100400MC | Shade your lens from stray light\u003c\/h2\u003e\n\u003cp\u003eIts defining choice is a dedicated design for the SEL100400MC, rather than a general-purpose hood. That gives this accessory a clear job: it’s made for use with the lens named in its product title, helping shade the front of the lens from light arriving outside the picture. That can be useful when sunlight or bright lamps are close to your framing, where stray light may reduce contrast or cause flare. This Sony lens hood suits photographers who use the SEL100400MC and want a straightforward way to manage those conditions while shooting. It’s particularly relevant outdoors, where the direction and strength of light can change as you move or reframe. The product information here is deliberately simple: it identifies the hood and the lens it’s for, without claims about material, dimensions or construction. If you use that specific lens, this is the matching hood to consider.\u003c\/p\u003e\n\u003ch3\u003eUsing the hood\u003c\/h3\u003e\n\u003cp\u003eWhen a bright source sits just outside your composition, fit the hood and adjust your framing so the source remains out of the picture. It can help limit stray light reaching the lens, but it won’t remove flare caused by a light source shining directly into the lens. For outdoor subjects, it’s a practical accessory to keep on the lens when changing light makes careful shading worthwhile.\u003c\/p\u003e\n\u003cdiv class=\"specialist-note\"\u003e\n\u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n\u003cp\u003eLate-afternoon light cuts across a field, and the Sony Lens Hood For SEL100400MC has a clear role there: shading the lens when the sun is near the edge of your frame. Sony names the SEL100400MC as the lens this hood is for, so it’s a specific match rather than an accessory to choose by appearance. As a lens hood, its purpose is to help keep stray light off the front of the lens; that’s handy when you’re framing an outdoor subject with bright light just out of shot. I’d use it for that kind of changing daylight, while remembering it can’t stop flare if the sun shines directly into the lens.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eBrand: Sony\u003c\/li\u003e\n\u003cli\u003eProduct type: Lens hood\u003c\/li\u003e\n\u003cli\u003eIntended lens: SEL100400MC\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":57485384646996,"sku":"ALCSH187.SYH","price":164.66,"currency_code":"EUR","in_stock":true}]},{"product_id":"sony-vmc-bncu1b-timecode-cable-adapter-fx5","title":"Sony VMC-BNCU1B Timecode Cable Adapter (FX5)","description":"\u003ch2\u003eSony VMC-BNCU1B Timecode Cable Adapter (FX5) | A dedicated timecode accessory for FX5 setups\u003c\/h2\u003e\n\u003cp\u003eThe defining decision is the dedicated FX5 timecode-adapter designation: it gives this cable accessory a specific role in a camera setup, rather than presenting it as a general-purpose cable. Sony’s VMC-BNCU1B is for people putting together a timecode workflow around the FX5 and looking for the named adapter to go with it. Timecode gives footage a time reference that can help keep clips organised and aligned during editing. That’s the job this accessory points towards; it isn’t a camera or a timecode source in its own right. If you’re matching equipment for a planned shoot, the full model name is useful to have to hand. It’s specific, and that’s a welcome bit of clarity when you’re checking a kit list.\u003c\/p\u003e\n\u003cp\u003eIn practice, this is a small, purpose-led part of the setup decision: the title identifies it as a cable adapter for timecode, with FX5 called out directly. That makes it most relevant when your workflow calls for this particular accessory, rather than when you simply need an unspecified cable. Timecode can make footage from a shoot easier to line up by its recorded time reference, especially during post-production. The adapter belongs to that practical side of preparing a camera setup, where the right named connection accessory matters more than a long list of extra features. One honest point: the product name gives a clear category and camera reference, but little else about how the cable is built or connected. I’d use the exact VMC-BNCU1B name when matching it to a setup plan.\u003c\/p\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eBrand: Sony\u003c\/li\u003e\n\u003cli\u003eModel: VMC-BNCU1B\u003c\/li\u003e\n\u003cli\u003eProduct type: Timecode cable adapter\u003c\/li\u003e\n\u003cli\u003eCamera reference: FX5\u003c\/li\u003e\n\u003cli\u003eCategory: Accessories \u0026gt; Cable\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":57485385367892,"sku":"VMCBNCU1B.CE7","price":87.81,"currency_code":"EUR","in_stock":true}]},{"product_id":"sony-alc-sh165-lens-hood-for-sel24f28g","title":"Sony ALC-SH165 Lens Hood For SEL24F28G","description":"\u003ch2\u003eSony ALC-SH165 Lens Hood For SEL24F28G | A dedicated fit for your lens\u003c\/h2\u003e\n\u003cp\u003eThe defining decision here is a dedicated fit: Sony names the SEL24F28G as the lens this ALC-SH165 hood is for. That keeps the choice straightforward if you own that lens and want a hood made for it, rather than trying to match a general-purpose accessory. A lens hood is there to help keep unwanted light from reaching the front of the lens, which can be useful when you're shooting outdoors or working near bright light. It also gives the front of the lens a little extra shielding during everyday use. This is a focused accessory, not a universal answer for a camera bag full of lenses. If the SEL24F28G is the lens you use, the ALC-SH165 gives you a clear, model-specific option to consider. Its appeal is simple: you can choose by the exact lens name instead of guessing from appearance.\u003c\/p\u003e\n\u003ch3\u003eMade for the named lens\u003c\/h3\u003e\n\u003cp\u003eThe ALC-SH165 and SEL24F28G identifiers make the intended pairing clear. That’s helpful when replacing a hood or adding one to your kit: match the lens name, and you have a specific starting point. It’s a narrow fit by design, so this isn’t a hood to buy for an unspecified lens.\u003c\/p\u003e\n\u003cdiv class=\"specialist-note\"\u003e\n\u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n\u003cp\u003eFitted to its intended lens, this hood is a simple addition to your setup: there’s no extra control to learn, and you can keep your attention on framing. I’d point a SEL24F28G owner to the ALC-SH165 when they want the hood identified for that exact lens, especially for outdoor pictures where light may come from the side. Fit the hood before shooting in that kind of light, then frame as usual. The specific model code is useful when you’re replacing an accessory; it helps avoid choosing by looks alone. Its limitation is equally clear: it’s made for the SEL24F28G, not a general-purpose hood for other lenses.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eBrand: Sony\u003c\/li\u003e\n\u003cli\u003eModel: ALC-SH165\u003c\/li\u003e\n\u003cli\u003eType: Lens hood\u003c\/li\u003e\n\u003cli\u003eFor lens: SEL24F28G\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":57492208550228,"sku":"ALCSH165.SYH","price":37.96,"currency_code":"EUR","in_stock":true}]},{"product_id":"sony-sdxc-512gb-uhs-ii-entry-series-cl10_u3-r277-w150-v60-for-photo","title":"Sony SDXC 512GB UHS-II Entry Series CL10_U3 R277\/W150 V60 For Photo","description":"\u003ch2\u003eSony SDXC 512GB UHS-II Entry Series CL10_U3 R277\/W150 V60 For Photo | Clear photo-focused specifications\u003c\/h2\u003e\n\u003cp\u003eWhen you’re choosing a card for a photo setup and want its key identifiers laid out plainly, this Sony SDXC gives you 512GB of capacity in the Entry Series. The title marks it UHS-II and lists CL10, U3 and V60 alongside R277\/W150. That’s the useful detail here: the card is presented with a defined format, capacity and set of speed classifications, rather than a broad promise about every kind of recording. It’s labelled For Photo, so its intended role is clear. For photographers comparing options by their stated markings, that direct naming is helpful. You can judge it on the details provided instead of reading more into a sales pitch. One honest point: Entry Series is part of its identity, so the appeal is the stated specification set, not a claim that it belongs to a flagship range.\u003c\/p\u003e\n\u003ch3\u003eA straightforward card to compare\u003c\/h3\u003e\n\u003cp\u003eIf you prefer to narrow down storage choices using clear product names, this one is easy to assess. Start with the requirements of your own photo workflow, then compare the details on the cards you’re considering. This product gives you a concise set of identifiers for that process, with its photo use stated directly. That makes the name practical when you’re sorting a shortlist or checking that a particular card is the one you intended to choose. Its description stays focused rather than making sweeping promises about results. The sensible approach is to base your decision on the information shown here and on what your own workflow calls for.\u003c\/p\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eBrand: Sony\u003c\/li\u003e\n\u003cli\u003eCard format: SDXC\u003c\/li\u003e\n\u003cli\u003eCapacity: 512GB\u003c\/li\u003e\n\u003cli\u003eBus interface: UHS-II\u003c\/li\u003e\n\u003cli\u003eSeries: Entry Series\u003c\/li\u003e\n\u003cli\u003eClass: CL10_U3\u003c\/li\u003e\n\u003cli\u003eRead\/write rating: R277\/W150\u003c\/li\u003e\n\u003cli\u003eVideo speed class: V60\u003c\/li\u003e\n\u003cli\u003eIntended use: For Photo\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":57492209008980,"sku":"SFM512.SYM","price":245.42,"currency_code":"EUR","in_stock":true}]},{"product_id":"sony-sdxc-512gb-uhs-ii-entry-series-cl10_u3-r277-w150-v60-for-photo-en-video","title":"Sony SDXC 512GB UHS-II Entry Series CL10_U3 R277\/W150 V60 For Photo EN Video","description":"\u003ch2\u003eSony Entry Series 512GB SDXC UHS-II Card | Clear speed labels for photo and video\u003c\/h2\u003e\n\u003cp\u003eThe defining choice is 512GB of SDXC storage: it gives photographers and video makers room to keep a larger working set on one card. Sony’s Entry Series card is marked for both photo and video use, with UHS-II and V60 among its speed designations. That makes the label useful when you’re comparing cards for a setup that needs substantial capacity and clearly stated speed classes. The name also includes CL10 and U3, plus R277\/W150 read\/write figures. I’d treat those as the card’s stated ratings, rather than a promise of the speed you’ll see in every camera or transfer setup. The useful point is that the key details are easy to identify before you choose a card for a particular job.\u003c\/p\u003e\n\u003cp\u003eWhen comparing SD cards, it helps to separate the different kinds of information in the name. SDXC identifies the card format, while UHS-II identifies its interface. CL10, U3 and V60 are speed-class markings; they aren’t interchangeable labels. The R277\/W150 notation distinguishes read from write, which is handy when transfer and recording needs matter in different ways. For video work, V60 is the most direct cue in this product’s title. For photo work, the capacity may be the detail that matters day to day. The honest limitation is that a card’s label alone can’t tell you the speed of an entire workflow: the camera, reader and other parts of the setup also play a role. Use the markings to compare the card itself, then consider what your own workflow calls for.\u003c\/p\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eBrand: Sony\u003c\/li\u003e\n\u003cli\u003eSeries: Entry Series\u003c\/li\u003e\n\u003cli\u003eFormat: SDXC\u003c\/li\u003e\n\u003cli\u003eCapacity: 512GB\u003c\/li\u003e\n\u003cli\u003eInterface: UHS-II\u003c\/li\u003e\n\u003cli\u003eSpeed class markings: CL10, U3, V60\u003c\/li\u003e\n\u003cli\u003eRead\/write rating: R277\/W150\u003c\/li\u003e\n\u003cli\u003eStated use: Photo and video\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":57492209664340,"sku":"SF-M512T.SYM","price":506.78,"currency_code":"EUR","in_stock":true}]},{"product_id":"sony-sel-28-70-fe-fullframe-120fps","title":"Sony SEL 28-70 FE FullFrame 120fps","description":"\u003ch2\u003eSony SEL 28-70 FE FullFrame 120fps | Flexible framing in one standard lens\u003c\/h2\u003e\n\u003cp\u003eThe defining design choice is a standard zoom range rather than one fixed view: this Sony lens lets you adjust your framing without changing lenses. That makes it a practical fit for everyday photography, family gatherings and travel, when a scene can shift from a whole group to a closer detail. The FullFrame designation also makes it relevant to photographers building a full-frame setup. Its appeal is flexibility in composition, rather than any claim about speed or low-light performance. Use the wider view to include more of the setting around your subject; zoom in to simplify the frame and make a detail more prominent. It suits someone who wants one standard lens for varied subjects and is happy to adjust the framing as they go. If your photography often calls for a very wide or very long view, a standard zoom may not cover every situation.\u003c\/p\u003e\n\u003cdiv class=\"specialist-note\"\u003e\n\u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n\u003cp\u003eAt a late-afternoon family meal, there’s a place for this lens: the table, the people around it, then a closer view of one person without swapping lenses. The 28–70 range gives you room to change that framing; start at 28 for more of the room, then move toward 70 to tighten the composition. Its FE FullFrame designation suits a full-frame setup, so think of it as a standard lens for varied everyday scenes rather than a specialist wide or long lens. I’d recommend it to someone who values that change of view in one lens. For subjects that need a much wider perspective or more reach, plan on a different lens.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eBrand: Sony\u003c\/li\u003e\n\u003cli\u003eProduct category: Standard lens\u003c\/li\u003e\n\u003cli\u003eFocal-length designation: 28–70\u003c\/li\u003e\n\u003cli\u003eFormat designation: FE FullFrame\u003c\/li\u003e\n\u003cli\u003eTitle marking: 120fps\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":57492210090324,"sku":"SEL28702B.SYX","price":426.66,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/SEL28702B.SYX_01.jpg?v=1791544647"},{"product_id":"sony-sel-50mm-f-1-8-black","title":"Sony SEL 50mm f\/1.8 Black","description":"\u003ch2\u003eSony SEL 50mm f\/1.8 Black | Bright, natural-looking portraits\u003c\/h2\u003e\n\u003cp\u003eFor street scenes, travel details and portraits with a clearly defined subject, a 50mm view gives you a natural, focused way to frame what catches your eye. The Sony SEL 50mm f\/1.8 Black is a standard prime lens with a 50mm focal length and a bright f\/1.8 maximum aperture. It suits photographers who prefer choosing their framing by moving rather than zooming, and who want one lens for everyday scenes as well as people pictures. In a portrait, the wide maximum aperture can help separate your subject from the background; on a walk, the fixed view encourages you to notice how distance and framing shape a scene. Autofocus makes it practical for changing subjects and spontaneous moments. Its appeal is its directness: a familiar focal length, a bright aperture and a simple role in your camera bag, without trying to cover every kind of shot.\u003c\/p\u003e\n\u003cdiv class=\"specialist-note\"\u003e\n\u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n\u003cp\u003eFor portraits in dim rooms, the f\/1.8 maximum aperture gives you a brighter option than reaching for a flash straight away. I’d start there, place your subject near a window or other available light, and keep the background uncluttered so the person stays the focus. The 50mm focal length gives a composed, close-feeling portrait; leave enough room around your subject and use the frame edges deliberately. This suits someone who enjoys street portraits, travel scenes and everyday photographs of people. One honest point: it’s a prime, so you’ll need to move to change your framing. If you’re happy to do that, its clear purpose is part of the appeal.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eProduct kind: Interchangeable lens\u003c\/li\u003e\n\u003cli\u003eLens type: Standard Prime\u003c\/li\u003e\n\u003cli\u003eFocal length: 50mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: f\/1.8\u003c\/li\u003e\n\u003cli\u003eFocus: Autofocus\u003c\/li\u003e\n\u003cli\u003eColour: Black\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":57503590482260,"sku":"SEL50F18B.AE","price":297.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/SEL50F18B.AE_01.jpg?v=1791566591"},{"product_id":"sony-sel-50mm-f-1-8-ff-e-mount-fullframe","title":"Sony SEL 50mm f\/1.8 FF E-Mount FullFrame","description":"\u003ch2\u003eSony SEL 50mm f\/1.8 FF E-Mount FullFrame | Bright standard prime for portraits and travel\u003c\/h2\u003e\n\u003cp\u003eWithout a dedicated standard prime, street scenes and portraits are often framed at whatever focal length a zoom happens to offer. The Sony SEL 50mm f\/1.8 gives you a fixed, familiar view in a compact focal length that works well for everyday subjects. It’s an interchangeable autofocus lens for Sony E-mount cameras with a full-frame sensor, suited to photographers who want one lens for portraits, travel and street photography. Its f\/1.8 maximum aperture lets you work with less light than a narrower aperture would, and gives you more control over how much of the scene appears sharp. The 47° angle of view keeps the frame focused on your subject without making the perspective feel unusually tight. As a standard prime, it’s a straightforward option when you want to compose with your position rather than choose a different zoom setting.\u003c\/p\u003e\n\u003cdiv class=\"specialist-note\"\u003e\n\u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n\u003cp\u003e“Is the Sony SEL 50mm f\/1.8 a good portrait lens?” Yes, especially if you want a natural-feeling view and the option to soften the background. On a full-frame camera, 50mm is easy to work with for head-and-shoulders portraits; try f\/1.8 when you want your subject to draw the eye, and stop down if you want more of the face in focus. For street scenes or travel details, autofocus makes it easier to keep your attention on framing. On a Sony APS-C body, the view is equivalent to 75mm on full frame, which suits tighter portraits. The honest trade-off is fixed framing: you’ll move to compose rather than zoom.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eProduct kind: Interchangeable lens\u003c\/li\u003e\n\u003cli\u003eFocal length: 50mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: f\/1.8\u003c\/li\u003e\n\u003cli\u003eLens type: Standard Prime\u003c\/li\u003e\n\u003cli\u003eMount: Sony E\u003c\/li\u003e\n\u003cli\u003eSensor format: Full Frame\u003c\/li\u003e\n\u003cli\u003eFocus: Autofocus\u003c\/li\u003e\n\u003cli\u003eAngle of view: 47°\u003c\/li\u003e\n\u003c\/ul\u003e\n\n","brand":"Sony","offers":[{"title":"Default Title","offer_id":57503591760212,"sku":"SEL50F18F.SYX","price":206.86,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/SEL50F18F.SYX_01.jpg?v=1791566593"},{"product_id":"sony-sfe256-ae-uhs-ii-entry-series-cl10_u3-r270-w120-v6","title":"Sony SFE256.AE UHS-II Entry Series CL10_U3 R270\/W120 V6","description":"\u003ch2\u003eSony SFE256.AE UHS-II Entry Series CL10_U3 R270\/W120 V6 | Clear markings for precise product matching\u003c\/h2\u003e\n\u003cp\u003eSony SFE256.AE UHS-II Entry Series CL10_U3 R270\/W120 V6 is a MicroSD card identified by its UHS-II, CL10_U3, R270\/W120 and V6 markings. It suits shoppers who’ve already narrowed their search to this Sony model and want the designation clearly stated before choosing. The most useful thing about this product name is its specificity: it gives you several exact labels to compare with the card you’re looking for, rather than asking you to choose from a broad, generic description. That makes it a sensible match for a search based on the model name or those markings. There’s no need to read more into the title than it says; the clearest way to identify this card is by its complete name. If you’re comparing listings, keeping that full designation to hand can help you distinguish this exact product from other Sony MicroSD cards.\u003c\/p\u003e\n\u003ch3\u003eIdentifying this Sony MicroSD card\u003c\/h3\u003e\n\u003cp\u003eThe title brings together the Sony model designation, its Entry Series name and several performance-class and speed markings. For a shopper, that’s useful when the specific letters and numbers matter more than a general description. Search results can shorten product names, so the full title here gives you a direct reference point: Sony SFE256.AE, UHS-II, CL10_U3, R270\/W120 and V6. Those labels are also the most practical way to keep this product distinct while you’re comparing product pages or revisiting a shortlist. This is a focused listing for someone looking for that named item, not a claim about every device or task it may suit. If you’ve been searching using the complete designation, you can use the details below to make sure the product name and its printed classifications match what you intended to find.\u003c\/p\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eBrand: Sony\u003c\/li\u003e\n\u003cli\u003eProduct designation: SFE256.AE\u003c\/li\u003e\n\u003cli\u003eCategory: Micro Secure Digital (MicroSD)\u003c\/li\u003e\n\u003cli\u003eSeries: Entry Series\u003c\/li\u003e\n\u003cli\u003eInterface: UHS-II\u003c\/li\u003e\n\u003cli\u003eMarking: CL10_U3\u003c\/li\u003e\n\u003cli\u003eMarking: R270\/W120\u003c\/li\u003e\n\u003cli\u003eMarking: V6\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":57503592907092,"sku":"SFE256.AE","price":261.36,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/SFE256.AE_01.jpg?v=1791566594"},{"product_id":"sony-system-bag-for-a7-series-promo","title":"Sony System Bag For A7 Series - Promo","description":"\u003ch2\u003eSony System Bag For A7 Series - Promo | Quick access while you’re out\u003c\/h2\u003e\n\u003cp\u003eSpend less time reaching for your camera and more time ready to make a picture. This Sony camera shoulder bag is intended for the A7 series and suits photographers who want quick access while walking around the city or attending events. It’s a straightforward option for days when you expect to take the camera out often, rather than keep it packed away between stops. Carry it as a shoulder bag and keep the camera within easy reach as you move through a street, venue or busy event. That access can make it easier to respond when a moment catches your eye. The focus here is practical: a shoulder bag for carrying an A7-series camera with quick access as the priority. If your day involves longer stretches of walking and frequent picture opportunities, that simple purpose is what makes this bag worth considering.\u003c\/p\u003e\n\u003cdiv class=\"specialist-note\"\u003e\n\u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n\u003cp\u003eOne priority defines this bag: reaching your camera quickly while you’re out. As a shoulder bag, it suits a day when you’ll be moving around a city or an event and want the camera close at hand, rather than stored away between pictures. I’d consider it for street scenes or changing moments at a gathering; carry it ready for access, then take the camera out when something catches your attention. Its stated fit for the Sony A7 series makes the intended camera system clear. The trade-off is that the information here doesn’t establish room for extra gear, so I’d choose it for access to the camera itself, not on the assumption it carries a full kit.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eProduct kind: Camera shoulder bag\u003c\/li\u003e\n\u003cli\u003eCamera series: Sony A7 series\u003c\/li\u003e\n\u003cli\u003eTypical use: Quick camera access while walking in the city or at events\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":57503593791828,"sku":"LCSPSC7B.SYH","price":132.78,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/LCSPSC7B.SYH_01.jpg?v=1791566595"},{"product_id":"sony-vct-sgr1-handle-for-cameraserie-rx0-and-rx100","title":"Sony VCT-SGR1-Handle For Cameraserie RX0 And RX100","description":"\u003ch2\u003eSony VCT-SGR1 Handle For Cameraserie RX0 And RX100 | A steadier hold for your compact camera\u003c\/h2\u003e\n\u003cp\u003eA small camera is easy to carry, but holding it securely can feel less natural when you’re trying to frame a shot. The Sony VCT-SGR1 is a handle made for the RX0 and RX100 camera series, giving you a dedicated grip while you work with your camera. It suits owners of either series who want a more considered way to hold the camera for everyday stills or video. The benefit is straightforward: you can hold the camera by its handle rather than relying only on the camera body, which can make framing feel more deliberate. It’s a focused accessory, not a general-purpose grip for other camera systems. If you own an RX0 or an RX100 and want a handle designed for those series, the VCT-SGR1 keeps the choice simple. Its appeal is in that specific pairing and the more secure-feeling hold it offers.\u003c\/p\u003e\n\u003cdiv class=\"specialist-note\"\u003e\n\u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n\u003cp\u003e“Is the VCT-SGR1 for both the RX0 and RX100 series?” Yes—it’s made for those two camera series, so you can choose it based on the camera you own rather than looking for a generic handle. The name matters here: VCT-SGR1 identifies this particular Sony accessory, while RX0 and RX100 tell you which camera families it’s intended for. I’d consider it if you often hold your camera out to frame a quick still or record a short clip; use the handle as your grip point and keep your framing steady as you compose. It’s a specific accessory, so it won’t suit a camera outside those named series.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eProduct name: Sony VCT-SGR1\u003c\/li\u003e\n\u003cli\u003eProduct type: Handle\u003c\/li\u003e\n\u003cli\u003eFor camera series: RX0 and RX100\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":57503594611028,"sku":"VCTSGR1-SYU","price":98.01,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/VCTSGR1-SYU_01.jpg?v=1791566597"},{"product_id":"sony-vfdcpl1-syh-cir-p-insteekmodel-for-sel400f28gm","title":"Sony VFDCPL1.SYH Cir P (Insteekmodel) For SEL400F28GM","description":"\u003ch2\u003eSony VFDCPL1.SYH Circular Polarizing Filter (Insert Model) for SEL400F28GM | Manage reflections with a lens-specific filter\u003c\/h2\u003e\n\u003cp\u003eBright reflections on water or glass can distract from the subject you’re framing. The Sony VFDCPL1.SYH is a circular polarizing filter in an insert model, specified for the SEL400F28GM. It’s for photographers using that lens who want to manage reflections and the effect of polarized light in a scene. In practice, a polarizing filter can help reduce glare from reflective surfaces, making it useful when photographing water, windows or outdoor scenes. The product’s insert format is an important part of its identity: this isn’t simply a general filter listing, but one tied to the named Sony lens. If you use the SEL400F28GM and need a polarizing filter for that setup, this is the model to consider. Its purpose is focused, rather than all-purpose.\u003c\/p\u003e\n\u003cdiv class=\"specialist-note\"\u003e\n\u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n\u003cp\u003eThe insert-style format is the physical detail I’d point out first at the counter: this filter is specified for the SEL400F28GM, so its role is tied to that lens setup. It’s a circular polarizer, which makes it worth considering when reflections are getting in the way. For water, frame the area you want and adjust your viewpoint to see how the glare changes; for a reflective window, use the same approach while composing the subject beyond it. I’d recommend it to an owner of the named lens with those situations in mind. It’s a specialist accessory for that setup, not a general filter for other lenses.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eBrand: Sony\u003c\/li\u003e\n\u003cli\u003eFilter type: Circular polarizing filter\u003c\/li\u003e\n\u003cli\u003eFormat: Insert model\u003c\/li\u003e\n\u003cli\u003eSpecified for: SEL400F28GM\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":57503595462996,"sku":"VFDCPL1.SYH","price":396.15,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/VFDCPL1.SYH_01.jpg?v=1791566598"},{"product_id":"sony-128gb-extra-pro-cl10-uhs-ii-r260-w100-4k","title":"Sony 128GB Extra Pro CL10 UHS-II R260 W100 4K","description":"\u003ch2\u003eSony 128GB Extra Pro CL10 UHS-II R260 W100 4K | 128GB storage with UHS-II\u003c\/h2\u003e\n\u003cp\u003eSony 128GB Extra Pro CL10 UHS-II R260 W100 4K is an SDXC card with 128GB capacity and R260\/W100 figures in its name. It’s aimed at photographers and video makers looking for a card marked for 4K work, with its capacity and speed shorthand easy to spot when comparing options. CL10 and UHS-II are also stated directly in the product name, giving you useful identifiers without decoding a long list of marketing claims. I’d consider it when those particular labels match the needs of your storage setup. The title’s 4K reference points to the kind of work it’s intended to suit, but it isn’t a promise about every recording configuration. Its clearest appeal is the combination of a stated capacity and speed information in a compact SDXC format.\u003c\/p\u003e\n\u003ch3\u003eA practical fit for your storage needs\u003c\/h3\u003e\n\u003cp\u003eFor a project where you want a single card with a clearly stated 128GB capacity, this Sony gives you that figure upfront. The R260 and W100 markings add more detail for shoppers comparing cards by the figures printed in their names; they’re presented here without extra units or claims. CL10 and UHS-II offer further identifiers to use when weighing this card against the requirements of your own workflow. The 4K wording makes it relevant to people considering storage for 4K-oriented work, while the SDXC category makes the card type clear. That’s a straightforward set of details to work with. If you’re narrowing down options, focus on the stated category, capacity and speed markings, then compare those with what your intended setup calls for. This description sticks to the product name’s concrete information, rather than guessing at performance beyond it.\u003c\/p\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eBrand: Sony\u003c\/li\u003e\n\u003cli\u003eCapacity: 128GB\u003c\/li\u003e\n\u003cli\u003eCard category: SDXC\u003c\/li\u003e\n\u003cli\u003eClass: CL10\u003c\/li\u003e\n\u003cli\u003eInterface: UHS-II\u003c\/li\u003e\n\u003cli\u003eRead marking: R260\u003c\/li\u003e\n\u003cli\u003eWrite marking: W100\u003c\/li\u003e\n\u003cli\u003e4K marking: 4K\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":57503596216660,"sku":"SFG1M","price":144.8,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/SFG1M_01.jpg?v=1791566599"},{"product_id":"sony-voeding-for-upx-c200-camera-sony-origineel","title":"Sony Voeding For UPX-C200 Camera (Sony Origineel)","description":"\u003ch2\u003eSony Power Supply for UPX-C200 Camera (Sony Original) | Power for a fixed camera setup\u003c\/h2\u003e\n\u003cp\u003eSony Power Supply for UPX-C200 Camera (Sony Original) is a black adapter made for the Sony UPX-C200 Camera. It suits owners who need a dedicated power accessory for this camera, particularly when the camera stays set up in one place. Its purpose is straightforward: provide power to the named camera, rather than add a photographic feature or change how the camera works. That makes it a practical item to keep with an UPX-C200 used at a regular workstation or another fixed position. As a Sony-original accessory, it’s the model-specific option named for this camera, not a general adapter selected by appearance alone. The black colour gives it a low-key look alongside a camera setup. If you’re organising equipment for repeated use, pairing the power supply with the UPX-C200 keeps the relevant accessory close at hand. It’s a focused purchase for that camera, not a broadly compatible power accessory.\u003c\/p\u003e\n\u003cdiv class=\"specialist-note\"\u003e\n\u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n\u003cp\u003eAt a fixed workstation, the UPX-C200 is ready for another session, and this is where a dedicated power supply makes sense. I’d keep this Sony-original adapter with that camera, so the accessory is clearly matched to the model it’s intended for. The black colour is understated in a camera setup, and it won’t draw attention away from the equipment around it. It suits someone who uses the UPX-C200 in a regular position and wants its power accessory kept with the camera between sessions. The honest limitation is in the name: it’s for the Sony UPX-C200, so I’d treat it as a model-specific part rather than a general-purpose adapter.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eProduct type: Adapter\u003c\/li\u003e\n\u003cli\u003eCamera: Sony UPX-C200\u003c\/li\u003e\n\u003cli\u003eBrand: Sony\u003c\/li\u003e\n\u003cli\u003eColour: Black\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":57503596282196,"sku":"650215","price":66.06,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/650215_01.jpg?v=1791566599"},{"product_id":"sony-acc-trdcx-battery-charger-for-type-x-nbn1-bn","title":"Sony Acc-TRDCX Battery Charger for type X, N(BN1\/BN),","description":"\u003ch2\u003eSony Acc-TRDCX Battery Charger for type X, N(BN1\/BN) | For the battery types named\u003c\/h2\u003e\n\u003cp\u003eThe useful detail about this Sony charger is right in its name: it’s identified for type X and N(BN1\/BN) batteries. That makes it relevant to shoppers looking for a charger by battery designation, rather than by a camera model or a broad accessory category. If those are the battery types you need to charge, the Acc-TRDCX is the specific Sony model to look at. The naming is technical, but it gives you a clear starting point when comparing charger listings. I’d use the full designation when searching, since “Sony charger” alone is a much wider description. This is a focused accessory, not a general-purpose power adapter: its stated purpose is charging the battery types named in the product title. Keep that designation in mind as you decide if this is the right listing for your needs.\u003c\/p\u003e\n\u003ch3\u003eAbout this charger\u003c\/h3\u003e\n\u003cp\u003eFor a specialist accessory like this, the model reference and battery-type wording do most of the useful work. Acc-TRDCX is the model name; type X and N(BN1\/BN) are the battery designations attached to it. Those exact terms are worth retaining when you search, compare product pages or discuss the charger with our team. The product is listed as a battery charger in the Adapter category. That tells you what kind of accessory it is, while the battery designation tells you which charging need the listing addresses. It’s a straightforward product description, and that’s helpful: you can judge it against the battery name you’re shopping for without relying on a broad claim about camera compatibility.\u003c\/p\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eBrand and model: Sony Acc-TRDCX\u003c\/li\u003e\n\u003cli\u003eProduct type: Battery charger\u003c\/li\u003e\n\u003cli\u003eBattery designation: Type X, N(BN1\/BN)\u003c\/li\u003e\n\u003cli\u003eCategory: Adapter\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":57503596970324,"sku":"ACCTRDCX.CE7","price":49.53,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/ACCTRDCX.CE7_01.jpg?v=1791566600"},{"product_id":"sony-alcf86s-lens-cap-86mm","title":"Sony ALCF86S Lens Cap 86mm","description":"\u003ch2\u003eSony ALCF86S Lens Cap 86mm | Keep your lens covered between shoots\u003c\/h2\u003e\n\u003cp\u003eSony ALCF86S Lens Cap 86mm is a replacement lens cap in an 86mm size, made for photographers who need a matching cover for a lens. Its job is straightforward: cover the front of the lens when it’s not in use, helping keep it clear of dust and accidental contact while you’re packing or changing your setup. It’s also handy to have as a spare, so a misplaced cap doesn’t leave the lens uncovered between sessions. The key detail here is the size in the name. Match that marking to the cap you need; this isn’t a universal cover for lenses of every size. If you’re replacing a cap, the Sony model name gives you a specific product reference to work from. There’s no need for extra controls or setup: it’s a simple accessory for protecting a lens when it’s off the camera or stored away.\u003c\/p\u003e\n\u003cdiv class=\"specialist-note\"\u003e\n\u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n\u003cp\u003eA camera bag is open on the counter, and this Sony cap earns its place as the lens goes away for the day. I’d keep it as a replacement or spare if you use a lens that calls for this size. The 86mm marking is the practical detail: match it to the size marked for your lens rather than assuming one cap fits everything. Put the cover on whenever the lens is being stored or carried, and the front stays shielded from everyday bumps and dust. It’s a focused purchase, not a universal accessory; its value depends on having the matching lens size. If that’s what you need, the ALCF86S name makes the specific cap easy to identify.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eProduct: Sony ALCF86S Lens Cap 86mm\u003c\/li\u003e\n\u003cli\u003eType: Lens cap\u003c\/li\u003e\n\u003cli\u003eCategory: Accessories \u0026gt; Lens \u0026amp; Body Cap\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":57503597658452,"sku":"ALCF86S.SYH","price":16.99,"currency_code":"EUR","in_stock":true}]},{"product_id":"sony-bc-trv-acculader-for-p-h-v-serie","title":"Sony BC-TRV Acculader For P.H.V-Serie","description":"\u003ch2\u003eSony BC-TRV Battery Charger for P.H.V. Series | Charging for P.H.V. series batteries\u003c\/h2\u003e\n\u003cp\u003eRather than choosing an unnamed charging option, you can use a charger identified for the P.H.V. series: the Sony BC-TRV. It’s a battery charger for people looking for that specific model and series pairing, and its clearest use is charging batteries in the stated series. The name is straightforward, which makes it easier to identify when you’re sorting out a charging setup or looking for a replacement by model. I’d focus on the P.H.V. series wording when matching this charger to your needs; the product title doesn’t name individual battery models. That’s the practical limit of what can be established from its name. If the BC-TRV and P.H.V. series are the identifiers you’re looking for, this gives you a clearly named charger rather than a generic charging accessory.\u003c\/p\u003e\n\u003ch3\u003eA clear model and series name\u003c\/h3\u003e\n\u003cp\u003eThe BC-TRV model name and P.H.V. series reference are the useful details here. They describe the charger’s stated purpose without requiring you to guess from a broad product category. That makes this a relevant option for someone searching specifically for a Sony BC-TRV charger for the P.H.V. series, rather than for a charger in general. My honest take: the series reference is the detail to pay closest attention to, since the title doesn’t identify particular batteries within that series. Use the product name as your guide when comparing it with the charger you need. There’s no need to read more into the listing than that; it’s a Sony battery charger with a stated P.H.V. series association.\u003c\/p\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eBrand: Sony\u003c\/li\u003e\n\u003cli\u003eModel: BC-TRV\u003c\/li\u003e\n\u003cli\u003eProduct type: Battery charger\u003c\/li\u003e\n\u003cli\u003eStated series: P.H.V. series\u003c\/li\u003e\n\u003cli\u003eCategory: Accessories \u0026gt; Charger \u0026gt; Adapter\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":57503598412116,"sku":"5732094","price":62.47,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/5732094_01.jpg?v=1791566602"},{"product_id":"sony-ccbwd1-cee-1-control-more-than-6-rx0-at-the-same-time","title":"Sony CCBWD1.CEE 1\/ Control More Than 6 RX0 At The Same Time","description":"\u003ch2\u003eSony CCBWD1.CEE\/1 | Control more than six RX0 cameras together\u003c\/h2\u003e\n\u003cp\u003eFor a setup using more than six RX0 cameras, the Sony CCBWD1.CEE\/1 is an accessory cable intended to let you control them at the same time. That makes it relevant when a shoot depends on several RX0 cameras being managed together, rather than handled one by one. The key point is in the product name: this is for simultaneous control of more than six RX0 cameras. It’s a specific tool for a multi-camera job, not a general-purpose cable for everyday camera use. If you’re planning a production around a larger group of RX0 cameras, the stated purpose is clear and directly useful. The product is black, so it has a discreet appearance among other gear. There’s no need to read more into it than that: its main appeal is the number of cameras it’s intended to help control at once.\u003c\/p\u003e\n\u003cp\u003eThis is best suited to someone who already has a reason to operate a larger RX0 setup and wants an accessory with that particular task in mind. Think of the planning stage: you know that more than six RX0 cameras will be involved, and you’re looking for the Sony item identified for controlling that group simultaneously. That’s the use case to match against your project. It won’t be the right kind of purchase if your only requirement is a general cable; the value here is tied to the specific RX0 control purpose. The honest takeaway is simple: it’s a specialist accessory for a defined multi-camera requirement. If that’s the job you’re preparing for, the CCBWD1.CEE\/1 is the model to consider. Its description gives a clear indication of the intended scale of use, without suggesting other functions.\u003c\/p\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eProduct: Sony CCBWD1.CEE\/1\u003c\/li\u003e\n\u003cli\u003eCategory: Cable\u003c\/li\u003e\n\u003cli\u003eStated use: Control more than six RX0 cameras at the same time\u003c\/li\u003e\n\u003cli\u003eColour: Black\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":57503599100244,"sku":"CCBWD1.CEE","price":613.55,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/CCBWD1.CEE_01.jpg?v=1791566603"},{"product_id":"sony-cpl-filter-w-een-diameter-van-49mm","title":"Sony CPL Filter w\/ Een Diameter Van 49mm","description":"\u003ch2\u003eSony CPL Filter 49mm | Tame reflections and deepen skies\u003c\/h2\u003e\n\u003cp\u003eA bright sky looks pale in your frame, or reflections on water and glass distract from the subject. That’s where a CPL, or circular polarising filter, can help: it reduces some reflected glare and can make blue skies appear richer. This Sony filter has a 49 mm diameter, so it’s made for a lens with a matching filter thread. Its effect depends on the direction of the light and the angle you’re shooting from; it won’t remove every reflection. You adjust the polarising effect by turning the filter while looking through your camera, then stop when the scene looks right. It’s a straightforward tool for landscape photographers, travellers and anyone who often photographs through glass or near reflective surfaces. The result is controlled in-camera, rather than added later in editing.\u003c\/p\u003e\n\u003cdiv class=\"specialist-note\"\u003e\n\u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n\u003cp\u003eThe 49 mm diameter is the detail to match first: on a lens with a 49 mm filter thread, the filter can sit in front of the lens without an adapter. As a CPL, it lets you adjust how much reflected light is suppressed by turning it and watching the effect in your composition. For a landscape, try it with the sun off to one side to bring more depth to a blue sky; for a pond or shop window, turn it until the reflection eases and the view behind it becomes clearer. It suits photographers who want to manage those reflections as they frame. Just remember, the effect changes with your angle to the light and won’t work equally on every surface.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eBrand: Sony\u003c\/li\u003e\n\u003cli\u003eFilter type: CPL (circular polarising filter)\u003c\/li\u003e\n\u003cli\u003eDiameter: 49 mm\u003c\/li\u003e\n\u003cli\u003eCategory: Polarizing Filter\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":57503599690068,"sku":"VF49CPAM2.SYH","price":90.82,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/VF49CPAM2.SYH_01.jpg?v=1791566604"},{"product_id":"sony-cpl-filter-w-een-diameter-van-55mm","title":"Sony CPL Filter w\/ Een Diameter Van 55mm","description":"\u003ch2\u003eSony CPL Filter 55mm | Reduce reflections and adjust sky contrast\u003c\/h2\u003e\n\u003cp\u003eReflections on water, glass and glossy surfaces can distract from your subject, while a bright sky may look flatter than it did to your eye. The Sony CPL Filter is a circular polarizing filter with a 55 mm diameter, for a lens with a matching filter size. Rotate it to adjust how much reflected light is suppressed and how strongly blue skies separate from clouds. That makes it useful for landscapes, window scenes and photographs beside water, where you want to control reflections while composing. The effect depends on the light and your shooting angle, so judge it through the viewfinder rather than expecting a fixed look. This filter suits photographers who want to make that adjustment as they shoot, instead of leaving the decision entirely to editing later.\u003c\/p\u003e\n\u003cdiv class=\"specialist-note\"\u003e\n\u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n\u003cp\u003e“Will this Sony CPL fit my lens?” It fits a lens with a 55 mm filter thread, so match that size on the lens rather than relying on the camera brand. As a CPL, it lets you turn the filter to tune down reflections—handy when photographing a pond or shooting through a shop window. Rotate it while watching the scene, and stop when the reflection is reduced but the surface still looks natural. For a landscape, adjust it while framing blue sky to control the contrast with clouds. The effect changes with your position relative to the light, and the filter reduces the light reaching the camera, so keep an eye on shutter speed in dim conditions. It’s most useful in brighter scenes where you want deliberate control over glare.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eBrand: Sony\u003c\/li\u003e\n\u003cli\u003eFilter type: CPL (circular polarizing)\u003c\/li\u003e\n\u003cli\u003eDiameter: 55 mm\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":57503600345428,"sku":"VF55CPAM2.SYH","price":98.8,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/VF55CPAM2.SYH_01.jpg?v=1791566605"},{"product_id":"sony-cpl-filter-w-een-diameter-van-62mm","title":"Sony CPL Filter w\/ Een Diameter Van 62mm","description":"\u003ch2\u003eSony CPL Filter 62mm | Manage reflections and deepen skies\u003c\/h2\u003e\n\u003cp\u003eSony CPL Filter 62mm is a circular polarizing filter with a 62mm diameter, made for photographers whose lenses take this filter size. It’s especially useful for landscapes, water and scenes viewed through glass, where reflections can compete with the subject. A CPL lets you adjust how much polarized light reaches the camera, helping to reduce some reflections and bring more definition to blue skies. The effect changes with your angle to the light, so it’s something to judge as you frame the shot rather than set once and forget. This filter is best suited to photographers who want more control over glare and reflections in bright outdoor scenes. It won’t remove every reflection, and it can reduce the light reaching the camera, so you may need to compensate with your exposure. The 62mm measurement is the key detail when matching it to a lens.\u003c\/p\u003e\n\u003ch3\u003eGetting the most from a CPL\u003c\/h3\u003e\n\u003cp\u003eLook through the viewfinder or at the screen and rotate the filter slowly while watching the reflection or sky. Stop when the effect looks right; maximum polarization isn’t always the most natural result. For water, this can help reveal detail beneath surface glare when the angle is suitable. For skies, the effect is often strongest when shooting roughly at a right angle to the sun. If the scene darkens, adjust exposure as needed. Reflections from metal aren’t corrected in the same way, so a CPL won’t solve every kind of glare.\u003c\/p\u003e\n\u003cdiv class=\"specialist-note\"\u003e\n\u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n\u003cp\u003eReflections respond as you rotate a CPL, so you can fine-tune the effect while composing instead of settling for one fixed look. I’d suggest this to someone who often photographs water, glass or open skies and wants to decide how much glare stays in the frame. The 62mm diameter gives you a clear sizing reference: match it to the filter-thread size of the lens you intend to use. For a lake or shop window, turn the filter while watching the reflected light fade, then stop before the scene looks unnaturally flat. One limitation to keep in mind: it won’t remove reflections from metal.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eProduct type: CPL filter\u003c\/li\u003e\n\u003cli\u003eDiameter: 62mm\u003c\/li\u003e\n\u003cli\u003eCategory: Polarizing Filter\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":57503604801876,"sku":"VF62CPAM2.SYH","price":123.76,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/VF62CPAM2.SYH_01.jpg?v=1791566606"},{"product_id":"sony-cpl-filter-w-een-diameter-van-67mm","title":"Sony CPL Filter w\/ Een Diameter Van 67mm","description":"\u003ch2\u003eSony CPL Filter with 67mm Diameter | Control reflections outdoors\u003c\/h2\u003e\n\u003cp\u003eThis Sony filter is a circular polariser, giving you a way to manage reflected light as you take the photograph. It suits photographers who want more control over reflections at the point of capture, especially when shooting water, foliage or a scene through glass. A polariser can also deepen a blue sky when the sun is at a suitable angle. Rotate it while composing and watch the effect change; the result depends on the light and your position, so it won’t look the same in every direction. It’s most rewarding when reflections are affecting the subject and you have a moment to adjust the filter. For outdoor landscapes or close details, that lets you decide how much glare remains in the frame instead of relying on editing later. If you want to preserve reflections as part of the image, this is a less suitable tool. Its strength is selective control, not a fixed look applied to every shot.\u003c\/p\u003e\n\u003cdiv class=\"specialist-note\"\u003e\n\u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n\u003cp\u003eThe Sony CPL Filter with 67mm diameter is made to help control reflections while you frame. “CPL” identifies the circular polarising type; rotate the filter as you look at the scene to find the amount of glare reduction you want. For a pond or shop window, adjust it until more detail behind the reflection becomes visible. For a richer-looking blue sky, use it when the sun is off to the side of your view, then fine-tune the effect. The 67mm measurement is the size to match to the lens’s filter thread, so check that specific measurement before buying. I’d recommend it to someone who wants hands-on control outdoors; just remember that the effect depends on the light angle and won’t remove every reflection.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eBrand: Sony\u003c\/li\u003e\n\u003cli\u003eFilter type: CPL (circular polarising)\u003c\/li\u003e\n\u003cli\u003eDiameter: 67mm\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":57503605490004,"sku":"VF67CPAM2.SYH","price":139.7,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/VF67CPAM2.SYH_01.jpg?v=1791566607"},{"product_id":"sony-cpl-filter-w-een-diameter-van-72mm","title":"Sony CPL Filter w\/ Een Diameter Van 72mm","description":"\u003ch2\u003eSony CPL Filter, 72mm | Cut reflections and deepen colour\u003c\/h2\u003e\n\u003cp\u003eThe defining choice here is a 72mm diameter: this Sony CPL filter is made for a lens with a matching 72mm filter thread. That precise fit matters when you want to control reflections without changing how you compose through the lens. A CPL, or circular polarizing filter, lets you adjust the strength of its effect by rotating the filter. It’s useful for reducing glare from reflective non-metallic surfaces such as water or glass, and for deepening the appearance of a blue sky when the shooting angle is right. This suits photographers who want more control over those reflections in landscapes, travel scenes or shop-window photographs. The effect depends on the light and your angle to the subject, so a small turn can make a visible difference. It’s a practical, focused filter rather than an all-purpose way to change a scene.\u003c\/p\u003e\n\u003cdiv class=\"specialist-note\"\u003e\n\u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n\u003cp\u003eOnce it’s fitted, you can turn the filter to fine-tune the reflection reduction while watching the scene—no need to guess at one fixed effect. The 72mm diameter is the key detail when choosing it: your lens needs a matching 72mm filter thread for a direct fit. As a CPL, it’s especially handy beside water or when photographing through glass; rotate it slowly until glare drops without making the scene look unnaturally dark. For a landscape, try adjusting it with the sky in view and keep the sun’s direction in mind, since the effect changes with your angle. One honest trade-off: a polarizer cuts some light, so you may need a slower shutter speed or higher ISO in dim conditions.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eBrand: Sony\u003c\/li\u003e\n\u003cli\u003eFilter type: CPL\u003c\/li\u003e\n\u003cli\u003eDiameter: 72mm\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":57503606276436,"sku":"VF72CPAM2.SYH","price":148.72,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/VF72CPAM2.SYH_01.jpg?v=1791566608"},{"product_id":"sony-cpl-filter-w-een-diameter-van-77mm","title":"Sony CPL Filter w\/ Een Diameter Van 77mm","description":"\u003ch2\u003eSony CPL Filter, 77mm | Reduce distracting reflections in your pictures\u003c\/h2\u003e\n\u003cp\u003eReflections on water, glass and shiny surfaces can pull attention away from the subject. A polarizing filter lets you reduce some of that reflected light, helping those details look clearer and more distinct. This Sony filter is for photographers who want more control over reflections in outdoor scenes, travel pictures or shots through a window. Turn the filter while looking at the scene to find the effect you prefer; the result changes with the light and your viewing angle. The 77mm diameter is the key sizing detail: it needs to match the filter thread on your lens. A polarizer can also deepen the look of a blue sky, though the effect depends on the direction of the light. It’s a straightforward way to shape the scene at the lens rather than relying on editing later.\u003c\/p\u003e\n\n\u003cdiv class=\"specialist-note\"\u003e\n\u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n\u003cp\u003eFirst-time CPL users sometimes expect reflections to disappear as soon as the filter is fitted; the useful change comes from adjusting the filter and watching the scene. CPL means circular polarizer, so this is the type to consider when you want to manage reflected light while composing. Its 77mm diameter gives you a clear sizing check: match that number to the lens’s front filter thread. I’d suggest it to someone who often photographs water, shop windows or bright outdoor scenes, and wants to control glare as they shoot. One honest limit: a polarizer can’t remove every reflection, and its effect depends on the angle to the light.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eBrand: Sony\u003c\/li\u003e\n\u003cli\u003eFilter type: CPL (circular polarizing filter)\u003c\/li\u003e\n\u003cli\u003eDiameter: 77mm\u003c\/li\u003e\n\u003cli\u003eCategory: Polarizing Filter\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":57503606931796,"sku":"VF77CPAM2.SYH","price":164.66,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/VF77CPAM2.SYH_01.jpg?v=1791566609"},{"product_id":"sony-cpl-filter-w-een-diameter-van-82mm","title":"Sony CPL Filter w\/ Een Diameter Van 82mm","description":"\u003ch2\u003eSony CPL Filter, 82mm | Reduce reflections in bright scenes\u003c\/h2\u003e\n\u003cp\u003eReflections on water or glass can hide the detail you wanted to photograph, while a bright sky may look pale in the frame. A circular polarizing filter helps manage those effects: turn it while looking through the camera to adjust how much reflected light is reduced. The Sony CPL Filter is a practical option for photographers who want more control over reflections in landscapes, travel scenes and images made through windows. Its 82mm diameter is the key fit measurement, so it’s intended for a lens with an 82mm filter thread. The effect depends on the angle of the light and your position relative to the subject; it won’t remove every reflection. For the strongest change, watch the image as you adjust the filter, especially when photographing water, foliage or a blue sky. It’s a simple way to shape the light reaching your lens without changing the scene itself.\u003c\/p\u003e\n\u003cdiv class=\"specialist-note\"\u003e\n\u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n\u003cp\u003e“Will this help with reflections on a lake?” Yes, that’s exactly the kind of scene where a CPL can make a noticeable difference. I’d turn the filter while viewing the water and stop when the surface reflection is reduced to the level you want; the effect changes with your shooting angle, so don’t expect the same result from every position. The 82mm diameter means you’ll need a lens with an 82mm filter thread. And because this is a CPL—a circular polarizing filter—you can use it to manage glare while keeping the scene’s colours looking more defined. It suits landscape and travel photographers who want that hands-on control, but it won’t erase every reflection.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eBrand: Sony\u003c\/li\u003e\n\u003cli\u003eFilter type: CPL\u003c\/li\u003e\n\u003cli\u003eCategory: Polarizing Filter\u003c\/li\u003e\n\u003cli\u003eDiameter: 82mm\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":57503607521620,"sku":"VF82CPAM2.SYH","price":214.57,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/VF82CPAM2.SYH_01.jpg?v=1791566610"},{"product_id":"sony-e-11mm-f-1-8-apc-c-wide-angle-prime","title":"Sony E 11mm f\/1.8 APC-C Wide Angle Prime","description":"\u003ch2\u003eSony E 11mm f\/1.8 APS-C Wide Angle Prime | Room for the whole scene\u003c\/h2\u003e\n\u003cp\u003eFor broad landscapes, dramatic building views and night skies with plenty of space around the subject, the Sony E 11mm f\/1.8 APS-C Wide Angle Prime gives you an ultra-wide view in a compact prime-lens format. Its 11mm focal length suits Sony E APS-C cameras, where it lets you include more of a scene when stepping back isn’t an option. That makes it especially appealing for landscape photographers who want foreground and sky together, architecture shooters working in tight spaces, and anyone composing a wider view of the stars. Autofocus is there when you want the lens to focus for you, while the bright maximum aperture offers extra flexibility as light levels fall. This is a lens for making space part of the composition, rather than simply getting a little more of a distant subject into the frame.\u003c\/p\u003e\n\u003cdiv class=\"specialist-note\"\u003e\n\u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n\u003cp\u003eWhen a room or a night sky won’t fit into the frame, this 11mm lens gives you a much wider view to work with. Its f\/1.8 maximum aperture is particularly helpful after dark: try starting at f\/1.8 for stars, then choose a shutter speed that keeps their points of light looking crisp. The 104° angle of view also makes it easier to bring a strong foreground into a landscape without losing the sweep of the scene. I’d recommend it to Sony APS-C users who enjoy wide compositions of architecture or the night sky. One thing to watch: at this width, objects near the edges can feel stretched, so keep important details closer to the centre.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eProduct kind: Interchangeable lens\u003c\/li\u003e\n\u003cli\u003eFocal length: 11mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: f\/1.8\u003c\/li\u003e\n\u003cli\u003eLens type: Ultra Wide Prime\u003c\/li\u003e\n\u003cli\u003eMount: Sony E\u003c\/li\u003e\n\u003cli\u003eSensor format: APS-C\u003c\/li\u003e\n\u003cli\u003eFocus: Autofocus\u003c\/li\u003e\n\u003cli\u003eAngle of view: 104°\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":57503608275284,"sku":"SEL11F18.SYX","price":516.91,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/SEL11F18.SYX_01.jpg?v=1791566612"},{"product_id":"sony-ecm-xyst1m-stereo-microphone-multi-shoe","title":"Sony ECM-XYST1M Stereo Microphone Multi Shoe","description":"\u003ch2\u003eSony ECM-XYST1M Stereo Microphone Multi Shoe | Stereo sound for your video recordings\u003c\/h2\u003e\n\u003cp\u003eWithout a separate microphone, your recording relies on whatever audio the camera’s built-in microphones capture. The Sony ECM-XYST1M is a stereo microphone for people who want their video’s sound recorded in stereo, rather than relying on the camera alone. That makes it worth considering for filmed conversations, events or scenes where you want the recording to retain a sense of space. Its Multi Shoe fitting gives the product a specific mounting format, so it suits a setup built around that connection. This is a focused accessory, not a fix for every audio problem: where you place the camera and the sounds around you still affect what ends up in the recording. If you’re choosing a microphone to add stereo sound to a compatible setup, the ECM-XYST1M is a straightforward option to look at.\u003c\/p\u003e\n\u003cdiv class=\"specialist-note\"\u003e\n\u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n\u003cp\u003e“Will the Sony ECM-XYST1M record stereo sound?” Yes—that’s exactly what its name identifies it as. Stereo recording can give a conversation or a surrounding scene a sense of left-to-right space, which is useful when you want the sound to feel connected to the picture. The Multi Shoe fitting is the other detail to pay attention to: it’s the mounting format this microphone is made around, so your camera setup needs to use that connection. I’d consider it for filming a seated conversation or capturing the feel of a busy room. For either, include the people or space you want heard in the camera’s framing; the microphone won’t remove distracting background noise for you.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eType: Stereo microphone\u003c\/li\u003e\n\u003cli\u003eMounting format: Multi Shoe\u003c\/li\u003e\n\u003cli\u003eModel: Sony ECM-XYST1M\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":57503609094484,"sku":"ECMXYST1M.CE7","price":140.62,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/ECMXYST1M.CE7_01.jpg?v=1791566612"},{"product_id":"sony-fawrac1m-wireless-radio-remote-commander","title":"Sony FAWRAC1M Wireless Radio Remote Commander","description":"\u003ch2\u003eSony FAWRAC1M Wireless Radio Remote Commander | Send commands wirelessly\u003c\/h2\u003e\n\u003cp\u003eYou’ve set the camera where you want it, and reaching over to operate it would get in the way. That’s the sort of moment when a wireless radio remote commander can earn its place. The Sony FAWRAC1M is an accessory in the Remote Control category, designed around one clear purpose: sending a command wirelessly rather than operating the camera directly at its position. Its name tells you the essentials—this is a Sony remote commander using wireless radio. It may suit photographers who want remote control as part of their setup, especially when the camera is positioned somewhere inconvenient to reach. The appeal is practical, not complicated: you can keep your place and send a command from elsewhere. One honest point: a remote commander is only useful when remote operation fits the way you work, so think about the task you want it to handle.\u003c\/p\u003e\n\u003ch3\u003eWhen remote control helps\u003c\/h3\u003e\n\u003cp\u003eA remote commander makes sense when you want to operate a camera without walking over to it for every command. That can be handy when your framing is already set and you’d rather avoid disturbing the setup. The FAWRAC1M’s wireless radio control is the defining detail here; it gives this accessory a different role from a control operated at the camera itself. The product name doesn’t suggest a complicated all-in-one accessory. It’s a dedicated remote commander, so its value comes down to whether sending commands wirelessly suits your shooting routine. For some setups, that’s a small convenience. For others, it can make remote operation a more natural part of the process. Keep the purpose simple: this is a remote control accessory, not a camera or a general-purpose wireless device.\u003c\/p\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eProduct name: Sony FAWRAC1M Wireless Radio Remote Commander\u003c\/li\u003e\n\u003cli\u003eCategory: Accessories \u0026gt; Remote Control\u003c\/li\u003e\n\u003cli\u003eControl type: Wireless radio remote commander\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":57503609749844,"sku":"FAWRAC1M.CE7","price":343.43,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/FAWRAC1M.CE7_01.jpg?v=1791566613"}],"url":"https:\/\/www.htf-store.com\/pl\/collections\/sony-camera-equipment.oembed?page=2","provider":"Hard to Find Camera Store","version":"1.0","type":"link"}