{"product_id":"dzofilm-pavo-2x-anamorphic-prime-macro-65mm-t2-8-blue-coa","title":"DZOFILM Pavo 2x Anamorphic Prime Macro 65mm T2.8 Blue Coa...","description":"\u003ch2\u003eDZOFILM Pavo 2x Anamorphic Prime Macro 65mm T2.8 | Close detail with an anamorphic look\u003c\/h2\u003e\n\u003cp\u003eDZOFILM Pavo 2x Anamorphic Prime Macro 65mm T2.8 combines a 2x anamorphic design with macro use for filmmakers shaping close-up images. It suits cinematographers and small production teams who want the distinctive stretched image of anamorphic capture while working with detailed subjects such as product surfaces, food or small objects. The 65mm focal length gives a more considered, tighter viewpoint than a wide-angle perspective, while the T2.8 aperture offers room to work in available light and control depth of field. Its macro designation makes close subject work part of the brief, rather than an occasional extra. The 2x squeeze also means the recorded image needs to be de-squeezed for normal viewing, so plan for that in monitoring and post-production. This is a specialist creative lens, best suited to productions that have a clear use for both close focus and anamorphic framing.\u003c\/p\u003e\n\u003ch3\u003eWorking with the anamorphic image\u003c\/h3\u003e\n\u003cp\u003eA 2x anamorphic image is horizontally compressed when captured; de-squeezing restores its intended proportions for viewing. That workflow is worth planning before a close-up shoot, especially when framing small details precisely. The macro focus role makes the lens a considered option for controlled detail shots, while the 65mm focal length can help keep the composition focused on the subject rather than its surroundings. It’s a specific combination for filmmakers building a deliberate visual style, not a general-purpose description of every lens in a kit.\u003c\/p\u003e\n\u003cdiv class=\"specialist-note\"\u003e\n\u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n\u003cp\u003eOn a quiet studio set, a watch dial or a carefully arranged food detail gives this lens a clear job. The 65mm focal length helps keep the frame focused on the subject, and T2.8 gives you an aperture to work with when you want a more selective depth of field. I’d use its macro focus for close product details, then plan the 2x de-squeeze in your monitoring or post workflow so the composition reads as intended. It’s for filmmakers who have a specific close-up in mind and want anamorphic character there; the extra image-processing step is part of the deal, not something to overlook.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 65mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.8\u003c\/li\u003e\n\u003cli\u003eAnamorphic squeeze: 2x\u003c\/li\u003e\n\u003cli\u003eColour: Blue\u003c\/li\u003e\n\u003cli\u003eCategory: Attachment lens\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":57512639168852,"sku":"DZO-PAM6528PLMB","price":3674.85,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/DZO-PAM6528PLMB_01.jpg?v=1791588067","url":"https:\/\/www.htf-store.com\/products\/dzofilm-pavo-2x-anamorphic-prime-macro-65mm-t2-8-blue-coa","provider":"Hard to Find Camera Store","version":"1.0","type":"link"}