{"product_id":"sirui-ironstar-t1-9-1-5x-anamorphic-fullframe-cine-lenses-35mmblue-flare","title":"Sirui Ironstar T1.9 1.5X Anamorphic FullFrame Cine Lenses 35MM(Blue Flare)","description":"\u003ch2\u003eSirui Ironstar T1.9 1.5X Anamorphic FullFrame Cine Lenses 35MM(Blue Flare) | Widescreen character with blue flare\u003c\/h2\u003e\n\u003cp\u003eGive your footage a widescreen cinematic character, with blue flare as part of the look. The Sirui Ironstar is an interchangeable anamorphic cine lens for filmmakers who want a distinctive frame for narrative scenes, music videos or carefully composed short films. Its 1.5× anamorphic design creates a squeezed image for a wider presentation when correctly displayed, while the blue-flare version brings a recognizable colour accent to bright light sources in the frame. It’s designed for full-frame use, so you can build shots around the coverage of a full-frame sensor rather than treating the lens as a crop-format option. Manual focus makes it a considered tool for planned shots and deliberate focus changes. This lens is at its best when you have time to compose, control the light and use its anamorphic character as a creative decision—not when you need effortless, automatic focus.\u003c\/p\u003e\n\n\u003ch3\u003eWhat defines this lens\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003e1.5× anamorphic design:\u003c\/strong\u003e Gives your compositions a widescreen character when the squeezed image is displayed correctly.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eBlue flare:\u003c\/strong\u003e Adds a blue accent from bright light sources when they enter the frame.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFull-frame coverage:\u003c\/strong\u003e Suited to filming with a full-frame sensor.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003ePlan the frame, not just the flare\u003c\/h3\u003e\n\u003cp\u003eThe blue flare can become a deliberate part of a shot, but it works best when you decide where bright sources belong in the composition. For a more controlled result, place them carefully and keep an eye on how they affect the rest of the frame. That approach lets the anamorphic look support the scene instead of taking it over.\u003c\/p\u003e\n\n\u003cdiv class=\"specialist-note\"\u003e\n\u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n\u003cp\u003eFirst-time anamorphic buyers can mistake the 1.5× marking for the lens’s focal length; this one is a 35mm, so start by composing with that perspective in mind. For a dialogue scene, the 35mm view can keep some of the setting around your subject; focus manually on the actor’s eyes and rehearse any focus changes. The T1.9 maximum aperture gives you room to work in dim interiors without immediately pushing exposure higher. I’d suit this to a filmmaker who enjoys shaping a shot, rather than someone relying on autofocus for fast, unpredictable action. Its manual focus asks for attention, so planned scenes are where it makes most sense.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eFocal length: 35mm\u003c\/li\u003e\n  \u003cli\u003eMaximum aperture: T1.9\u003c\/li\u003e\n  \u003cli\u003eLens type: Anamorphic\u003c\/li\u003e\n  \u003cli\u003eSensor format: Full Frame\u003c\/li\u003e\n  \u003cli\u003eFocus: Manual Focus\u003c\/li\u003e\n  \u003cli\u003eAngle of view: 63°\u003c\/li\u003e\n  \u003cli\u003eProduct kind: Interchangeable lens\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sirui","offers":[{"title":"Default Title","offer_id":57492201406804,"sku":"IRON-35-B","price":994.8,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/IRON-35-B_01.jpg?v=1791544623","url":"https:\/\/www.htf-store.com\/products\/sirui-ironstar-t1-9-1-5x-anamorphic-fullframe-cine-lenses-35mmblue-flare","provider":"Hard to Find Camera Store","version":"1.0","type":"link"}