{"product_id":"fujifilm-mk50-135mm-t2-9-e-mount-4k-cine-lens","title":"Fujifilm MK50-135mm T2.9 E-Mount 4K Cine Lens","description":"\u003ch2\u003eFujifilm MK50-135mm T2.9 E-Mount 4K Cine Lens | Frame telephoto shots with precision\u003c\/h2\u003e\n\u003cp\u003eThis telephoto cine zoom gives filmmakers a 50-135mm range in one lens, making it easier to adjust shot size without changing lenses. It’s for video makers working with Sony E-mount cameras who want to frame interviews, pick out details or shape a tighter shot from their camera position. The range is especially useful when you need several telephoto framings during a scene but want to keep your setup consistent. Manual focus suits a considered, hands-on approach to focusing, while the maximum T2.9 aperture gives you a clear exposure reference as you plan a shot. This lens is built around the needs of filmmaking rather than general still photography. Its black finish keeps the look restrained on set. For wide establishing views, you’ll want a wider focal length alongside it.\u003c\/p\u003e\n\u003ch3\u003eFraming on set\u003c\/h3\u003e\n\u003cp\u003eUse the zoom to move between a medium interview composition and a close view of a subject or prop without swapping lenses. For a deliberate change of focus during a take, work the manual focus yourself and rehearse the move so it lands where you want. That makes the lens a practical option for controlled scenes where framing and focus are part of the visual plan.\u003c\/p\u003e\n\u003cdiv class=\"specialist-note\"\u003e\n\u003ch3\u003eSpecialist Note\u003c\/h3\u003e\n\u003cp\u003e50mm gives you a tighter starting view than a standard wide shot, which is handy when you’re framing an interview or isolating an on-screen detail. At the other end, 135mm lets you tighten the composition further from the same camera position. I’d use the T2.9 maximum aperture as a consistent exposure target while setting up those shots, then take time with the manual focus to place attention exactly where it belongs. It suits filmmakers who prefer direct control over the image. One honest limitation: its 50mm wide end won’t cover a broad establishing view in a confined room, so plan a wider lens for that shot.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eProduct kind: Interchangeable lens\u003c\/li\u003e\n\u003cli\u003eFocal length: 50-135mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.9\u003c\/li\u003e\n\u003cli\u003eLens type: Telephoto Zoom\u003c\/li\u003e\n\u003cli\u003eMount: Sony E\u003c\/li\u003e\n\u003cli\u003eFocus: Manual Focus\u003c\/li\u003e\n\u003cli\u003eColour: Black\u003c\/li\u003e\n\u003cli\u003eSuitable for: Video, Filmmaking\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Fujifilm","offers":[{"title":"Default Title","offer_id":57563718975828,"sku":"16555655","price":4149.48,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/2493\/3716\/files\/16555655_01.jpg?v=1791805018","url":"https:\/\/www.htf-store.com\/zh\/products\/fujifilm-mk50-135mm-t2-9-e-mount-4k-cine-lens","provider":"Hard to Find Camera Store","version":"1.0","type":"link"}